Open: Thu-Sun 12-6pm by appointment

Brooklyn, NY 11233, New York, United States
Open: Thu-Sun 12-6pm by appointment


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Lucy Sallick: Familiar Traces

Stellarhighway, New York

Sat 7 Feb 2026 to Sun 5 Apr 2026

Brooklyn, NY 11233 Lucy Sallick: Familiar Traces

Thu-Sun 12-6pm by appointment

Artist: Lucy Sallick

Stellarhighway presents Familiar Traces by Lucy Sallick, the artist’s first solo exhibition in New York City in over twenty-five years. Featuring domestically-scaled works that traverse her career, the paintings, prints, and artist books in this exhibition range from gestural landscapes and intimate still lifes to playful compositions that reference the artist’s childhood.

Artworks

Lucy Sallick, Photos of the Children, 1974

Oil on canvas

31 × 41 in

© Lucy Sallick
Lucy Sallick, To E. 88th St. and Back #1, 1991

Monotype

31 × 42 in

© Lucy Sallick
Lucy Sallick, Newfoundland, 1994

Handmade artist book featuring original works in watercolor, crayon, ink, marker, and pencil on paper and vellum, and includes a collection of words. Cardboard covers with photograph spine, across 44 pages; unique

9 × 6 in

© Lucy Sallick
Lucy Sallick, Maine Watercolors #2, 1979

Oil on canvas

25 × 35 in

© Lucy Sallick
Lucy Sallick, Six or Seven #3, 1993

Monotype

14 × 16.75 in

© Lucy Sallick
Lucy Sallick, There Was A Bee (from 'Nursery Rhymes'), 2001

Handmade artist book as series of 5 unique black-and-white and color etchings on paper, some double-sided, 4 leaves each; unique

3.5 × 2.25 in

© Lucy Sallick
Lucy Sallick, Pastel/Monotype #2, 1980

Acrylic on canvas

9 × 12 in

© Lucy Sallick
Lucy Sallick, Smith Richardson Memorial Wilderness Preserve, 1981

Watercolor on paper

21.75 × 29.5 in

© Lucy Sallick
Lucy Sallick, Pencil and Watercolor, 1977

Oil on canvas

9 × 6 in

© Lucy Sallick
Lucy Sallick, Worktable Paper Cut-up, 2002

Handmade mixed media artist book on paper, across 44 pages; unique

3 × 2.75 in

© Lucy Sallick
Lucy Sallick, Family Portraits 2, 2004

Lithograph; unique

24 × 16 in

© Lucy Sallick
Lucy Sallick, Fruit and Flower, 2014

Pair of handmade artist books with paper covers and marker lettering. Featuring inkjet prints of digital drawings, matte medium and acrylic paint on paper, across 10 pages ('Fruit) and 14 pages ('Flowers'); each unique

2 × 2.25 in

© Lucy Sallick
Lucy Sallick, Pencils in Three Parts, 1979

Oil on canvas

9 × 36 in

© Lucy Sallick

Installation Views

Sallick finds meaning in the complexity of family history and first hand experience. Her idea of self as a web of associations built through time, as descendant and ancestor, is core to her making.

The title of the exhibition is an attempt to enunciate the genealogical underpinnings of Sallick’s studio, both in concept and form. While dealing directly with ideas of ancestry and descent, her work also recaptures materials and finished pieces through various methodologies. In her paintings, Sallick will produce pictures within pictures—recreating extant works within a still life of her studio floor, or combining views of shorelines or hills in uneven grids across giant sheets of paper. Often, genres of still life and landscape interweave with images from home and studio: clay sculptures by the children; groceries on the table; stacks of books; yarn and half-finished needlepoints; paint tubes, brushes, and sketches of landscapes on the studio floor, sometimes arranged, sometimes not. Sallick’s printmaking, which explores the freedom and surprise of the monotype as well as the precise technique of producing editions of prints, treats the same subjects and imagery. Her artist books and sculptures explore the materiality of these connections with an inquisitive authenticity, using scraps from the studio, digital drawings, photocopied photographs, found materials, and cherished objects like her grandfather’s handkerchief.

Ultimately an exploration of the self as an entity constructed from myriad parts across time and space, Sallick’s studio records actions and thoughts as the past moves into the present.

Lucy Sallick (b. 1937; US) studied at the Art Students League and Corcoran School of Art in the 1960s. Recent exhibitions include Stellarhighway, Brooklyn, NY; Fortnight Institute, New York, NY; and, Fairfield University Art Museum, Fairfield, CT. Historical exhibitions include solo shows at Center for Maine Contemporary Art, Rockport, ME; SOHO2O Gallery, New York, NY; G.W. Einstein Co., Inc., New York, NY; and Rutgers University, New Brunswick, NJ; and, group shows at American Academy and Institute of Arts and Letters, New York, NY; The Ogunquit Museum of American Art, Ogunquit, ME; ARTSPACE, New Haven, CT; Wesleyan University, Middletown, CT; Wadsworth Atheneum, Hartford, CT; Museu de Arte Contemporanea da Universidade de Sao Paulo, Sao Paulo, Brazil; and, Bronx Museum of Art, Bronx, NY. She has received awards from Connecticut Commission on the Arts, Silvermine Guild, and the Hazen Foundation, completed a residency at Weir Farm, and has been written about in Art in America and The New York Times. Public collections include Bank of America Corporation, Bowdoin College Museum of Art, Bruce Museum, General Mills, Inc., Housatonic Museum of Art, Norwalk Hospital, Prudential Insurance Corporation, Rahr West Museum, University of Michigan Museum of Art, and United States Department of State. Sallick will be included in the upcoming survey exhibition "The Aldrich Decennial: I am what is around me,” opening at The Aldrich Museum of Contemporary Art in June 2026. The artist maintains studios in Connecticut and Maine.

all images © the gallery and the artist(s)

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