Ryan Gander

Born: 1976, Chester, United Kingdom

Education: Manchester Metropolitan University (1999)

links:
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Principal Galleries

 

By physical or cognitive means (Broken Window Theory 13 May), 2019-2020

Ink on paper, emulsion paint, aluminium frame, reinforced broken glass, duct tape
0.0 × 0.0 × 0.0 mm
200 x 148 x 7.5 cm, 78 5/8 x 58 1/4 x 2 7/8 in
© Ryan Gander. Courtesy Lisson Gallery

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By physical or cognitive means (Broken Window Theory 22 June), 2019-2020

Ink on paper, emulsion paint, aluminium frame, reinforced broken glass, duct tape
0.0 × 0.0 × 0.0 mm
180 x 135 x 7.5 cm, 70 3/4 x 53 1/8 x 2 7/8 in
© Ryan Gander. Courtesy Lisson Gallery

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By physical or cognitive means (Broken Window Theory 1 July), 2019-2020

Ink on paper, emulsion paint, aluminium frame, reinforced broken glass, duct tape
0.0 × 0.0 × 0.0 mm
120 x 95 x 7.5 cm, 47 1/8 x 37 3/8 x 2 7/8 in
© Ryan Gander. Courtesy Lisson Gallery

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Letter to a young artist, 2019

Discarded letter
© Ryan Gander. Courtesy Lisson Gallery

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'The End', 2020

Animatronics Room
0.0 × 0.0 × 0.0 mm
Variable dimensions. Mouse unit: 19.5 x 24 x 22 cm, 7 5/8 x 9 3/8 x 8 5/8 in Speech: 17 minutes 06 seconds
© Ryan Gander. Courtesy Lisson Gallery

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Staccato Refractions, 2019-2020

Infototem sign, glass lens and Monstera deliciosa plants
1959.0 × 698.0 × 546.0 mm
Infototem sign: 69.8 x 195.9 x 54.6 cm, 27 1/2 x 77 1/8 x 21 1/2 in
© Ryan Gander. Courtesy Lisson Gallery

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Bit Part Player (Balthazar, Merchant of Venice; Act 3, Scene 4), 2019-2020

Graphite, fibreglass, resin, cotton t-shirt and joggers
0.0 × 0.0 × 0.0 mm
Figure: 183 x 65 x 47 cm, 72 x 25 1/2 x 18 1/2 in
© Ryan Gander. Courtesy Lisson Gallery

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These memories are not my own, 2019-2020

Vending machine, stones, jesmonite, graphite, graphene
0.0 × 0.0 × 0.0 mm
183.5 x 80 x 94 cm / 72 1/8 x 31 1/2 x 37 in
© Ryan Gander. Courtesy Lisson Gallery

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What you lack in poetry you can not make up for in ambition, 2019-2020

Black dollar vinyl on floor
Dimensions variable
© Ryan Gander. Courtesy Lisson Gallery

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Goodnight London, or The squatters (Misty meet Floyer’s Mirror Globe (2014)), 2020

Wood, latex, resin, synthetic fur, paint, animatronics
406.0 × 127.0 × 305.0 mm
12.7 x 40.6 x 30.5 cm, 5 x 16 x 12 in
© Ryan Gander. Courtesy Lisson Gallery

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Sowing confusion amongst the titles, or The squatters (Tiger meet Hiller’s Lucidity & Intuition: Homage to Gertrude Stein (2011)), 2020

Wood, latex, resin, synthetic fur, paint, animatronics
660.0 × 108.0 × 406.0 mm
10.8 x 66 x 40.6 cm, 4 1/4 x 26 x 16 in
© Ryan Gander. Courtesy Lisson Gallery

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Memetic absence, or The squatters (Caesar meet Wentworth’s Man and the Animals #2 (1991)), 2020

Wood, latex, resin, synthetic fur, paint, animatronics
406.0 × 127.0 × 305.0 mm
12.7 x 40.6 x 30.5 cm, 5 x 16 x 12 in
© Ryan Gander. Courtesy Lisson Gallery

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Works Elsewhere

 

Overturned Rietveld chair after a snow flurry, 2017

ash, marble resin
62 × 60 × 84 cm

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