a survey exhibition celebrating the remarkable breadth of Davenport’s career from the late 1980s to the present

an exhibition bringing together works from about twenty galleries and art spaces across Iran … the initiative creates a direct connection between artists, galleries and audiences inside and outside Iran

Biała and Orving reveal - with a tenderness, playfulness and ingenuity that matches their subject - the risks and rewards of our fundamentally and irrevocably interconnected lives” - Rebecca Birrell, PhD.

in conversation with newer work, an opportunity to revisit paintings first shown at the gallery twenty years ago - “Krut demonstrates a Surrealist’s facility for perceiving links between the most disparate commonplace objects” - Andreas Leventis

“at the core of Ida’s practice is the relationship between humanity and the natural world. His paintings consider the delicate balance between human existence and the fragile ecosystems that sustain it”

“in this new body of work the artist reflects on the emotional contradiction of nostalgia - the impossibility of fully recapturing the dazzling immediacy of an experience once it had passed, and the lingering desire to try”

new work by Middleton - “these new paintings recast recognizable forms as surreal archetypes, dramatizing the interplay between presence and absence, and between the literal and the metaphorical”

Aaron Glasson, Chris Johanson, Suchitra Mattai, Evan Nesbit, Wendy Red Star, and Brenna Youngblood encompass “representation and non-representation by reconfiguring color, light, material and texture as tools for rendering ineffable sensibilities”

works spanning several decades reveal an artist continually attentive to the dignity, vitality and complexity of Black experience - “there is warmth throughout Lloyd’s work, but never sentimentality” - Cameron Amiri

titled after an optical phenomenon that occurs twice each year inside Palma Cathedral, the gallery begins its collaboration with VHILS with an exhibition of work including carved doors, billboards, ceramic tile panels, and architectural debris

paintings and works on paper in the centenarian New York-based artist’s first solo exhibition in Europe - “tracing her remarkable contribution to the language of abstract painting over more than five decades”

curated by Ian Collins, this major exhibition includes rarely seen pieces from public and private collections as well as the first showing of Self’s eclectic multi-media installation of 365 wall-based works, ongoing since the year 2000

providing fresh insight into his work - as memory and anecdote (re)animate his photographs - an exhibition revisiting Parks through the reflections of the people and families he portrayed

new paintings and works on paper - “Sanditz has spent more than two decades making landscape painting with a palette that runs hot and synthetic, closer to Kool-Aid, while maintaining an active dialogue with the paintings of the Hudson River School”

in the New York-based artist’s first solo exhibition in London, new paintings which expand his thematic repertoire, bringing his distinctive attention to the glorious and the everyday in both public and private life

Dodd’s exhibition centers on the goddess Diana and, having relocated from upstate New York to Scotland’s Moray Coast, uses materials from her new home like peat, copper ink, spirulina, cochineal, local herbs and powdered meteorite

curated by Bertrand Godot, an exhibition with over twenty artists including Pierre Ardouvin, Pierre Besson, Michel Blazy, Lilian Bourgeat, Anne Brégeaut, Céline Cléron, François Curlet, Michael Dans, François Dufeil, Sammy Engramer, Makiko Furuichi, …

the gallery’s first Los Angeles exhibition of the painter, sculptor, and printmaker - “In both two and three dimensions, Jackson’s figures emerge and recede, generating a vivid sense of movement and depth”

renderings exploring how architecture embodies the spectacle, as well as how our bodies inhabit that built environment, shown alongside the newest installment of his series of multi-part wooden sculptures of bodily fragments, based on historical icons

paintings by six British artists whose practices were forged in the London art world of the 1990s - “painters who, against the prevailing weather, declared that painting remained a medium adequate to its moment”

the artist’s first major show in Monaco - “beneath their serene surfaces, Solà’s paintings reveal the quiet complexity of human relationships, inviting viewers to linger within these suspended moments, where meaning always remains just beyond reach”

