curated by Simon de Pury, an exhibition of Testino’s long-term photographic project celebrating global communities, tradition and cultural continuity

new sculptures, recent paintings, and drawings by the artist - “site-specific reconfigurations open up narrative portals, where the various media are combined with natural elements such as wind or gravity and the electromagnetic field”

“his paintings collapse time, revealing how the ordinary can be a vessel for the eternal … Dawson embodies both the zeal of an ecological activist and the faith of a mystic painter. His love for his subject is contagious” - Brad Philips

new small- and medium-format paintings of everyday objects, rendered lifesize by the Swiss artist “granting them a new presence and an unexpected dignity”

this exhibition of works by Anna Krammig, Rachel Lumsden, and Pascal Sidler “makes it clear that works subsumed under the umbrella term figurative painting can be very different in nature”

in a church in the centre of the town, large mirror works and a small silkscreen print on steel in the first solo exhibition in St. Moritz by the Nobel Peace Prize-nominated artist - presented in collaboration with Galleria Continua

to mark five years of the gallery’s work, an exhibition that reflects on “the quiet power of presence and the ongoing act of exchange that art makes possible”

a selection of the artist’s early works, on view together for the first time, the exhibition is a rare opportunity to explore this formative phase of Manzoni’s practice revealing the unexpected foundations on which his later artistic production was built

curated by Tobia Bezzola, an exhibition bringing together paintings, sculptures and drawings focusing on the people and landscapes closest to the artist - shown alongside photographs by his friend Ernst Scheidegger

Grange’s debut solo exhibition at the gallery draws on LGBTQIA+ histories, queer identities, and speculative storytelling to build worlds populated by characters and symbolic artefacts that question societal norms and power structures

the British artist’s first solo exhibition presents new work “that positions painting as one conduit within a broader circuitry of images, sounds, and interfaces, redirecting attention from discrete objects to the configurational field”

the gallery’s first solo exhibition with Kawabara - “his talent flourishes not when form merely follows ornamentation, but when it arises from the principle of ornamentation itself” - Minoru Shimizu

in celebration of the theoretical contemporary art magazine’s 35th anniversary, a selection of art editions from recent years

covering more than four decades, this exhibition on the work of the figure central to Viennese Actionism “reflects the intensity and ritualistic structure that define the artist’s practice … marked by physicality, symbolism, and a relentless exploration o

“this exhibition opens like a landscape. We can follow Valentin Carron down the slope … This exhibition is a window onto our ability to survive the slipping away of our dreams”