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The Week in Art visit the site
17-24 Mar 2026
Openings, events, auctions
Basel, Berlin, Chicago, Frankfurt, Hong Kong, London, Los Angeles, Melbourne, Nairobi, New York, Palm Beach, Palma de Mallorca, Paris, Seoul, Shanghai, Stockholm, Tisbury, Tokyo, Vienna, Zürich
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▻ use the Daily Diary for all the latest events and updates!
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Basel
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| Basel, Thursday 19 |
Hauser & Wirth:
Niklaus Stoecklin
curated with Martin Schwander, rare paintings from the 1920s to 1970s showcasing Stoecklin’s evolution from Neue Sachlichkeit realism to luminous magic realism |
opening reception |
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Berlin
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| Berlin, Friday 20 |
Galerie Barbara Thumm:
El Hadji Sy
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first day |
Galerie Barbara Thumm:
Fernanda Galvão
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first day |
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Chicago
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| Chicago, Thursday 19 |
Gray Chicago:
Roger Brown: Weathervane
paintings exploring the tension between built environments and nature – depicting sociopolitical and ecological themes through cityscapes, weather, mythic figures, and autobiographical elements |
opening reception |
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Frankfurt
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| Frankfurt, Saturday 21 |
Galerie Bärbel Grässlin:
Heimo Zobernig
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first day |
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Hong Kong
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| Hong Kong, Saturday 21 |
Ben Brown Fine Arts:
Les Lalanne: A Living Landscape
a comprehensive exhibition of the celebrated artistic duo – “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden” |
first day |
| Hong Kong, Tuesday 24 |
Ben Brown Fine Arts:
Les Lalanne: A Living Landscape
a comprehensive exhibition of the celebrated artistic duo – “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden” |
private view |
Hauser & Wirth:
Nicole Eisenman. Fallen Angels
new paintings and sculptures as Eisenmann concentrates on three sites of middle-class living: home, work, beach |
opening reception |
Hauser & Wirth:
In Conversation: Nicole Eisenman and Robin Peckham |
talk |
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London
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| London, Tuesday 17 |
Camden Art Centre:
Performance and Spoken Word: Gasp, Growl, Grunt, Sign, Yawn |
special event |
County Hall Pottery:
2126: A Ceramic Odyssey
curated by Jihyun Kim, an exhibition “that imagines the future of ceramics through the lens of bio-futurism … how ceramic practice might evolve in the year 2126” |
first day |
Pilar Corrias, Savile Row:
Sholto Blissett: Orders of Magnitude
fictional landscapes exploring humanity’s relationship with nature through scale, illusion and perception, inviting reconsideration of nature, wilderness, and relational meaning in imagined worlds |
opening reception |
| London, Wednesday 18 |
Flowers Gallery, Cork Street:
John Kirby: Boy
key works from across the late British artist’s career, centering on the painting “Boy” and his exploration of identity, vulnerability, and the ambiguities of the self |
private view |
Hayward Gallery:
Memory of Materials: Chiharu Shiota & Yin Xiuzhen |
talk |
Luxembourg + Co.:
Jannis Kounellis, Untitled, 1971 by Emily Henderson (Cello) & Da Inventare Sul Posto, 1972 by Hugo Max (violin), Kate Hester (ballerina) |
performance |
Messums London:
John Golding: Transitions 1960-1975
a focused exhibition that reveals a pivotal and previously unseen moment in the development of abstraction by one of Britain’s most intellectually rigorous post-war painters |
first day |
Pilar Corrias, Savile Row:
Sholto Blissett: Orders of Magnitude
fictional landscapes exploring humanity’s relationship with nature through scale, illusion and perception, inviting reconsideration of nature, wilderness, and relational meaning in imagined worlds |
first day |
Sotheby’s London:
Prints & Multiples
auction: Wed 18-Wed 25 |
auction starts |
| London, Thursday 19 |
County Hall Pottery:
Artist Dinner with 2126: A Ceramic Odyssey Artists |
special event |
County Hall Pottery:
Artist Talk: Uriel Caspi, Eiair and Jihyun Kim |
talk |
Flowers Gallery, Cork Street:
John Kirby: Boy
key works from across the late British artist’s career, centering on the painting “Boy” and his exploration of identity, vulnerability, and the ambiguities of the self |
