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| The Week in Art 25 January – 1 February 2022 |
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view Gallery News browse the Shop Diary: openings, events, auctions |
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Brussels |
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| Thursday 27 | |||||||||
| Almine Rech: Jean-Baptiste Bernadet: Time and Again “it seems to me that the paintings of Jean-Baptiste Bernadet, each of his series, set out to explore one of the thousands of variations that exist between the solid state of the painted canvas… and the liquid state of our emotions” – Emmanuel Guy |
opening reception | ||||||||
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Bruton |
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| Saturday 29 | |||||||||
| Hauser & Wirth Somerset: Ida Applebroog. Right Up To Now 1969 – 2021 Feminist pioneer Applebroog has throughout her career consistently explored the interconnected themes of power, gender, politics, and sexuality |
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Bucharest |
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| Saturday 29 | |||||||||
| Anca Poterașu Gallery: Dragoș Bădiță: Some are Born to Sweet Delight new fantastic painterly compositions by Bădiță, touching on themes of alienation and longing, the possibility of a return to innocence and personal attachments |
opening reception | ||||||||
| Thursday 27 | |||||||||
| Simon Lee Gallery: Grayscale works in shades of grey, by Mel Bochner, Dexter Dalwood, Bernard Frize, Paulina Olowska, Mai-Thu Perret, Erin Shirreff, Clare Woods, Christopher Wool, Toby Ziegler, Heimo Zobernig |
private view | ||||||||
| Tuesday 25 | |||||||||
| Modernity: Paavo Tynell: The Man who Illuminated Finland a new exhibition on the Finnish lighting designer, with the gallery transformed into a showcase of rare and unique designs |
opens | ||||||||
| Sprüth Magers, Grafton St.: Rosemarie Trockel: Why gravel, Ms. Smith? includes new and recent ceramic works, a previously unseen “Cluster” of digitally reconfigured photographs, and the debut of a new series of photographic prints rendered as oil paintings |
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| Tiwani Contemporary at Cromwell Place: Joseph Olisaemeka Wilson: Everything Go Scatter new ecologically-aware works on canvas and drawings by the American artist suggesting that extraction, possession and accumulation are the modus operandi of the “survival of the fittest” |
private view | ||||||||
| Wednesday 26 | |||||||||
| Bartha Contemporary: Jill Baroff: Survey a unique overview of the artist’s practice over the past twenty-five years |
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| The Artist Room: ECHO works by George Henry Longly, Jane Simpson, Kaari Upson and Grace Woodcock – “the world of objects, however ‘ordinary’, is a trove of disguises… the artwork is a prime example of the object’s capacity to evade the knowing grasp” – Antony Hudek |
private view | ||||||||
| Timothy Taylor: Antonia Showering paintings filled with figures Showering calls “the people I love or have loved” in the gallery’s first solo exhibition with the artist |
opens | ||||||||
| Thursday 27 | |||||||||
| Cristea Roberts Gallery: Patrick Heron: Shaping Colour: Prints 1956 – 1999 as the gallery announces the exclusive representative for prints from the Heron estate, their first solo exhibition of the works of one of the most innovative figures in twentieth-century British art |
private view | ||||||||
| Gagosian Davies St: Rachel Feinstein: Mirror “I was not concerned with gender, desire, high and low culture, theater, or taste in these works. For me it is about life and death” – Feinstein – new works in her first exhibition with the gallery in the UK |