painting, ceramics, and text-based assemblages in a powerful First Nations exhibition with new works by Tony Albert and artists from Iltja Ntjarra (Many Hands) and the Hermannsburg Potters, honouring Albert Namatjira and his enduring legacy

an immersive, interactive installation “a post-apocalyptic, six-week-long playground that imagines a world beyond anthropocentrism … stimulating a shift of perception toward a sensibility where transformation, matter, memory, and time are inseparable”

new paintings in an exhibition exploring how identity is reshaped by experience - “bodies merge with forests, rivers and stone; landscapes grow through the human form; figures become entangled with one another; and faces repeat, fragment and disappear”

“I have sought to strip away every trace of artistic affectation until my objects reveal themselves as pure crystallisations of natural forces into essential forms” - Vízner

an exhibition of new paintings and works on paper by Pozanti - “she builds forms that shift fluidly between flower, body, and current, resisting fixed identity in favour of continuous transformation”

these new paintings by Bas focus on overlooked characters - “capturing the interactions that make a transaction possible and the brief window that exposes a person's vulnerability or confidence”

new paintings combining luminous portraiture with bold passages of color, ornamental patterns, and symbolic imagery as the husband-and-wife artists explore the boundaries between the visible and the imagined

Barrero’s first exhibition with the gallery debuts eight large-scale ceramic bead sculptures - a “chorus” of mother figures, “bearing witness and answering one another across the room” - Barrero

monumental carved-wood reliefs, dramatically vertical sculptures in cast iron and granite, and intimate bronze works in Plensa’s tenth solo exhibition with the gallery

curated by Luca Massimo Barbero in collaboration with the Fondazione Lucio Fontana, an exhibition presenting seminal, rare, and unique works from 1949 onward

an exhibition devoted entirely to Smith’s seldom-seen and trailblazing body of work - “these luminous palimpsests compress the physical world into radiant fields that reveal a painterly sensitivity as rigorous and as radical as [his] sculpture”

in collaboration with the artist’s widow Colette, this exhibition presents more than twenty of Soulages’s works on paper, the majority never previously exhibited

“rooted in timeless inspiration from nature, Kaluza arrays various depictions of the subject in both hyper-realistic and abstract paintings … return[ing] to landscapes, forests, and other natural environments as subjects in transformation”

painting, sculpture, multimedia, installation, objets d’art, and conceptual practice in an exhibition of eight leading contemporary artists with deep connections to the state, one of the most compelling sites of artistic production in the US today

curated by Sarah Griffin, an exhibition which explores the interconnected concepts of the three sites of production and transformation - where material, environment and process converge across photography, weaving and ceramics

“Colombet’s abstractions carry a rhythmic, almost variable logic, echoing the geometries nature repeats at every scale - ripples on the surface of water, waves lapping up sand, tectonic plates forming vast topographies”

sculptural artworks crafted in bronze and wood, anchored by the passage from molten force to settled calm, as Dubourg explores matter as language, power as form, and transformation as a site of meaning

in Ford’s first solo exhibition at the gallery’s London space, paintings and accompanying studies which extend his career-long investigation into the relationship between humans, animals, and the natural world

inspired by Ngugi wa Thiong’o’s 2009 book on the critical impacts of colonialism and slavery, Mathenge’s first solo exhibition with the gallery debuts sculpture and paintings exploring how culture, memory, and landscape are made and unmade

“a two year long inquiry into the ontological capacity of contemporary painting … this new body of work uses human conflict, the theatre of conviction and the quiet mechanics of everyday life as its point of departure”

celebrating the life and work of the artist, zoologist, and author with works from across his extraordinary eight-decade artistic career - including his monumental multi-panelled magnum opus The Gathering

titled after the 1911 novel by Frances Hodgson Burnett, an exhibition of contemporary painting from artists exploring subjects including and relating to the natural landscape - ideas of Arcadia and its assimilation into contemporary city life

Dong’s meticulously crafted multi-panel paintings draw energy and influence from classical Chinese ink painting and systems of cultivating nature

“like Foucault’s pendulum, which moves in an ellipse as it oscillates between its outer limits, Zio Ziegler’s 'The Tesseract' swings the viewer in whirling, elliptical fashion from one aesthetic mode to another” - Jeffrey Richmond-Moll, Ph.D.

