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The Week in Art visit the site
22-29 Sep 2026
Openings, events, auctions
Chichester, Hamburg, Hong Kong, London, Los Angeles, Milan, Naples, New York, Petworth, Salisbury, Vienna, Zürich
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▻ use the Daily Diary for all the latest events and updates!
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Chichester
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| Chichester, Saturday 26 |
Goodwood Art Foundation: Nancy Holt’s Cosmic Landscape with Lisa Le Feuvre | talk |
Hamburg
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| Hamburg, Tuesday 22 |
Galerie Vera Munro: Gérard Traquandi
| opening reception |
Hong Kong |
| Hong Kong, Monday 28 |
Sotheby’s Hong Kong: Modern & Contemporary Evening Auction auction: Mon 28 (viewing: Tue 22-Mon 28) | auction |
Sotheby’s Hong Kong: The Foujita Lexicon: Works from the Lewis Collection auction: Mon 28 (viewing: Tue 22-Mon 28) | auction |
| Hong Kong, Tuesday 29 |
Sotheby’s Hong Kong: Modern Day Auction auction: Tue 29 (viewing: Tue 22-Tue 29) | auction |
Sotheby’s Hong Kong: Contemporary Day Auction auction: Tue 29 (viewing: Tue 22-Tue 29) | auction |
London |
| London, Tuesday 22 |
BRINK: Richard Baker: Anticipation of Memory an exhibition bringing together works made over the past decade where Baker began painting particular eBay furniture listings he found when moving house “a way of owning something before, or instead of, having it” | private view |
Roseberys Belgravia: Design
| first day |
| London, Wednesday 23 |
BRINK: Richard Baker: Anticipation of Memory an exhibition bringing together works made over the past decade where Baker began painting particular eBay furniture listings he found when moving house “a way of owning something before, or instead of, having it” | first day |
Pippy Houldsworth Gallery: Liorah Tchiprout Print Box Set Launch | special event |
Serpentine North Gallery: Amar Kanwar a major solo exhibition of the prominent New Delhi-based artist and filmmaker whose distinctive lyrical films move between documentary, travelogue, and visual essay to explore the specific conditions of the Indian subcontinent | first day |
Serpentine North Gallery: Amar Kanwar and Sherna Dastur in conversation with Hans Ulrich Obrist | talk |
ai.: Spectral Kinship a group exhibition curated by Sophie Guo bringing together six artists “whose works give voice to silenced subjects and explore how suppressed histories and unaccommodated desires are made palpable through sound, ritual, materiality and form” | opening reception |
| London, Thursday 24 |
Bartha_contemporary: Into the Surface an exhibition of works by Defne Tesal and Stephan Baumkötter - “in both artists’ work, depth emerges through material, touch and repetition rather than illusion. The surface becomes a space in itself: layered, tactile and open to continued looking” | first day |
Benjamin Rhodes Arts: Emrys Williams: what seas what shores what grey rocks “Emrys knows … that he is ‘dragging things forth’, that they remain a mystery to the rest of us, and only just within his own reach, as passing from memory, like dreams on waking, endlessly reconfigured” - John Gillett | opening reception |
Canopy Collections: Jonathan Baldock: For Your Keeping a new body of small-scale works in the form of votive objects, keepsakes, and bodily hybrids made in ceramic and textile | opening reception |
David Zwirner: Daichi Takagi: Suchness these new paintings by the Japanese artist blur the boundary between figuration and abstraction with work that is introspective and reflective, focusing on phenomena observable in his everyday environment | opening reception |
Emanuel von Baeyer: Nicole Wassall: I Wish This Wasn’t Silver Plated “in a world where religious and cultural difference is so often used to separate, Wassall’s marionette suggests another possibility - that what unites these faiths might be as visible, and as luminous, as what sets them apart” | opening reception |
Goodman Gallery: William Kentridge: A Nicely Built City alongside new drawings, sculptures, and editioned works on paper, the gallery presents the global premiere of Kentridge’s new stop-animation film, the twelfth in his globally acclaimed cycle of Drawings for Projection | private view |
Lisson Gallery: Ha Chong-Hyun the inaugural show at the gallery of one of the world’s foremost abstract painters, surveying his experimentation and mastery over the past six decades of pioneering work in a wide-ranging survey including some of his earliest extant works | opening reception |
Lisson Gallery: Carmen Herrera: Pulse, Pause, Repeat curated by Marie Perennès, an exhibition of drawings, paintings, and sculpture spanning the final decade of Herrera’s life - “the vital culmination of an eighty-year enquiry into line, form and colour” | opening reception |
