Reclaimed galvanized steel, wood, chain link fence
© the artist. Courtesy the artist and Sean Kelly, New York/Los Angeles
Los Angeles
curated by Joey Lico, photography, sculpture, installation, and painting in an exhibition centred on Duchamp’s seminal 1920 photograph Dust Breeding to explore “the trace as a radical gesture, foregrounding atmosphere, residue, and the weight of absence”
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Cotton, gesso, watercolor, toner, stipple and wax marking pencil mounted on Dibond in two panels
68 × 120 × 1 in
Shellac ink, synthetic walnut ink, shellac, charcoal from burned and decayed New Hampshire trees on paper
223.5 × 548.6 cm
, 2025
Wood chip (Chicago), snail shell (bosque Tlalpan), feather and beeswax with cochineal
5 × 3 × 5 cm
Newspaper cut outs, acrylic paint, clear used poly sheeting, wood screen printing ink
182.9 × 147.3 × 6.3 cm
Oil, acrylic, airbrush, suspended pigment, sand, slated lime putty, and chicken wire on panel
163.2 × 121.9 × 6.3 cm
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