This sculpture visualizes the ‚birth‘-chart of TONY CONRAD’s performance „7630 Sukiyaki“ in Buffalo, NY in 1973 – the performance is being addressed as a ‚person‘. LED-installation, mixed media
201 × 154 × 33 cm
Courtesy MEYER*KAINER, Vienna
Vienna
to celebrate Ei Arakawa-Nash as Japan’s representative at the Venice Biennale, a look back at his sculptural work in the context of his frequent collaborators, Nora Schultz, and Nikolas Gambaroff
Vienna
Arakawa-Nash’s installations reference identity and performance - “constantly exploring the productive and interpretative possibilities of traditional artistic practices [to] raise questions about process, institutional context and performativity”
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LED stripes on hand-dyed fabric, 2 LED transmitters, 10 power supplies, 2 SD cards, metal, wire
201 × 154 × 33 cm
Aluminium plates, rope, wire, stainless steel, paint, sound
310 × 175 cm
Spray paint on canvas (from a set of 25 flags)
164 × 113 cm
Fabric, acrylic block printing on wood (unique)
190 × 65 × 30 cm
Glass, tin, steel, fiberglass, wire
183 × 88 × 34 cm
The sculpture is based on a painting (untitled, 1979/80) by the cologne painter Michael Buthe (1944–1994). LED Installation, mixed media, sound
201 × 154 × 33 cm
325 cards, foamboard, wood
105 × 101.5 × 76 cm
Glass, fiberglass, tin, stainless steel, steel, aluminum, wood, lacquer on inkjet print, tape; 2 parts
215 × 113 cm
, 2026
Glass, stainless steel, steel, fiberglass, tin, wire, tape
185 × 67 × 40 cm
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