first day |
Lychee One:
Shrimp’s Eye View
curated by HAZE – artists Camilla Bliss and Solanne Bernard – this exhibition transforms the gallery into “a vessel of layers – mineral, memory, and mutation – where visitors move between installations like shrimp through the crevices of ancient rock” |
opening reception |
Pontone Gallery:
Deborah Grice: Incandescence
informed in part by her rural upbringing in East Yorkshire, Grice’s dramatic and atmospheric pictures draw on a profound emotional attachment to landscape and an eye for spatial and structural analysis |
first day |
Victoria Miro:
Isaac Julien and Mark Nash in conversation with Frances Morris |
talk |
| London, Friday 20 |
County Hall Pottery:
Masterclass: Pot ‘n Rope Workshop with Uriel Caspi |
special event |
Lychee One:
Shrimp’s Eye View
curated by HAZE – artists Camilla Bliss and Solanne Bernard – this exhibition transforms the gallery into “a vessel of layers – mineral, memory, and mutation – where visitors move between installations like shrimp through the crevices of ancient rock” |
first day |
October Gallery:
Joji Hirota and The London Taiko Drummers |
special event |
Patrick Heide Contemporary Art:
Lizzie Munn: Small fabric
“a material reserve of individual elements, atoms charged with potential, awaiting their eventual arrangement … for Munn, an exhibition begins precisely here, in this heady state of assemblage” – Alexander Harding |
private view |
| London, Saturday 21 |
County Hall Pottery:
Masterclass: Pot ‘n Rope Workshop with Uriel Caspi |
special event |
Felix & Spear:
Britain Modern: Art Across the 20th Century
an exhibition bringing together works that reflect the breadth and character of British figurative art across the twentieth century |
first day |
Kearsey & Gold:
Notes Along the Way
curated by Sam Cornish, an alternative view of art in 1990s London |
opening reception |
Project LOOP:
Aliou Diack: Into the Foetus
“at the intersection of personal history and broader geopolitical realities, Diack’s practice engages questions of contemporary becoming of Senegal, of Africa, and of a globalised world” |
private view |
Patrick Heide Contemporary Art:
Lizzie Munn: Small fabric
“a material reserve of individual elements, atoms charged with potential, awaiting their eventual arrangement … for Munn, an exhibition begins precisely here, in this heady state of assemblage” – Alexander Harding |
first day |
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Los Angeles
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| Los Angeles, Friday 20 |
Philip Martin Gallery:
Webinar: In Conversation with Daniel Dove |
talk |
| Los Angeles, Saturday 21 |
Perrotin Los Angeles:
Todd Gray: Portals
Perrotin’s debut exhibition with the LA-based artist presents his iconic photo sculptures – “viewed together, the works in Portals offer a reminder of how the lives of Black people in the West have been shaped by legacies of racial othering” – Ekow Eshun |
opening reception |
| Los Angeles, Tuesday 24 |
Perrotin Los Angeles:
Todd Gray and Michael Govan in Conversation |
talk |
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Melbourne
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| Melbourne, Saturday 21 |
Tolarno Galleries:
Brook Andrew: Holding Ceremony
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opening reception |
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Nairobi
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| Nairobi, Saturday 21 |
Circle Art Gallery:
Issam Hafiez: Nubian Tar
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opening reception |
Circle Art Gallery:
Group Show
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opening reception |
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New York
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| New York, Tuesday 17 |
ACA Galleries:
Leon Berkowitz: Cathedrals of Color
an exhibition of one of the leading figures of the Washington Color Field School |
first day |
| New York, Wednesday 18 |
Lévy Gorvy Dayan:
The Adventure of Domenico Gnoli
an exhibition of paintings, drawings, etchings, notebooks, and letters – “with inexhaustible patience Gnoli wove and reinvented a new fabric to life, pursuing its essence behind the appearances of reality” – Yannick Vu |
first day |
| New York, Thursday 19 |
ACA Galleries:
Leon Berkowitz: Cathedrals of Color
an exhibition of one of the leading figures of the Washington Color Field School |
opening reception |
Berry Campbell:
Judith Godwin: Flux and Form
over twenty paintings and works on paper from the late 1970s to the 1990s, highlighting the Abstract Expressionist’s physically charged style, informed by her passion for modern dance and engagement with the natural environment |
opening reception |
Gallery Henoch:
Alan Feltus: Selected Works
