“Soil, trees, and rocks are what’s beautiful. Without question, they’re simple and tower over anything produced by people, no matter how skillfully made” - Yun Hyong-keun
shown for the first time as a complete installation, and in dialogue with video work - “homeland is not a topographically definable place, but a state of consciousness and belonging” - Kimsooja
Shaw’s new paintings demonstrate a fearless desire to tell of an alternate reality, one in which ill intention, conspicuous consumption, gross wealth and corruption are met with consequences
an exhibition of new paintings in which Mackinnon reflects on memories of trees in and around his family farm in western Victoria, Australia, and on formative experiences living in remote indigenous communities in the Kimberley region
Wagemaker’s “earth-formed” Matter Art from the 50s and Schoonhoven’s “light-drenched” Zero Art from the 60s align wonderfully as two sides of the same coin
never-before-exhibited collage works documenting a pivotal time in Rosenthal’s early artistic development, organized in collaboration with the Rachel Rosenthal Estate
surveying Shuldiner’s recent migration to his unconventional lush and gestural works, pieces that read as much as wall sculptures and objects as they do paintings
Beekman’s approach to his medium and subject matter abolish any set hierarchy when referencing the avant-garde art of the last century; in this way, his works can be perceived as exploring a disruptive, even anarchistic mode of representation
new paintings that represent the first significant body of work to marry Tomaselli’s intricate resin paintings with his ongoing "New York Times" drawings
highlights temporarily on view at the Paris Pantin gallery, with new works by Ali Banisadr, Georg Baselitz, Oliver Beer and Yan Pei-Ming, and historical works by Robert Rauschenberg and Arnulf Rainer, among others
the gallery invites Greene Naftali to Paris on the occasion of “In Paris During (the Week of) FIAC” - with works by Monika Baer, Jana Euler, Rachel Harrison, Jacqueline Humphries, Walter Price, Andy Robert, Gedi Sibony and Josef Strau
to inaugurate the new gallery space, Uecker’s first solo exhibition in Paris for many years is a dramatic development in his seven-decade practice - a monumental new body of work vibrating with the energy of creation and embodying fluidity and light
the gallery inaugurates its new Paris location with an exhibition of carefully selected masterpieces created by Italian pioneers of visual experimentation between the late 1950s and the ’70s
the world premiere of a new film by the legendary filmmaker - “I am convinced that cinema can convey certain things that no language in the world can translate” - Pelechian
look out for our 27th map, celebrating the best of London’s exhibitions and produced in association with Frieze and, for the first time this year, the London Collective - free and available in galleries
