bringing together two generations of abstraction, an exhibition which juxtaposes the bold, gestural work of Briggs with the introspective, process-driven paintings of Bonner

over forty works from Picasso’s own collection - including pieces never seen in public before - shown together for the first time, together with rarely exhibited objects from his studios

three monumental “landscape and mindscape” paintings form an immersive installation in Weiner’s debut solo exhibition with the gallery

in partnership with Paloma Picasso, over fifty rarely seen - or in some cases never previously exhibited - paintings, sculptures, and drawings from the full span of Picasso’s career

conceived by Saara Pritchard, this exhibition is the first to focus on the three artists, who worked in New York City during the 1960s, 1970s, and 1980s, often portraying mutual sitters, exhibiting together, and participating in public discussions

in collaboration with Timothy Baum, a significant collection of collages by leading Surrealist artists including André Breton, Joseph Cornell, Marcel Duchamp, Nusch Éluard, Paul Éluard, Max Ernst, Georges Hugnet, Valentine Hugo, René Magritte, Man Ray,...

titled after a first season episode of Star Trek, Bacher’s large, immersive installation “distorts as it reflects, outsourcing its possible meanings to us, and whatever we might bring into the corridor”

curated by Robert Zeller, an exhibition exploring the enduring influence of Surrealism, with contemporary artists placed in conversation with works by historic artists Giorgio di Chirico, Leonor Fini, Yves Tanguy, and Leonora Carrington

“maybe these painted bodies are extensions of my own fear of attracting visitors, and Pierrot’s blushing cheeks an inflammation of the uncomfortable desire that always already accompanies this fear of exposure” - Kantarovsky

in Pillay’s US debut and first solo exhibition at the gallery’s New York location, new paintings inspired by a visit to Réunion Island explore cultural hybridity, resilience and the ways landscapes serve as silent witnesses to history

curated by Oscar Murillo with artworks by Wifredo Lam, Arshile Gorky, and Roberto Matta

featuring works by Julia Wachtel, Wendy White, and Jason Yates

the second part of Ever So Present, curated by Brice Arsène Yonkeu, features work by Luke Agada, Amoako Boafo, Josèfa Ntjam, and Emma Prempeh, artists of African descent who engage with the formation of the contemporary diasporic self

the first presentation of Ryoko Endo, Hannah Lim, and Park Seo-Bo’s work in dialogue - “three visionary artists whose practices traverse East and West, past and present, structure and spontaneity”

Old Masters, Ancient and Modern works of art