narrative figure paintings inspired by early Renaissance art and classical sculpture, using compositional restraint and a unique palette to explore human relationships and psychological play through gesture and space |
first day |
Hirschl & Adler:
The Heart of War: George Widener’s Ukraine
multi-media works on paper reflecting Widener’s volunteer experiences in Ukraine, combining symbols, words, and numbers to depict the conflict’s chaos and emotional intensity with abstracted maps and personal narrative |
first day |
Nara Roesler New York:
Thiago Barbalho, Antonio Henrique Amaral: Organic Fictions
using “a curatorial logic of figural counterpoints”, an exhibition exploring the resonance, and even figural coincidences, between the works of the two artists |
opening reception |
Opera Gallery:
The Quiet Continuum: Contemporary Asian Artists
fifteen Asian artists whose practices reflect a shared sensibility shaped by time, memory and a spiritual journey suggesting that time is not linear, but cyclical – gestures return, symbols reappear, memory resurfaces through material form |
first day |
Sotheby’s New York:
Zarina
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first day |
| New York, Friday 20 |
The Foundation of ART NYC:
Genealogies of Time: Korean Modern and Contemporary Art
juxtaposing works across generations, this exhibition presents how South Korean modern and contemporary art appears from layered historical conditions while remaining grounded in the present |
opening reception |
GRIMM:
Letha Wilson: Stone’s Throw
new works see the New York-based artist explore the gallery architecture as both subject and structural partner, expanding her investigation into the relationship between photography, sculpture, and the built environment |
opening reception |
GRIMM:
Eric White: Vignettes & Mutations
new intimately scaled paintings by the Los Angeles-based artist in “a refracted retrospective” |
opening reception |
| New York, Tuesday 24 |
Sotheby’s New York:
Indian & Himalayan Art, including Property from the Zimmerman Family Collection
auction: Tue 24
(viewing: Thu 19-Mon 23) |
auction |
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Palm Beach
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| Palm Beach, Tuesday 17 |
Findlay Galleries Palm Beach:
Amy Magee
new paintings by the British artist who draws inspiration from the landscapes and artistic heritage of the South of France to reinterpret classical principles of composition and light through the language of contemporary abstraction |
first day |
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Palma de Mallorca
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| Palma de Mallorca, Saturday 21 |
Baró Galeria:
Tirar del Hilo
curated by Esmeralda Gómez Galera, an exhibition of works by Amparo de la Sota, Elisa Pardo Puch, Eugenio Espinoza, Mano Penalva, and Néstor García, who explore textile practice as both metaphor and gesture |
opening reception |
Baró Galeria:
Tales From the Garden
the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife” |
opening reception |
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Paris
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| Paris, Thursday 19 |
Baró Galeria:
Lygia Clark: Anatomie d’une ligne
curated by Rolando J. Carmona, an exhibition examining how the Brazilian artist engaged throughout her career with relationships between the body, psychoanalysis, and geometric abstraction |
opening reception |
Galerie Lelong:
David Hockney: Moon Room
night-time landscapes of every full-moon – sketched by Hockney on his iPad – during the 2020 lockdown in Normandy |
opening reception |
Galerie Lelong Matignon:
Etel Adnan: Au coeur du silence
to mark the 10th anniversary of the gallery’s Seoul space, an exhibition of new works by its long-standing artists including Maurizio Cattelan and Takashi Murakami, shown alongside Korean masters such as Park Seo-Bo, Lee Bae, and Shim Moon-Seup |
opening reception |
Galerie Lelong:
Juan Uslé: Notas
an exhibition devoted to Uslé’s drawings – “kinds of visual fragment that have accompanied his artistic process for more than thirty-five years” |
opening reception |
| Paris, Friday 20 |
Galleria Continua / Paris Marais:
Arcangelo Sassolino: Aux abords du séisme
an exhibition presenting works where marble, stone, steel, and oil are subjected to forces testing matter, exploring the unstable threshold before and after rupture under pressure |
opening reception |
Galleria Continua / Paris Marais:
Manuela Sedmach: Guardatori
“Guardatori (“The Watchers”) is at the heart of the exhibition: they ask to be observed quietly, at length … who are they? Each must decide for themselves” |
opening reception |
| Paris, Saturday 21 |
Almine Rech, Turenne:
Larry Poons: Kentucky Cols.