“to care is to act; to recognise another person’s needs is to take responsibility for their wellbeing. In Clothes (Kleidung), love therefore becomes material: it is found in what is remembered, reclaimed, shared, given away” - Anna Roberta Goetz

“Andrés’s work invites an intimate psychological experience: an excavation sparked by loosened, slightly abstracted images rendered as if viewed only by candlelight. These images pull one into oneself and allow the inside to turn out” - DJ Hellerman

photographs from Sugimoto’s ongoing Diorama series, including rediscovered negatives enlarged for the first time and new washi paper screens that transform his images into luminous byōbu

an exhibition spanning the short and prodigious career of the Brazilian artist - from the mid-1970s mixed-media assemblages to the stylistic plurality of his 1980s drawings and paintings, and the small embroidery works that followed his 1991 HIV diagnosis

curated by Reiter Raabe, the exhibition explores painting, attention, and abstraction as a space where love, hesitation, and persistence create a relation beyond recognition and function, inviting a rare form of generosity called attention

“paintings of women, each portrayed with an extraordinary intensity and psychological tenderness … vulnerability, psychic weight, the precarious nature of being alive: her subjects wrestle with and negotiate the human condition”

new paintings exploring Brazil’s modern period - “this exhibition proposes an act of recovery, bringing to light a body of work that shaped the Brazilian urban imagination, and acknowledges tilework as a vital element of Brazil’s visual culture”

“from the early 1990s, Bulloch glimpsed the twenty-first century. The central subject of her work is the condition of the human being caught within an automated society” - Nicolas Bourriaud

Floyer’s first solo exhibition with the gallery in China presents a poetic, rigorously minimalist body of work spanning sound, light projections, and readymade objects

Edmonds expands her Flag series with a critical reflection on the relationship between memory, national identity, and collective responsibility - in a moment when Black and Brown presence and histories are increasingly targeted for erasure

“in Luce Meunier’s work, painting emerges where you least expect it: in snow, in moss, in the hollow of a sponge. Matter absorbs, diffuses, resists”

co-curated with Harry Tafoya, eleven emerging, mid-career, and established American and European painters from across seven decades present abstract landscapes exploring how artists turn to nature to find inspiration and locate meaning

presented as part of London Design Festival, and centred on a 1965 Morris Mini Cooper S race car, an exhibition which brings together design, craftsmanship, and the culture of making.

new documentary-style drawings, paintings, and sculptural installations that honor immigrant experiences and reject the moral economy of gratitude imposed on them

the gallery’s first collaboration with the artist brings together thirteen paintings created between 2020 and 2026 and centres on Qi Lei’s recent reflections on music, painting, and time

Guirguis presents monoprints exploring Indigenous Egyptian language revitalization through ancestral symbols, pigments, and repetition, rethinking cultural memory and colonial knowledge systems

the inaugural exhibition at the gallery's new Mayfair home “transforms the act of unveiling into part of the exhibition itself, with significant new works revealed through a choreographed sequence of automated unveilings”

the Zürich-based photographer’s first solo exhibition with the gallery -“moving between portraiture, urban detail, and still life, Morgenstern captures a society caught in the attempt to hold back time”

including the gallery’s first presentation of his iconic “Line Describing a Cone” - and the debut of his newest work - significant pieces spanning over fifty years of McCall’s pioneering solid light works

a group exhibition bringing together over a dozen international artists - “the exhibition poses an ancient yet ever-renewing question: how does cosmic order mirror itself in the body and the mind”

shown for the first time in Berlin, four videos which continue Claerbout’s long-standing engagement with time and duration