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| Gagosian Grosvenor Hill: Caro and North American Painters sculptures from the 1960s and 1970s by the artist, alongside contemporaneous paintings by his friends and peers – “America made me see that there are no barriers and no regulations” – Caro |
opening reception | ||||||||
| Hamiltons: The Great and The Good work by some of the greatest names in Modern and Contemporary photographic history, including Helmut Newton, Irving Penn, Richard Avedon, Herb Ritts, Sir Don McCullin, Roger Ballen, Mario Testino, Albert Watson and Erwin Olaf |
opens | ||||||||
| Holtermann Fine Art: Olivia Bax: Home Range |
opening reception | ||||||||
| Pilar Corrias, Savile Row: Gisela McDaniel: Manhaga Fu’una |
opens | ||||||||
| Zabludowicz Collection: Just…As an Artist Portugal Prints and artist in residence Sikelela Owen curate works by D. Kongson, GW, Helene Dutranois, JL, Louie Matheou, Melissa Nash, Mirjana, Muru Pillai, Neelam Synge, R. Cooper, RF, Sandra Manthando, Sikelela Owen, Simona Hartia, ZP |
opens | ||||||||
| Friday 28 | |||||||||
| Modern Art Bury Street: Karla Black new sculptures made from soaked and dried cartridge paper and watercolour inks, bathed in varying shades of pink or peach and hung out to dry over various household objects from which they gain their shapes and forms |
opens | ||||||||
| Stephen Friedman Gallery: Holly Hendry: Fatty Acids sculptures and installations challenging the neat distinction between our physical bodies, emotions and mechanisation in the gallery’s first solo exhibition with the British artist |
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| Stephen Friedman Gallery: Sarah Ball the gallery’s first solo exhibition with Ball, whose enigmatic portraits explore the way we project images of ourselves to the world |
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| Tuesday 1 | |||||||||
| Bermondsey Project Space: Heidi Pearce: Lights on Blue Dogs a body of work that encourages the viewer to question their tension – or complacency – surrounding overfamiliarity |
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| Bermondsey Project Space: Cherry Au Hon I: PEOPLE, PLACE, TAKE UP SPACE part of LGBTQIA+ History Month, a collection of intimate portraits by the non-binary Macanese born, London based photographer |
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| Saturday 29 | |||||||||
| Meliksetian | Briggs: Christiane Lyons: Some Women – A Total Portrait With No Omissions |
opening reception | ||||||||
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Marbella |
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| Thursday 27 | |||||||||
| Badr El Jundi: Vision of Figure works by Ella Bril, Juliet Casella, Margaux Henry-Thieullent, Tosin Kalejaye, Anna Nero |
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Monaco |
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| Wednesday 26 | |||||||||
| Hauser & Wirth Monaco: Bodily Abstractions / Fragmented Anatomies work approaching the body through abstraction or fragmentation – with Louise Bourgeois, Berlinde de Bruyckere, Ellen Gallagher, Eva Hesse, Lee Lozano, Anna Maria Maiolino, Christina Quarles, Cindy Sherman, Pipilotti Rist, Alina Szapocznikow… |
opens | ||||||||
| Wednesday 26 | |||||||||
| David Richard Gallery: Andrew Spence: Looking Back and Moving Forward “the process of combining printing and painting techniques created images that were strangely abstract and appealing to me… My painting is still addressing this format forty years later” – Spence |
opening reception | ||||||||
| Sotheby’s New York: Master Works on Paper from Five Centuries auction: Wed 26 |
auction | ||||||||
| Thursday 27 | |||||||||
| Gagosian 980 Madison Avenue: Simon Hantaï: Les blancs de la couleur, la couleur du blanc curated by Anne Baldassari – “the function of color is essentially linked to light. Light is necessarily the foundation of the world on the material, absolute level. It is, precisely, the sign and symbol of another infinity” – Hantaï |
