“Stern’s girls see how they’re seen and they’re ready to go to battle with the full arsenal of seduction, smoothness, and adversarial appeal . . .the enemies-to-lovers pipeline has never been so scorching” - Alex Quicho

the gallery’s first solo exhibition dedicated to the artist examines the full scale of his sculpture, created in 2015 on the salt desert of Bolivia - “Barth’s work brings us back to the hidden meaning of thing”

“Janská’s practice is a meditation on form and perception, a delicate unravelling of selfhood tracing contours of femininity with an ethereal hand” - Luana Hildebrandt

“with an almost childlike joy, Paquet playfully deconstructs photographic techniques, returns to its essential elements, in order to celebrate a single component: The most important element is light” - Lillian Davies

new hanging light sculptures and a minimalistic lounge chair by the collaborative art and design practice, exploring themes of place and memory with works that echo the designers’ belief in the future and longing for what is left behind

new artworks by the artist and designer “who injects whimsy and nostalgia into a design world that she considers often too serious and self-aggrandising”

“a poetic exploration of time, memory, and inheritance, constructing a cartography of the artist’s most intimate universe ... in his practice, plexiglass becomes the evolution of the canvas, and tape, the evolution of paint”

more than fifty aphorisms, remarks, slogans, and “other precepts of questionable significance” by Labelle-Rojoux, all written on colored paper

“Bertrand, however, evokes the décors staged on the record sleeves of certain electronic music pioneers. Repetitive, anonymous and generally uncopyrighted, this music from the 1970s-80s” - Paul Bernard

paintings and an illusionistic wall installation as Ribbeck’s first solo exhibition in France presents his “intricately designed rhythmic and geometric sequences of forms and colors, which spread across the entire surface of the substrates and beyond”

in the first retrospective in France of the British artist, photographs of Morris’s youth in London, his portraits of Bob Marley and the Sex Pistols, and his work with artists including Oasis, Lee ‘Scratch’ Perry, and Marianne Faithfull

“I took over Picasso museum ... but some visitors never made it to the fourth floor. That’s why I wanted to organize a catch-up session at Perrotin Paris” - Calle

seminal photographs from the early 1970s by this pioneer of conceptual and staged photography, which challenge conventional notions of gender and its representation

the second iteration of the gallery’s new program organized with Olivier Renaud-Clement hosts Lo Brutto Stahl

new embroideries, bronze sculptures and canvases in the first exhibition with the gallery, and in Paris, by an artist renowned for her investigations into colour, materiality and form

“these saccharine aesthetics are intentionally designed to captivate the viewer, only to expose the deeper truths beneath - how visual appeal has been commodified in modern society, shaping our perceptions of value, beauty, and identity” - Saša Bogojev

“McGee’s exhibitions are characterized by their abundance and generosity. Every corner is filled with art, and the artist’s creativity is splashed onto all kinds of media: glass bottles, surfboards, discarded objects, canvases, drawings” - Richard Leydier

large luminous sculptures handcrafted in blown glass in the Finnish artist’s first solo exhibition

“Park’s paintings invite us to reconsider the operations of the gaze and the construction of meaning, emphasizing the limits of either/ or thinking and insisting instead on a more nuanced relation to contradiction and multiplicity” - Amanda Holmes

a comprehensive exhibition with two new large installations, an early projection work, new in-wall Glassworks pieces, holograms, models, prints, and plans of Roden Crater, as well as other photographs, prints, and archival materials

examining the challenging of convention and use of repetition, defining works by key postwar figures including De Maria, Fontana, Judd, Manzoni, Merz, Picasso, Rauschenberg, Serra, and Warhol

new acrylic and oil paintings in Curtiss’s first solo exhibition with Gagosian, and in Paris - drawing on 18th- and 19th-century European painting and integrating influences from the Chicago Imagists, ukiyo-e, comics, and popular illustration

across both Paris spaces works by, for, and inspired by Giorno - with Julie Béna, William S. Burroughs, David Douard, Verne Dawson, Judith Eisler, Tarek Lakhrissi, Mélanie Matranga, Clément Rodzielski, Ugo Rondinone, Billy Sullivan, and Rirkrit Tiravanija

new oils on canvas and gouaches on paper by Yoon in her first exhibition in France - “each painting has a life of its own, and it's my job to make it visible”

works by artists including Alighiero Boetti, Jean Boghossian, Chiara Dynys, Emilio Isgrò, Anselm Kiefer, Claudio Parmiggiani, Michelangelo Pistoletto, and Yinka Shonibare exploring the book, not only for its literary content but also its symbolic value

a video installation which uses social media as a performative space to explore the impact of it on the commodification of - particularly women’s - bodies

Bowling’s first solo exhibition in France sees him continue to explore collage as a conceptual tool and technique, and features new works including four monumental paintings

works from the 1950s, 1970s and 1980s in a new exhibition of the late Cuban artist - “one of the three great sculptors of Surrealism”

inspired by a Maya Angelou poem, “a journey deep into the complex and fascinating universe of Oda Jaune” with twenty oils on canvas which explore unconditional love

across both Paris spaces works by, for, and inspired by Giorno - with Julie Béna, William S. Burroughs, David Douard, Verne Dawson, Judith Eisler, Tarek Lakhrissi, Mélanie Matranga, Clément Rodzielski, Ugo Rondinone, Billy Sullivan, and Rirkrit Tiravanija

new works in lacquered wood and concrete benches by the French designer which “embody the artist’s interest in the architecture of artificial contemporary landscapes”

monumental sculpture, installations, and video - including new work shown for the first time - by one of the most powerful voices in contemporary Ukrainian art - “Kadyrova creates a space for reflection on the essential role of art in times of conflict”

sculptures, assemblages, installations, and works on paper from 1962 to 1980 in Caniaris’ first major retrospective in France

installed on a giant frieze, Cognée’s landscapes use a unique painting technique and display “his unconditional love for the medium of painting and his caustic view of our disenchanted era”

the debut of a new project, specially designed for the gallery space, from the artist who’s work “defies classification and explores a variety of mediums, aesthetic categories and sources of inspiration”

across both gallery spaces, an exhibition of works from the 1950s, 1970s and 1980s in a new exhibition of the late Cuban artist - “one of the three great sculptors of Surrealism”

major works by Poliakoff alongside pieces by the artists who contributed to the perseverance of his chromatic explorations and created equally avant-garde works themselves

“combining rigorous observation and fantastic imagination Bertalan's extraordinary drawings create mysterious microcosms. Imbued with the artist's philosophical and spiritual convictions”

referencing the painting genre of a group portrait in an informal setting, an exhibition “creating conversations between the works, creating formal, technical, thematic or more dreamlike and light-hearted connections”