curated by Rolando J. Carmona in collaboration with Mountains, Berlin, this exhibition of the pioneering Filipino artist offers a rare presentation of one of his Bubble Machine sculptures, alongside a historical panorama spanning six decades

new works inspired by the dune landscapes and beaches of the Dutch coastline where Molenschot lives and walks often

curated by Péjú Oshin, paintings and mixed-media works made over more than a decade of practice in a career-spanning look at the work of Nigerian-British artist

a new body of work by Khatri presented alongside Chronicles by Kain

Barnes’ paintings - large-scale, monumental, realistically-rendered female heads - are isolated against flat colour-field backgrounds and depicted with a thorough coating of viscous liquid like a sudden immersion

the first exhibition at a major UK institution of one of the most influential and significant American sculptors of her generation

the Nigerian artist’s first solo exhibition with the gallery presents new paintings and drawings exploring how meaning and belonging persist during periods of profound historical and cultural transformation

an exhibition of Janice Guy, Joe Mama-Nitzberg, Shaun Pierson, and David Seidner - four photographers “sharing an approach to portraiture that rejects notions of idealization”

the current Turner Prize nominee presents new sculptures exploring the relationship between tropical leisure, militarism and colonial memory

new mobiles made from artillery shells salvaged in Vietnam in Nguyen’s first solo exhibition with the gallery

“based on folklore, shamanism and embodied knowledges, the exhibition explores the states of emergence and transformation through new and selected works spanning freehand machine embroidery, textiles, ceramics, sculpture and drawing”

recent photographs by Morell alongside exemplary paintings by each of the four Color Field artists - in the first exhibition where the gallery presents painting alongside photography

examining the enduring impact of Jaar’s foundational public installation, a newly digitized version, the original storyboard drawings, photographic suites, lightboxes, and videos showing how it remains a poignant emblem of American identity

curated by Hélène Giannecchini, the gallery presents the first exhibition in Germany dedicated to the late Canadian-born photographer and writer

an exhibition celebrating the acclaimed Brazilian artist’s enduring practice - spanning sixty years with early prints and works on paper from the 1960s and 70s, photography from the late 70s through the 80s, and sculpture from 1990 to the present

“Reyle has developed a unique visual language that continues to challenge how we experience painting and sculpture. Combining bold material experimentation with a deep understanding of abstraction” - Belén Herrera Ottino

organized by Curatorial Senior Director Alexis Lowry, this is the first New York exhibition in nearly fifteen years dedicated to the seminal German-French modernist

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

“Barthélémy Toguo creates a space in which imaginations intermingle and cultures and traditions come together in harmony. For the artist, travel is a way of inhabiting the world and celebrating its profound unity”

with these new paintings of imagined spaces and intimate vignettes, Suss continues her exploration of interiority, domesticity, and memory

for its annual celebration of art, design and hospitality, the internationally acclaimed artist and designer known for her use of colour, geometry, and immersive environments reimagines sketch in a way only she can

Schweizer’s ceramic sculptures resemble vessels but are non-functional, Van Leeuwen creates ceramic assemblages of bowls and vessels using natural objects, and Omidi-Sabet applies fashion techniques to minimalist Moon Jar vases

“my natural medium for making is wood. Finding forms that flow from the character of the material; moist or dry, easily splits or not, its volume and shape, all contribute possibilities” - Nash

titled after the Surrealist game and curated by Loie Hollowell, paintings, works on paper, and sculptures by four cross-continental, multigenerational artists, each of whom explore the, particularly female, body

“these are almost like a sculptor’s drawings: essential, uncluttered, minimalist. They appeal to all the senses: one feels as though one can smell the scent of resin, hear the whisper of the wind through the pine needles”

the latest body of work by the London-based artist spotlights his ongoing, helictical exploration of the human body in states of transformation, reconstruction and becoming