“a single giant roll, wide as a field, that Poons fills with free gestures of thick, energetic paint … he then removes fragments, cut into independent pictorial units” – Marjolaine Lévy |
opening reception |
Almine Rech, Matignon:
Forming the Monochrome: Masters of Dansaekhwa
an exhibition highlighting five major figures of the prominent South Korean movement – Ha Chong-Hyun, Lee Ufan, Park Seo-Bo, Yun Hyong-Keun, and Chung Sang-Hwa |
opening reception |
Hauser & Wirth:
Paul McCarthy. SS EE Saint Santa Eva Elf Drawing Sessions 2025 with Lilith Stangenberg
continuing his collaboration with the German actress Lilith Stangenberg and returning to his enduring motif of Santa Claus, new large-scale drawings and a six-channel video installation by one of the leading contemporary American artists of his generation |
opening reception |
Templon:
Abdelkader Benchamma: Signs and Wonders
“conceived as the pages of a vast manuscript [the exhibition] transforms the gallery into an in-between space: a fertile, ever-shifting organism threaded with passages to other worlds, oscillating between unease and a longing for re-enchantment” |
opening reception |
Templon:
Jitish Kallat: Point of Incidence
new works exploring our relationship to the universe and the ways humankind has sought to inhabit and shape it – “the exhibition traces a passage from planetary materiality to celestial speculation, where human thought, law, and imagination intersect” |
opening reception |
Templon:
Jitish Kallat in conversation with Edith Devaney and Rebecca Lamarche-Vadel |
talk |
| Paris, Tuesday 24 |
HELENE BAILLY MARCILHAC:
Kees van Dongen
a monograph exhibition dedicated to this major figure in twentieth-century modern art |
first day |
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Seoul
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| Seoul, Tuesday 17 |
Perrotin Seoul:
10 YEARS
to mark the gallery’s 10th anniversary, an exhibition of new works by its long-standing artists including Maurizio Cattelan and Takashi Murakami, shown alongside Korean masters such as Park Seo-Bo, Lee Bae, and Shim Moon-Seup |
first day |
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Shanghai
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| Shanghai, Friday 20 |
Almine Rech:
Not Vital: Portraits
“whether addressing specific individuals, art-historical figures, bodily fragments, or a performative self, these works refuse to offer a definitive image … allowing portraiture to remain an open and continually reactivated field” – Luan Shixuan |
opening reception |
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Stockholm
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| Stockholm, Saturday 21 |
Galleri Magnus Karlsson:
Richard Johansson: In the Shadows of Myself
eighteen sculptures in linseed oil-burnt cast iron – “the very core of the story is carved out in a lasting expression cast in iron, like artefacts or relics from a lost era” |
opening reception |
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Tisbury
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| Tisbury, Thursday 19 |
Messums West:
Starfest Nightwalk |
special event |
| Tisbury, Friday 20 |
Messums West:
Friday Night Sessions with DJ Atsushi |
special event |
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Tokyo
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| Tokyo, Tuesday 24 |
Perrotin Tokyo:
Mathilde Denize: Time and Light
Denize’s first solo exhibition in Japan – “the paintings function as a single album, or their arrangement operates like a musical score, through which visual language is transposed into a musical configuration” – Yusuke Nishimoto |
first day |
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Vienna
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| Vienna, Thursday 19 |
MEYER*KAINER:
SPLENDID PLAYGROUND
to celebrate Ei Arakawa-Nash as Japan’s representative at the Venice Biennale, a look back at his sculptural work in the context of his frequent collaborators, Nora Schultz, and Nikolas Gambaroff |
opening reception |
| Vienna, Friday 20 |
MEYER*KAINER:
SPLENDID PLAYGROUND
to celebrate Ei Arakawa-Nash as Japan’s representative at the Venice Biennale, a look back at his sculptural work in the context of his frequent collaborators, Nora Schultz, and Nikolas Gambaroff |
first day |
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Zürich
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| Zürich, Thursday 19 |
Hauser & Wirth Bahnhofstrasse 1:
Franz Gertsch
curated by Tobia Bezzola, this exhibition by the celebrated Swiss artist includes a major painting from his Patti Smith series and important large-scale and medium-format woodcuts |
opening reception |
| Zürich, Saturday 21 |
Hauser & Wirth:
In performance: ‘KOO JEONG A. KANGSE X,’ by ZHdK Fine Art Students |
performance |
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Don’t miss: exhibitions closing
Cape Town, Cologne, Gstaad, Hamburg, London, Los Angeles, New York, Palm Beach, Paris, Reykjavík, Venice
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Cape Town
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| Cape Town, Friday 20 |
