|
|
The Week in Art visit the site
21-28 Apr 2026
Openings, events, auctions
Brussels, Dublin, Frankfurt, London, Los Angeles, Mahón, Monaco, Nairobi, New York, Paris, Taipei, Zürich |
|
|
▻ use the Daily Diary for all the latest events and updates!
|
|
Brussels
|
| Brussels, Wednesday 22 |
Almine Rech:
Ha Chong-Hyun
“Ha Chong-Hyun continues to push the boundaries of abstraction beyond clear-cut conceptual apprehension, inviting the viewer into a direct encounter where mind and matter meet” – Pieter Vermeulen |
opening reception |
Templon:
Claude Viallat
recent paintings and object from one of the founders of the Supports/Surfaces movement, who has spent six decades pushing the boundaries of painting |
first day |
|
Dublin
|
| Dublin, Saturday 25 |
Kerlin Gallery:
Kathy Prendergast: Stasis Field
working with textile, chalk, stone, fabric, wool, and found objects, Prendergast explores themes of identity, geography, and the human body through sculpture, work on paper, and installation |
private view |
|
Frankfurt
|
| Frankfurt, Saturday 25 |
Galerie Bärbel Grässlin:
Jana Schröder: Und die sieben Bilder
|
first day |
|
London
|
| London, Tuesday 21 |
Belmacz:
Esto Perpetua
curated by Lavinia Filippi, a group exhibition that takes a photograph of a wall in the cemetery of San Michele as a conceptual starting point for a visual investigation of Venice itself |
opening reception |
Dirimart London:
Fahrelnissa Zeid: Immersion
curated by Laïdi-Hanieh, the exhibition presents the pioneering Turkish-Arab modernist’s 1940s–60s works featuring gestural abstractions, figurative paintings, and works on paper exploring colour, texture, and cosmic themes |
opening reception |
Galerie Max Hetzler:
Grace Weaver: Plaids
new abstract and figurative watercolour on paper compositions drawing on the rhythmic, patterned textiles of checks, tartans, and plaids continue Weaver’s ongoing concern with colour, gesture, geometry, and line |
opening reception |
Raven Row:
Conceptual Art and Christine Kozlov exhibition tour with curator Rhea Anastas |
tour |
| London, Wednesday 22 |
Albion Jeune:
Anthony Caro & James Capper: Heavy Metal
an exhibition pairing seminal works by Caro with the pioneering practice of Capper to explore a cross-generational dialogue and the evolution of British sculpture |
opening reception |
Alice Amati:
Abigail Dudley: A place after a place
the American artist’s first solo exhibition with the gallery – “atmospheres of interiority in relatively private spaces … each image suspended between emergence and erasure, as though what we are seeing has only just come into view” – Matthew James Holman |
first day |
Alison Jacques:
Roy Oxlade
including many pieces not previously exhibited, and covering thirty years of work by the painter often seen as an ‘artist’s artist’ – “Oxlade’s paintings echo the vast, often glorious muddle of our existence” – Jennifer Higgie |
private view |
Belmacz:
Esto Perpetua
curated by Lavinia Filippi, a group exhibition that takes a photograph of a wall in the cemetery of San Michele as a conceptual starting point for a visual investigation of Venice itself |
first day |
Messums London:
Nicola Hicks: Love
raw plaster sculptures alongside limited edition prints and drawings – “Love invites viewers to feel those emotional states that flow not just between us but throughout our wider ecology where fragility, tenderness and strength understand each other” |
first day |
| London, Thursday 23 |
Alison Jacques:
Roy Oxlade
including many pieces not previously exhibited, and covering thirty years of work by the painter often seen as an ‘artist’s artist’ – “Oxlade’s paintings echo the vast, often glorious muddle of our existence” – Jennifer Higgie |
first day |
Ames Yavuz:
Brook Andrew: Symbolic Nature
an installation that sees Andrew draw on romanticised historical images of Aboriginal people – disrupting, reframing, and transforming them through new symbolic interventions |
opening reception |
Annka Kultys Gallery:
Marc Lee Opening Reception & Talk with Sabine Himmelsbach |
special event |
Benjamin Rhodes Arts:
An evening with Tricia Gillman |
special event |
Cristea Roberts Gallery:
Julian Opie
new works alongside prints and editions made over the last five years spanning the full breadth of the Opie’s multifaceted practice |
opening reception |
Emanuel von Baeyer:
Magda Blasinska and Adia Wahid in conversation with Elisabetta Bresciani |
talk |
GRIMM:
Dirk Braeckman: Although
Braeckman’s first solo exhibition in the UK presents recent works situated within the broader arc of his practice – “with their haunting stillness and ashen, moody dispositions, Braeckman’s images appear suspended outside place and narrative” |
first day |
NıCOLETTı:
Boris Camaca: Locomotion (The Unfinished Path) II
double-sided photographs by the French artist, reflecting on the act of capturing movement and the ethical and formal implications of image-making |
private view |
Pontone Gallery:
Chris Rivers: Supernova II
“Rivers’ trademark is his gestural handling of vigorously applied oil paint that articulates pulsating clouds of intense, vaporous colour [with] a sumptuous palette that deploys rich ultramarines, rosy pinks, dusty ochres” |
first day |
Raven Row:
Conceptual Art and Christine Kozlov exhibition tour with curator Rhea Anastas |
tour |
Timothy Taylor:
30 Years
the gallery celebrates its thirtieth anniversary with a landmark presentation “from those who laid our foundation, to those who remain vital touchstones today, on to those whose work will shape the decades ahead” |
opening reception |
| London, Friday 24 |
Annka Kultys Gallery:
Marc Lee
|
first day |
Cristea Roberts Gallery:
Julian Opie
new works alongside prints and editions made over the last five years spanning the full breadth of the Opie’s multifaceted practice |
first day |
|
Los Angeles
|
| Los Angeles, Saturday 25 |
Luis De Jesus Los Angeles:
Nicolas Grenier: Flags
“the starting point for this exhibition was the desire to take on the flag, this supreme icon of nationalism, and to reverse its logic … I wanted to make works that, while evoking the idea of a flag, visually and emotionally contradict its principles” |
opening reception |
Luis De Jesus Los Angeles:
Melissa Huddleston: The Drops
new paintings made from single, sequential droplets of paint onto paper, shown with a mural-sized work composed of dozens of marbled paintings on paper |
opening reception |
|
Mahón
|
| Mahón, Saturday 25 |
Hauser & Wirth Menorca:
Martin Creed
the gallery’s new season opens with a special presentation of ‘Work No. 3891: Half the air in a given space’ – one of Creed’s most celebrated works – and a selection of wall paintings |
first day |
Hauser & Wirth Menorca:
Opening Day on Illa del Rei |
special event |
|
Monaco
|
| Monaco, Saturday 25 |
Almine Rech:
Genieve Figgis: Drama Club
“in Figgis’ world, contradictions abound. Beneath the glamorous lies the ghastly, beneath self-serious artifice, irony. Her paintings are intentionally and delightfully off-kilter” – Louisa Mahoney |
opening reception |
|
Nairobi
|
| Nairobi, Wednesday 22 |
Circle Art Gallery:
Brush Tu: Performativity, Vulnerability, Fragility
a group exhibition by Brush Tu founders Boniface Maina, David Thuku, and Michael Musyoka |
opening reception |
|
New York
|
| New York, Tuesday 21 |
Hauser & Wirth 18th Street:
Life With P. Philip Guston: Paintings and Drawings 1964 – 1978
this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock |
opening reception |
| New York, Wednesday 22 |
Findlay Galleries:
Jean-Pierre Cassigneul: Timeless Elegance
in Cassigneul’s first solo US exhibition for 40 years – “luminous harmonies of color and expressive linearity coalesce into compositions of emotional clarity and understated restraint” |
first day |
Sotheby’s New York:
Collection of Jean and Terry de Gunzburg: Design Masters
auction: Wed 22
(viewing: Fri 10-Tue 21) |
auction |
| New York, Thursday 23 |
Berry Campbell:
Louisa Chase: The Eighties
the gallery’s first exhibition of Chase’s work since announcing its representation of her estate – Chase occupied a distinctive position between the New Image Painting and Neo-Expressionist movements in the New York art scene of the 70s and 80s |
opening reception |
Berry Campbell:
In Focus: Sally Silberberg
a focused exhibition highlighting Silberberg’s porcelain sculptures from the 1980s – “a distinct and powerful body of work that marks a pivotal moment of evolution in her practice and material exploration” |
opening reception |
Hauser & Wirth 18th Street:
Reading & Book Launch: Musa Mayer reads from ‘Life with P.: Journals, 1966–1976,’ by Musa McKim Guston |
special event |
Lincoln Glenn:
