Open: Wed-Fri 11am-6pm, Sat 12-5pm

Brunnenstrasse 170, 10119, Berlin, Germany
Open: Wed-Fri 11am-6pm, Sat 12-5pm


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Fri 13 Mar 2026 to Sat 25 Apr 2026

Brunnenstrasse 170, 10119 La Vie En Rose

Wed-Fri 11am-6pm, Sat 12-5pm

Artists: Maike Freess - Barbara Boekelman - Mana Urakami - Clara Tournay

Luisa Catucci Contemporary presents La Vie En Rose. Curated by Luisa Catucci in collaboration with Mario Bermel, the exhibition is the first to be presented under the new name Luisa Catucci Contemporary, marking the transition from what was formerly Luisa Catucci Gallery into an expanded platform for contemporary art.

Artworks

Maike Freess, Die Frazte (Persolla), 2026

Various crayons, paper cut-out on paper

137.5 × 137.5 × 3 cm

© Maike Freess
Maike Freess, Presence of Absence, 2022

Various crayons, paper cut-out on paper

137.5 × 137.5 × 3 cm

© Maike Freess
Maike Freess, Paradox of Wilderness, 2024

Various crayons, paper cut-out on paper

137.5 × 137.5 × 3 cm

© Maike Freess
Barbara Boekelman, No Means Yes, 2025

Oil, acrylics, and charcoals on canvas

205 × 155 × 4 cm

© Barbara Boekelman
Barbara Boekelman, Force-Feeding Faith, 2023

Oil, acrylic and charcoal on canvas

180 × 150 cm

© Barbara Boekelman
Barbara Boekelman, All That Potential Lost, 2025

Oil and charcoal on canvas

160 × 180 × 4 cm

© Barbara Boekelman
Clara Tournay, Maeve Iridescente I, 2026

Polycarbonate on Austrian stone

96 × 50 × 28 cm

© Clara Tournay
Clara Tournay, Maeve Iridescente III, 2025

Polycarbonate on Austrian stone

51 × 25 × 19 cm

© Clara Tournay
Clara Tournay, Maeve Iridescente II, 2026

Polycarbonate on Austrian stone

7 × 62 × 22 cm

© Clara Tournay
Mana Urakami, Portrait, 2025

Original vintage photography and cotton thread

10 × 6 cm

© Mana Urakami
Mana Urakami, Cat, 2026

Original vintage photography and cotton thread

10 × 15 cm

© Mana Urakami
Mana Urakami, Mutter, 2025

Original vintage photography and cotton thread

23.7 × 16.2 cm

© Mana Urakami

Installation Views

Bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse. Historically layered with shifting meanings, from spiritual embodiment to Rococo excess and later gendered domestication, pink is reclaimed here as a carrier of resilience and lived strength. It appears across drawing, painting, sculpture, photography, and embroidery as stain, reflection, interruption, or subtle trace, holding tenderness and force in the same breath.

The title echoes Édith Piaf’s La Vie En Rose, invoking not romantic idealization but endurance shaped by hardship and survival. This undertone of transition resonates both institutionally and personally, mirroring the gallery’s evolution and Bermel’s move from Berlin to Paris.

Across the exhibition, bodies dissolve and recompose, figuration emerges from abstraction, materials shift between organic and industrial, and photographs are gently reanimated through thread. Pink surfaces as presence rather than proclamation — a quiet field in which strength exists without spectacle. The exhibition ultimately speaks of resilience that does not declare itself, but simply endures.

all images © the gallery and the artist(s)

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