the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

“Nagel’s work reminds me of storms. The ones that leave you a bit bruised but with a fresh oxyden. Invigorated … I am full of admiration. Do not change a thing” - Morten Løbner Espersen

Sobczak’s paintings “blend historical allegories, queer identities, and contemporary social critique into a dense, multilayered visual language”

centred on an area deeply embedded in New York’s queer history and made when the AIDS crisis had already indelibly affected the city’s LGBTQ+ community, a reminder of how closely questions of visibility, public space, and social belonging are intertwined

in an exhibition titled after the 1941 Jorge Luis Borges’ short story, four artists from Taiwan and four from Italy explore the multiple ways in which images, histories, and identities are constructed and perceived.

the second part of Agematsu’s first solo exhibition with the gallery, and in Germany, is an installation of 35mm slide projections of photographs made in Marseille, France in 1994 - “photography needs time, I think, in order for us to see it” - Agematsu

curated by Claudia Santeroni and Luisa Catucci, “an intimate reflection on the spaces that exist between movement and stillness, silence and expression, fragility and resilience”