A Tribute to André Emmerich
over thirty works by more than twenty artists in an exhibition honoring the man widely regarded as the first mega-dealer of the modern era, who is one of the gallery’s greatest inspirations and a defining figure in the modern art world |
opening reception |
galerie gmurzynska:
Wifredo Lam & Pablo Picasso
paintings, frescos, works on paper, collage, and ceramics – “Picasso found in Lam the only kind of confirmation he could care about – that of a man who had realized himself [and] had attained the highest point of consciousness” – André Breton |
first day |
| New York, Friday 24 |
Goodman Gallery:
Carlos Garaicoa: Rituals and Liberty
in Garaicoa’s first solo exhibition at the gallery’s NY viewing room, reliefs combining painting and photography, and sculptural models using nineteenth-century French engravings, reflect his interest in how the city and its architecture reflect society |
opening reception |
Goodman Gallery:
Walkthrough with Carlos Garaicoa and Trevor Smith of the Peabody Essex Museum |
tour |
Jack Shainman Gallery:
Lynette Yiadom-Boakye: Many A Moonlit Caveat
spanning both New York City locations, new paintings and works on paper by Yiadom-Boakye – “The Nightingale’s song drifts from dusk to daylight, / To Mesmerise Jinns with high notes and hums, / As Nightly They Contemplate Whence It Comes” |
opening reception |
Jack Shainman Gallery:
Lynette Yiadom-Boakye: Many A Moonlit Caveat
spanning both New York City locations, new paintings and works on paper by Yiadom-Boakye – “The Nightingale’s song drifts from dusk to daylight, / To Mesmerise Jinns with high notes and hums, / As Nightly They Contemplate Whence It Comes” |
opening reception |
Perrotin New York:
Nick Doyle: Collective Hallucinations
in an exhibition which explores the relationship between land and technology and progress and destruction, new wall-mounted collages and an immersive installation of a psychic parlor, Doyle’s first experiment with AI |
opening reception |
Perrotin New York:
Jens Fänge: Antechamber
new paintings – labyrinthine architectural settings populated by people, animals, and mannequins – which function like a visual experiment, generating paradoxes rather than answers |
opening reception |
Perrotin New York:
GaHee Park: Half-Looking, Half-Seen
a special presentation of new paintings – “through still lifes and portraits set within seascapes and landscapes, Park creates psychological explorations shaped by the transition of day into night” |
opening reception |
| New York, Saturday 25 |
ACA Galleries:
Doowon Lee: Doowon Arrives in New York with Too Many Animals
a new body of work that is unabashedly exuberant, materially rich, and teeming with life – “the title of this exhibition isn’t a metaphor. It’s a literal description of what I brought to New York” – Lee |
opening reception |
Hauser & Wirth 18th Street:
Screening Room: Philip Guston: A Life Lived |
special event |
Stellarhighway:
Sas Colby & Keith Smith: Stitching Desire
organized by Megan N. Liberty – “from the stitching required to bind a book, to machine-stitched drawings added to collages of photographs and photocopies, Colby and Smith … [manifest] desires for themselves and their family” |
opening reception |
| New York, Tuesday 28 |
The Painting Center:
Mary Crenshaw: Inhale
Crenshaw’s portraits of immigrants and cigarette stubs, in thrifted picture frames, explore themes of displacement, resilience, value, and disposability |
first day |
The Painting Center:
Perri Neri: Caught Looking
“an intimate series of portrait paintings born from a radical shift in practice and a contemporary experiment in collaboration” |
first day |
|
Paris
|
| Paris, Saturday 25 |
Art: Concept:
Michel François
|
first day |
Perrotin Marais:
Lee Mingwei: When beauty appears
curated by Thierry Raspail, Lee Mingwei’s first exhibition at the gallery’s Paris space presents interactive works as “he questions the world and offers no answer. And this way he questions us too” |
opening reception |
Perrotin Marais:
Susumu Kamijo: When I Think of You in Spring
“Kamijo’s painted world is filled with large flowers, fruit, and sometimes animals: butterflies, parakeets, sailfish … it is a calm world” – Jill Gasparina |
opening reception |
Perrotin Marais:
Soulages – Hartung: Elective Affinities