opens | ||||||||
| Hauser & Wirth 69th Street: max bill & georges vantongerloo. crossover an exhibition devoted to the art and ideas of the two polymaths, whose lifelong friendship and correspondence united their independent artistic and intellectual endeavors to push the boundaries of their work into new aesthetic realms |
opens | ||||||||
| Lehmann Maupin W 24th St: Ashley Bickerton: Seascapes at the End of History Bickerton’s stark and darkly poetic worldview has been described by critic Holland Cotter as “an end-of-the-world view, beyond solution, beyond revulsion, blissed-out on the terrible wonder of it all” |
opens | ||||||||
| Sotheby’s New York: The European Art Sale Part I auction: Thu 27 (viewing: Sat 22 – Thu 27 January) |
auction | ||||||||
| Sotheby’s New York: Master Paintings & Sculpture Part I auction: Thu 27 |
auction | ||||||||
| Sotheby’s New York: Master to Master: The Nelson Shanks Collection auction: Thu 27 (viewing: Sat 22 – Wed 26 January) |
auction | ||||||||
| Friday 28 | |||||||||
| International Center of Photography: A Trillion Sunsets: A Century of Image Overload |
opens | ||||||||
| International Center of Photography: Actual Size! Photography at Life Scale |
opens | ||||||||
| Tuesday 1 | |||||||||
| Findlay Galleries: Lunar Red Show |
opens | ||||||||
| Thursday 27 | |||||||||
| Bigaignon: Harold Feinstein: Life as it was the final exhibition in the trilogy provides an immersion in the daily life of Feinstein’s contemporaries, depicting life as it was, with a special focus on the unique characters the photographer liked to shoot |
opening reception | ||||||||
| Lévy Gorvy: Francesco Clemente |
opens | ||||||||
| Friday 28 | |||||||||
| PARLIAMENT: Flaviu Cacoveanu: LAZERPRESENT |
opening reception | ||||||||
| Saturday 29 | |||||||||
| Galerie Frank Elbaz: Rooms & Ketuta Alexi-Meskhishvili: In the Ether “the three women of this exhibition act as Baudelaire’s Flaneurs, but… rather than observers more as subjective filters of a city, which like Paris in Baudelaire’s time is in the midst of change, but this time of a never ending one” – Elene Abashidze |
opening reception | ||||||||
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Rome |
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| Friday 28 | |||||||||
| Galleria Anna Marra: Postcard from New York – Part III the last of a series started in 2016 relating to curator Serena Trizzino’s findings in New York City, with Carl D’Alvia, Aurora Pellizzi, Luisa Rabbia, Victoria Roth, Maja Ruznic, Pauline Shaw |
opening reception | ||||||||
| Tuesday 25 | |||||||||
| Lukas Feichtner Galerie: GROWING INTO 2022 |
opens | ||||||||
| Thursday 27 | |||||||||
| MEYER*KAINER: Raphaela Vogel: Mit der Vogel kannst Du mich jagen mysterious scenarios and unusual distortions built from found metal sculptures, sounds, images, and machines |
opening reception | ||||||||
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Browse all current exhibitions in: New York London Paris Los Angeles Berlin more… |
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Don’t miss: exhibitions closing |
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| Saturday 29 | |||||||||
| Galerie Max Hetzler, Goethestraße 2/3: Oehlen, Pendleton, Pope.L, Sillman | |||||||||
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Bucharest |
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| Saturday 29 | |||||||||
| Mobius Gallery: Lea Rasovszky: Flowers Growing Out of My Chest | view VR ▶ | ||||||||
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Geneva |
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| Saturday 29 | |||||||||
| Pace, Geneva: Little Things: Part II | |||||||||
| Sunday 30 | |||||||||
| Mamco: Tony Conrad | |||||||||
| Mamco: Discipline and Perform | |||||||||
| Mamco: Julia Scher | |||||||||
| Tuesday 25 | |||||||||
