Anacaona (destroy the beauty that has injured me), 2024

Firelei Báez

Anacaona (destroy the beauty that has injured me)

2024

Oil and acrylic on archival printed canvas

228.6 × 207 cm

© Firelei Báez. Courtesy the artist and Hauser & Wirth. Photo: Mats Nordman

Exhibitions

Hauser & Wirth Downtown

Los Angeles

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Firelei Báez. The Fact That It Amazes Me Does Not Mean I Relinquish It

13 Sep 2024 - 5 Jan 2025

in Báez’ first exhibition with the gallery, large-scale canvases, drawings and her first-ever bronze sculpture continue her exploration of the influences of the Afro-Caribbean diaspora against the backdrop of colonialism

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Firelei Báez, Untitled (Les tables de geographie reduites en un jeu de cartes), 2022

Firelei Báez Untitled (Les tables de geographie reduites en un jeu de cartes)

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Firelei Báez, The fact that it amazes me does not mean I relinquish it, 2024

Firelei Báez The fact that it amazes me does not mean I relinquish it

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Firelei Báez, Fruta Fina, Fruta Estrańa (Lee Monument), 2022

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Firelei Báez, Untitled (Plate 36. Vertical and Latitudinal Distribution of Animal Life), 2022

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Firelei Báez, Haitian Mermaid (Describing the West India Navigation, from Hudson's-Bay to the River Amazones), 2022

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, 2022

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Firelei Báez, Untitled (Routes of the famous flying Clipper ships), 2022

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, 2022

Oil and acrylic on archival printed canvas

1978 × 2862 mm

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Firelei Báez, Olamina (How do we learn to love each other while we are embattled), 2022

Firelei Báez Olamina (How do we learn to love each other while we are embattled)

, 2022

Oil and acrylic on archival printed canvas

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Firelei Báez, Untitled (Premiere Carte Pour L'Introduction A L'Histoire Du Monde), 2022

Firelei Báez Untitled (Premiere Carte Pour L'Introduction A L'Histoire Du Monde)

, 2022

Oil and acrylic on archival printed canvas

1937 × 2453 mm

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Firelei Báez, Unbound (one way ashore, a thousand channels), 2024

Firelei Báez Unbound (one way ashore, a thousand channels)

, 2024

Oil and acrylic on archival printed canvas

140.3 × 291.2 cm

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