Op de Beeck’s first solo exhibition with the gallery “reminds us that wonder has not disappeared. It is found precisely where things begin to fade, at the threshold between presence and disappearance” - Ruud Priem, curator

the London-based painter’s first solo exhibition with the gallery showcases how he mixes a cultural lexicon of symbols with an individual process of grieving following the death of his brother

“Vecsey arrives at her minimal compositions through an elaborate series of actions that begins with direct observation and ends with improvisation [she] describes her distinctive process as ‘working like a watercolorist with liquefied oil paint’”

an ongoing, developing exhibition of landscapes and cityscapes from various eras, traditions, and media - this exhibition represents the physical world around us in all its multifaceted glory

guest curated by Dr. Jiyoon Lee, an exhibition of major new sculptures and recent work in the gallery’s first exhibition with one of the most influential artists of her generation

new work by Barrois Jr. sees him reorient his focus toward the subject of time and the instruments through which it is captured

new paintings from the ongoing Bondage Baggage series alongside the debut of new sculptural and video works in an exhibition which examines migration as a condition of simultaneous perceptions, where multiple histories, and systems of knowledge coexist

iconic photographs by the legendary Mexican artist, considered one of the most important photographers in the history of the medium,

new work which “approaches painting as a form of enquiry into consciousness … Ramsden treats the act of painting as a way for the mind to reflect on itself”

spanning the Main Gallery and the Fire Station, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation

spanning the Fire Station and the Main Gallery, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation

“bringing together a new body of work spanning three distinct series, the exhibition blurs the boundaries between traditional landscape and portraiture”

paintings and drawings from throughout Lewis’ career - with musical accompaniment from his extensive record collection - in an exhibition highlighting the vital role that jazz, blues, classical, pop, and reggae played in his life and practice

new paintings and watercolours that examine the notion of “otherness”, in this exhibition by one of the leading voices in the resurgence of European figurative painting

an exhibition of rare, important, and coveted paintings and works on paper from the pioneering Abstract Expressionist’s most celebrated period

a group exhibition of nineteen distinctive artistic voices in “a rich and varied exploration of contemporary painting”

recent paintings and sculptures inspired by the urban landscape and engagement with the city - “reducing her subjects to basic geometric forms, stripes, and broad planes of color, Simon distills familiar urban motifs to the point of near illegibility”

“by rejecting the picturesque and narrative, by favouring gradations over contrasts, silences over assertions, Molaeb constructs a pictorial language of rare coherence”

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

in the artists' first solo presentation in New York, large-scale photographic works, immersive moving-images, and hand-cut glass mosaic wall sculptures exploring how colour, flora, and imagination can transform spaces shaped by abandonment and time.

an unprecedented exhibition pairing paintings by Chaïm Soutine with new paintings by Ilana Savdie - separated by a century, both painters make the instability of their subjects the substance of their work

“the horizon is always far away. In a painting, however, it can be right in front of us … Nasu’s second solo exhibition at NISO, begins in the space that opens between these two distances” - Christian Domínguez Dietzel

a remarkable group of nine paintings created between 1977 and 1983, a pivotal period for the acclaimed Color Field and Lyrical Abstraction painter

new paintings by Sujin Lee

Afro-Caribbean American multidisciplinary portrait artist Lopez works with communities historically rendered invisible - people she has met and engaged with whose presence carries cultural memory, resilience, vulnerability, and unmistakable swag

in Franco Klein’s debut solo exhibition with the gallery, new work which continues her examination of the anxieties, stresses and types of psychological response that present-day history elicits

titled after a Frank O’Hara poem, Tomassini’s first solo exhibition brings together monoprints and bronze sculpture to reflect on transformation, metamorphosis, and becoming

in collaboration with Jilamara Arts and Crafts Association, new bark paintings and works on linen in the modern master of Tiwi painting’s first international exhibition

curated by Luis Pérez-Oramas, an exhibition which brings together a series of white works produced during the later years of Ohtake’s life with works from her “blind paintings" series

marking a new chapter in Mapondera’s practice, these new paintings explore the potentially fragile boundary between legality and moral responsibility

a floor to ceiling installation comprising fifty-seven new works on paper in Pessoli’s first exhibition at WINDOW, and his ninth with the gallery

new paintings interrogating the power structures that manipulate and divide global society - in this case particularly the rise of neoliberalism - using the billionaire owned media as source material