| Annely Juda Fine Art: Group Show | |||||||||
| Wednesday 26 | |||||||||
| Saatchi Yates: Danny Fox: Brown Willy | |||||||||
| Waddington Custot: Landon Metz: Love Songs | |||||||||
| Friday 28 | |||||||||
| Robilant+Voena, London: Neapolitan Painting and the Caravaggesque | |||||||||
| Saturday 29 | |||||||||
| A.I.: Haffendi Anuar: Flat Lands | |||||||||
| Amanda Wilkinson: Annie Ratti: Bombyx mori | |||||||||
| Bermondsey Project Space: Dylan Bardoe: Mudpuppy | |||||||||
| Bermondsey Project Space: MERGE. Bensley and Dipré | |||||||||
| Hanina Fine Arts: Post-War Prize Winners | |||||||||
| Hollybush Gardens: Happy Mechanics | |||||||||
| Large Glass: Joëlle Tuerlinckx: Plan B – série b | |||||||||
| MAMOTH: The Glass Bead Game | |||||||||
| October Gallery: Jordan Ann Craig: Your Wildest Dreams | |||||||||
| Rodeo: David Douard: O’ thee lil’ | |||||||||
| Sunday 30 | |||||||||
| Pontone Gallery: Chris Rivers: Odyssey | |||||||||
| Serpentine Gallery: Hervé Télémaque: A Hopscotch of the Mind | |||||||||
| Monday 31 | |||||||||
| Pangolin London: William Tucker: Drawings and Wall reliefs 1970 – 2020 | |||||||||
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Milan |
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| Friday 28 | |||||||||
| Robilant+Voena, Milan: Bernardo Zenale: St John Rediscovered | |||||||||
| Saturday 29 | |||||||||
| Fergus McCaffrey: Anna Conway | |||||||||
| Findlay Galleries: California Abstractionists | |||||||||
| Gagosian 976 Madison Avenue: Neil Jenney: American Realism Today | |||||||||
| Gagosian Park & 75: Dan Flavin | |||||||||
| Sunday 30 | |||||||||
| The Metropolitan Museum of Art: Surrealism Beyond Borders | |||||||||
| Saturday 29 | |||||||||
| David Zwirner: Christopher Williams: standard pose | |||||||||
| David Zwirner: More Life: Hugh Steers: Blue Towel, Red Tank | view VR ▶ | ||||||||
| kamel mennour: Jours blancs | view VR ▶ | ||||||||
| kamel mennour, 5 r. du Pont de Lodi: Huang Yong Ping, Shen Yuan: Is Paris Burning? 2019 | |||||||||
| kamel mennour, r. du Pont de Lodi: Huang Yong Ping, Shen Yuan: Is Paris Burning? 2019 | |||||||||
| kamel mennour, r. Saint-André des arts: Jours blancs | view VR ▶ | ||||||||
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Reykjavík |
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| Saturday 29 | |||||||||
| i8 Gallery: Dieter Roth | |||||||||
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Salisbury |
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| Sunday 30 | |||||||||
| New Art Centre: Ann Sutton: On From Weaving – A Survey | |||||||||
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Shanghai |
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| Thursday 27 | |||||||||
| Almine Rech: Rudolf Polanszky: Apeiron | view VR ▶ | ||||||||
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Torre Pellice (Turin) |
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| Sunday 30 | |||||||||
| Tucci Russo – Studio per l’Arte Contemporanea: Tony Cragg: In No Time | |||||||||
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Turin |
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| Saturday 29 | |||||||||
| Tucci Russo Chambres d’Art: Giulio Paolini: Qui (da lontano) | |||||||||
| Tuesday 25 | |||||||||
| Vin Vin: Nana Wolke: 4:28 – 5:28 am | |||||||||
| Saturday 29 | |||||||||
| Galerie Ernst Hilger: Hans Staudacher: Spuren im Raum (Traces in space) | |||||||||
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Zürich |
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| Saturday 29 | |||||||||
| Fabian Lang: Gnomonics, an Orange and Other Drawings | |||||||||
| Galerie Eva Presenhuber, Maag Areal: Carroll Dunham: Qualiascope Paintings and Related Drawings | |||||||||
| Mai 36 Galerie: René Kemp: L’univers crie | |||||||||
| Mai 36 Galerie: Jorge Méndez Blake: I Will Defend Poetry | |||||||||
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