RESERVOIR:
Mankebe Seakgoe: This is not piano… |
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Cologne
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| Cologne, Friday 20 |
Zander Galerie:
Robert Frank: What We Have Seen |
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Zander Galerie:
David Goldblatt, Santu Mofokeng |
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Gstaad
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| Gstaad, Saturday 21 |
Patricia Low Contemporary:
Joel Mesler, Nir Hod: Mountains and Flowers |
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| Gstaad, Sunday 22 |
Almine Rech:
Still Life, Living Form |
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Hamburg
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| Hamburg, Friday 20 |
Galerie Vera Munro:
Linda McCue: YESTERDAY TODAY TOMORROW |
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Galerie Vera Munro:
Michelle Stuart and Ēriks Apaļais: Minimal and Emotion |
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London
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| London, Thursday 19 |
LBF Contemporary:
Min Woo Nam: The Aftermath |
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The Mayor Gallery:
The Mayor Gallery at TEFAF Maastricht 2026 |
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SQFT:Space Gallery:
Kindling: Laura Fox & Jacqueline Nicholls |
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| London, Friday 20 |
Larkin Durey:
Naira Mushtaq: State of Play |
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| London, Saturday 21 |
Autograph:
I Still Dream of Lost Vocabularies |
Virtual Visit! ▻ |
Gagosian Davies St:
Nan Goldin: The Ballad of Sexual Dependency |
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General Assembly:
Alien Hand |
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Maureen Paley, 4 Herald St:
Gardar Eide Einarsson: Music Playing Over Speech |
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Maureen Paley:
Mary Stephenson and Dirk Stewen: Hue |
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Perrotin London:
Where the sea ends |
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Pipeline:
Blind Spot: Chloe Beddow & Leon Scott-Engel |
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Pippy Houldsworth Gallery:
KV Duong: Where Wound Becomes Water |
Virtual Visit! ▻ |
Thaddaeus Ropac:
Constantin Brancusi: Photographs |
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Tiwani Contemporary:
Present |
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Tiwani Contemporary:
In Focus. Selected works on paper: Virginia Chihota |
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Victoria Miro:
Isaac Julien: All That Changes You. Metamorphosis |
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Waddington Custot:
Fabienne Verdier: Aria |
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| London, Sunday 22 |
Camden Art Centre:
Karimah Ashadu: Tendered |
Virtual Visit! ▻ |
Camden Art Centre:
Nat Faulkner: Strong water |
Virtual Visit! ▻ |
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Los Angeles
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| Los Angeles, Saturday 21 |
Roberts Projects:
Amoako Boafo: I Bring Home with Me |
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New York
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| New York, Friday 20 |
D LAN GALLERIES:
Makinti Napanangka: The Embodied Archive |
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| New York, Saturday 21 |
Marian Goodman Gallery:
Jongsuk Yoon: Azalea Spring |
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Marian Goodman Gallery:
Agnieszka Kurant: RECURSION |
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Templon:
Iván Navarro: Light Years |
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Palm Beach
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| Palm Beach, Tuesday 24 |
Findlay Galleries Palm Beach:
Belynda Henry: Living Palette |
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Paris
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| Paris, Saturday 21 |
Galleria Continua / Paris Matignon:
Fragments de ville |
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Galerie Maria Wettergren:
Ilkka Suppanen: Transfigure |
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HELENE BAILLY MARCILHAC:
Impressionism & Legacy |
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Loevenbruck:
Robert Devriendt: THE MISSING SCRIPT, Objet de culte |
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Loevenbruck:
1+1=3: an exhibition where art becomes dialogue |
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Reykjavík
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| Reykjavík, Saturday 21 |
BERG Contemporary:
Á. Birna Björnsdóttir: When I looked up the moon had changed shape |
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Venice
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| Venice, Saturday 21 |
Patricia Low Venezia:
Jean-Baptiste Bernadet: Breve Amore |
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