with the first screening of a filmed interview, an array of archival documents, and a selection of artworks and artist tools, this exhibition explores “the echoes, parallels, and differences that construct[ed] the relationship between the two friends” |
opening reception |
Perrotin Marais:
Anaël Pigeat, Thomas Schlesser and Frédéric Taddeï in conversation |
talk |
|
Taipei
|
| Taipei, Saturday 25 |
Each Modern:
Intellectual Structures
curated by Qi Chao, this group exhibition with DAZHI, Ding Hongdan, Jing Ao, Liang Yuanwei, Wenjue, and Xu Qu examines which aspects of human thought and artistic creation remain uniquely human |
opening reception |
|
Zürich
|
| Zürich, Friday 24 |
Galerie Peter Kilchmann, Zahnradstrasse:
Book launch and walk-through with Amol K Patil and Amila Puzić, curator, Röda Sten Konsthall |
special event |
| |
|
Don’t miss: exhibitions closing
Berlin, Boissy-le-Châtel, Frankfurt, Istanbul, London, Los Angeles, Monterrey, New York, Palm Beach, Paris, Shanghai
|
|
|
|
Berlin
|
| Berlin, Saturday 25 |
Galerie Bastian:
Ulrich Erben: Years. Years and days |
Virtual Visit! ▻ |
Luisa Catucci Contemporary:
La Vie En Rose |
Virtual Visit! ▻ |
|
Boissy-le-Châtel
|
| Boissy-le-Châtel, Sunday 26 |
Galleria Continua Les Moulins:
Pascale Marthine Tayou: Tchâm: Confidences |
Virtual Visit! ▻ |
Galleria Continua Les Moulins:
Pascale Marthine Tayou: Tchâm: Confidences. Part II |
Virtual Visit! ▻ |
|
Frankfurt
|
| Frankfurt, Saturday 25 |
FILIALE:
Julian Turner: Esprit |
|
|
Istanbul
|
| Istanbul, Sunday 26 |
Dirimart Pera:
Berke Yazıcıoğlu: Helix |
|
|
London
|
| London, Wednesday 22 |
NORITO:
NORITO x Teaspoon Projects: Mood Swings |
|
| London, Thursday 23 |
LBF Contemporary:
Towards the Late Light |
|
| London, Friday 24 |
Canopy Collections:
Anna Freeman Bentley: Reflections |
|
Grosvenor Gallery:
Hashim Samarchi: Historical works from the 1960s |
|
Twilight Contemporary:
Ho-sa Wang: Vomit Green and Muddy Brown |
|
| London, Saturday 25 |
Annely Juda Fine Art:
Nigel Hall: My Choice |
|
Benjamin Rhodes Arts:
Tricia Gillman: Re-View |
|
Flowers Gallery, Cork Street:
John Kirby: Boy |
|
Hazlitt Holland-Hibbert:
Rachel Whiteread: on paper |
|
LAMB:
Tiago Mestre: French Season |
|
Larkin Durey:
Massoud Hayoun: Paper Ships |
|
Lévy Gorvy Dayan:
Juanita McNeely |
|
No.9 Cork Street:
Bolanle Contemporary: Osman Yousefzada: A Home That Will Not Behave |
|
No.9 Cork Street:
Nature Morte: Martand Khosla and Saad Qureshi: To Build and Remember |
|
Pippy Houldsworth Gallery:
Language Between Us |
|
ai.:
Entropy of Loops |
|
| London, Sunday 26 |
The Gallery of Everything:
IF I HAD A DREAM IT WOULD BE A GOOD DREAM |
|
Raven Row:
Conceptual Art and Christine Kozlov |
|
| London, Monday 27 |
SQFT:Space Gallery:
Develop The Occurrence |
|
|
Los Angeles
|
| Los Angeles, Saturday 25 |
Hauser & Wirth West Hollywood:
Arshile Gorky. Horizon West |
|
Marian Goodman Gallery:
Tacita Dean: Trial of the Finger |
|
Perrotin Los Angeles:
JR: Horizons |
|
Philip Martin Gallery:
Daniel Dove: Slab Citizen |
|
|
Monterrey
|
| Monterrey, Friday 24 |
Colector:
Ruben Gutierrez: Gestos de Continuidad |
|
|
New York
|
| New York, Wednesday 22 |
Findlay Galleries:
Chuang Che: Rediscovered Works |
|
| New York, Friday 24 |
Hirschl & Adler:
The Heart of War: George Widener’s Ukraine |
|
Schoelkopf:
American Modernism from the Estate of a Private Collector, New York |
|
| New York, Saturday 25 |
Almine Rech, Tribeca:
Southpaw: Gerasimos Floratos & Karel Appel |
|
Almine Rech, Tribeca:
Youngju Joung: Pause and Flow |
|
Galerie Buchholz:
Isa Genzken: Projects for Outside – ISA USA |
|
Lisson Gallery:
John Akomfrah: Listening All Night To The Rain |
|
Lisson Gallery:
Anish Kapoor |
|
The Painting Center:
Thomas Berding: Projections in the Deluge |
|
The Painting Center:
Alisa Henriquez: Beneath the Palms |
|
Templon:
David Smalling: Elizabethan Collar |
|
Tina Kim Gallery:
Suki Seokyeong Kang: Our Spring |
|
| New York, Sunday 26 |
Friedrichs Pontone:
Luciano Ventrone: Legacy |
|
Friedrichs Pontone:
Heather Horton: Filigree |
|
| New York, Tuesday 28 |
Susan Sheehan Gallery:
COLOR/FORM |
|
|
Palm Beach
|
| Palm Beach, Tuesday 28 |
Findlay Galleries Palm Beach:
Amy Magee |
|
|
Paris
|
| Paris, Saturday 25 |
Sobering Galerie:
Stories at Room Temperature |
|
|
Shanghai
|
| Shanghai, Saturday 25 |
Lisson Gallery:
Oliver Lee Jackson |
|
|
|
 |