Toh Djojo’s first solo exhibition in the US - “the artifice of the medium and the feeling of its impact is the point. Big vistas - cityscapes, deserts … recall key moments of peak Hollywood-esque visual magic” - James Casey

Henrot’s first public exhibition in NYC brings a group of sculptures of dogs to the entrance of Central Park - each born out of visual references including Saul Steinberg drawings, Tex Avery cartoons, ancient Egyptian sculpture, dog show competitions, …

bringing together the work of two contemporary Kenyan artists who draw deeply from their immediate surroundings, an exhibition exploring different facets of everyday Kenyan life, identity and culture

“Bas’s canvases … exist in a constant dialogue between beauty and absurdity, melancholy and humor, decadent aestheticism and critique” - Yuko Hasegawa, curator

“McGarrity paints at the hour of threshold: sunset, dusk, the moment before dark. His canvases catch light at its most unfixed [in] a body of work unusually committed to atmosphere”

new work by the New York-based abstract artist - “Mait’s paintings are infused with pure emotions but remain controlled and not overwhelmed by them”

a major retrospective of the late artist, bringing together paintings, prints, drawings, and archival material spanning more than four decades

presented with Polben’s Pigment - the artist-led project and pigment company - a collaborative exhibition exploring London through colour and material experimentation, showing what happens when pieces of the city itself become part of the work

new works by Huotari, whose meticulously beaded sculptures and wall tapestries reimagine traditional Finnish rya textiles

the gallery pairs Michael Landy’s 1991 sculpture with paintings by the late John Tweddle, produced in New York between 1966 and 1970 and from the legendary Scull collection

new works by the German artist - “Franz invites us to reconsider the relationship between past and present, reflecting the continuing artistic struggle for creative autonomy in an age of technological changes and advancement”

“in Maloof’s paintings, human figures are partially obscured, never quite revealing themselves, but animals are fully visible with intact identities” - Brienne Walsh

“Ackermann takes on a new source of vocabulary: letters from a Semitic alphabet. The structure of each symbol serves as an anchor for each composition”

as part of the gallery’s 25th anniversary program - and during the country’s Semiquincentennial - a retrospective spanning five decades of the storied career of one of the most quintessential visual narrators of the American experience

titled after the Paul Klee painting, this exhibition of new works sees the German-born, Brooklyn-based Hüller for the first time focus purely on figuration

new paintings in an exhibition which sees Gao continue his investigation of movement, perception, and the unstable threshold between abstraction and recognizable form

“when I look out upon the ocean, I tremble as if I am holding part of the universe in my hand. This is why, for the past thirty years, I have ceaselessly tried, through the Water series, to put that ‘tremble’ onto my canvases” - Young-Il Ahn

curated by Jinyi Freya Xu, and moving across painting, digital imaging, robotic fabrication, and sculptural relief, this exhibition examines how a technology acquires weight, texture, and bodily presence after leaving the screen

following Koether’s exhibition at the gallery in New York, this new show begins with works from 1995, after her move to the city and the decisive transformation in her practice

Carrington’s first solo exhibition at the gallery, organized with the Consejo Leonora Carrington and rossogranada, with drawing, painting, sculpture, tapestry, and writing, the exhibition presents the full range of media she explored throughout her career

new paintings and installation by Jahmal in an exhibition focussing on the historical contradictions of piracy

an exhibition which “reunites a group of paintings created between 2012-2014, never before seen in New York, to accompany and contextualize a selection of large-scale portraits created between 2015-2019”