Open: Mon-Fri 11am-3pm, Sat by appointment

Carrer de Can Sanç 13, 07001, Palma de Mallorca, Spain
Open: Mon-Fri 11am-3pm, Sat by appointment


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Baró Galeria at ARCOLisboa 2026

Baró Galeria, Palma de Mallorca

Thu 28 May 2026 to Sun 31 May 2026

Carrer de Can Sanç 13, 07001 Baró Galeria at ARCOLisboa 2026

Mon-Fri 11am-3pm, Sat by appointment

Booth I03
Avenida da Índia, 1300-299 Lisboa, Portugal

Baró Galeria announces its participation in ARCOlisboa 2026. The gallery presents works by Joana Vasconcelos (b. 1971, Paris), Bruno Novelli (b. 1980, São Paulo), and Mano Penalva (b. 1976, Salvador). For this edition, the gallery introduces Back and Forth, a project that traces a path between organic imagination and geometric structure, connecting the territories of Portugal and Brazil. The presentation unfolds through a shift between distinct approaches to constructing image and form. Alongside the booth, Baró Galeria will also take part in Archipelago of Art Histories, a project led by Cosmin Costinas that explores the lineages and inherited forms of knowledge shaping contemporary practice, presenting the works of Citra Sasmita.

Artworks

Joana Vasconcelos, Utramar, 2025

Rafael Bordalo Pinheiro faience painted with ceramic glaze, Azores crocheted lace

82 × 42 × 30 cm

© Joana Vasconcelos
Joana Vasconcelos, Orlando, 2026

Rafael Bordalo Pinheiro faience painted with ceramic glaze, Azores crocheted lace

25 × 55 × 125 cm

© Joana Vasconcelos
Joana Vasconcelos, Kerouac, 2020

Rafael Bordalo Pinheiro faience painted with ceramic glaze, Azores crocheted lace

13 × 39 × 34 cm

© Joana Vasconcelos
Mano Penalva, Sapateado, 2026

Nylon strip, wooden slats, and enamel paint

44 × 54 × 7 cm

© Mano Penalva
Mano Penalva, Nuvem XII, 2025

Nylon strip, wooden slats, enamel paint and frame

80 × 100 × 5 cm

© Mano Penalva
Mano Penalva, Nuvem XVIII, 2025

Nylon strip, wooden slats, enamel paint and frame

80 × 100 × 5 cm

© Mano Penalva
Mano Penalva, Malabarista, 2026

Nylon strip, wooden slats, enamel paint and frame

50 × 60 × 5 cm

© Mano Penalva
Mano Penalva, Cirandinha, 2026

Nylon strip, wooden slats, enamel paint and frame

50 × 60 × 5 cm

© Mano Penalva
Bruno Novelli, Na Nascente do Rio, 2025

Acrylic on canvas

100 × 70 cm

© Bruno Novelli
Bruno Novelli, Pássaro Formoso, 2025

Acrylic on canvas

100 × 70 cm

© Bruno Novelli
Bruno Novelli, Macacos do Rio de Ouro, 2025

Acrylic on canvas

120 × 70 cm

© Bruno Novelli
Joana Vasconcelos, Nébula, 2025

Rafael Bordalo Pinheiro faience painted with ceramic glaze, Azores crocheted lace

31 × 115 × 90 cm

© Joana Vasconcelos
Joana Vasconcelos, Hypercube, 2014

Viúva Lamego hand-painted tiles, handmade woollen crochet, ornaments, polyester, plywood, iron

205 × 98 × 35 cm

© Joana Vasconcelos
Citra Sasmita, Red is Color of Pomegranate, 2025

Kamasan canvas, fabric

216 × 208 cm

© Citra Sasmita

At one end, Bruno Novelli’s work emerges from a deeply personal and symbolic universe shaped by his experience in the Brazilian Amazon. His paintings construct imagined ecosystems populated by signs, vegetal forms, and fantastical creatures.

At the other, Mano Penalva’s practice approaches abstraction through processes of repetition, reuse, and accumulation. Working with found objects and everyday materials, his compositions tend toward essential structures, organized through modular systems and subtle geometric arrangements. His work reflects on material memory, the circulation of objects, and the narratives they carry.

Positioned between these two practices, Joana Vasconcelos operates as a point of convergence between the organic and the geometric. Through the use of traditional techniques such as Azorean crochet and azulejo tiles, her work articulates a language in which organic form and geometric pattern intertwine. In her Bestiary, animal figures are enveloped in woven structures—a repetitive matrix with the potential for continuous growth. Similarly, her use of tiles introduces a modular and ornamental logic deeply rooted in Portuguese cultural tradition. From this position, Vasconcelos connects individual imagination with collective memory and artisanal knowledge, acting as a bridge between Novelli’s imagined worlds and Penalva’s structural systems.

Back and Forth proposes a non-linear circulation of forms and ideas, where organic and geometric languages intersect and continuously redefine one another. Within the context of ARCOlisboa, the project articulates a dialogue between Portuguese and Brazilian artistic practices, highlighting cultural affinities, displacements, and shared resonances.

Bruno Novelli, Pássaro Formoso, 2025. Acrylic on canvas 70 x 100 cm

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