Palmer Gallery: Mac Collins: Between the Rafters in Collins’ first solo exhibition at the gallery he considers the “attic” as a metaphor for memory - “a space at the peripheries and recesses of consciousness where stories germinate, mutate and become myth” | private view |
Palmer Gallery: The Door: Philip Ewe: Inheritance a new solo presentation by the London-based artist, comprising a sculptural installation - of the Barking fish and chip shop run for forty years by his Italian immigrant grandparents - alongside an accompanying live performance | private view |
Shapero Modern: Alexander Calder: Art in Motion an exhibition of gouaches, drawings, lithographs, and tapestry work by one of the central figures in twentieth-century modernism | first day |
| London, Friday 25 |
Emanuel von Baeyer: Nicole Wassall: I Wish This Wasn’t Silver Plated “in a world where religious and cultural difference is so often used to separate, Wassall’s marionette suggests another possibility - that what unites these faiths might be as visible, and as luminous, as what sets them apart” | first day |
Palmer Gallery: Mac Collins: Between the Rafters in Collins’ first solo exhibition at the gallery he considers the “attic” as a metaphor for memory - “a space at the peripheries and recesses of consciousness where stories germinate, mutate and become myth” | first day |
Palmer Gallery: The Door: Philip Ewe: Inheritance a new solo presentation by the London-based artist, comprising a sculptural installation - of the Barking fish and chip shop run for forty years by his Italian immigrant grandparents - alongside an accompanying live performance | first day |
Serpentine South Gallery: Park Nights 2026: Ebun Sodipo | performance |
| London, Saturday 26 |
NıCOLETTı: Ana Viktoria Dzinic: Fundus: A Schizo Society’s Longing for the Armchair Psychology of Visual Cohesion (An Examination) “a large-scale storage unit containing works from each of Dzinic’s series occupies the gallery. Across three successive rotations, works move between storage and the gallery walls” | opening reception |
domobaal: Ansel Krut: YAWA EKAT RO NI TAE / EAT IN OR TAKE AWAY in conversation with newer work, an opportunity to revisit paintings first shown at the gallery twenty years ago - “Krut demonstrates a Surrealist’s facility for perceiving links between the most disparate commonplace objects” - Andreas Leventis | private view |
| London, Tuesday 29 |
Institute of Contemporary Arts (ICA): Autumn Knight: I Can’t Complain a new installation and performance work about the act of complaining, in the first major UK presentation of Knight’s interdisciplinary practice, which draws on theatre, psychology, improvisation, and social exchange | first day |
Sotheby’s London: Modern & Contemporary South Asian Art auction: Tue 29 | auction |
Waddington Custot: Ian Davenport: Reflections a survey exhibition celebrating the remarkable breadth of Davenport’s career from the late 1980s to the present | private view |
Los Angeles |
| Los Angeles, Friday 25 |
HOSTLER | BURROWS: Melrose Gallery Walk | tour |
Milan |
| Milan, Thursday 24 |
A arte Invernizzi: Michel Verjux: Tout ou partie projected light installations of geometric shapes specially designed for the architecture and specific characteristics of the location in which they are created - alongside works made from sheets of bent and cut stainless steel | opening reception |
Naples
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| Naples, Saturday 26 |
Thomas Dane Gallery: Cecily Brown: A sunset, a ruin, a crowd, and a battle “across thirty new paintings and drawings, Brown elides myth and archaeology with the clamour of contemporary tourists who jostle for snapshots and cocktails across the continent’s summer hotspots” | private view |
| Naples, Tuesday 29 |
Thomas Dane Gallery: Cecily Brown: A sunset, a ruin, a crowd, and a battle “across thirty new paintings and drawings, Brown elides myth and archaeology with the clamour of contemporary tourists who jostle for snapshots and cocktails across the continent’s summer hotspots” | first day |
New York |
| New York, Wednesday 23 |
Hauser & Wirth 22nd Street: Curator Walkthrough & Book Launch: Lynne Cooke on Hans Arp | special event |
Hutchinson Modern & Contemporary: Alejandro Corujeira: La sonora luz de lo invisible [Sounding Light of the Unseen] works developed over the past three years which continue Corujeira’s longstanding exploration of abstraction, light, rhythm, and the relationship between form and space | opening reception |
| New York, Thursday 24 |
ALEXANDRE: Open House with Lisa Sanditz | special event |
ALEXANDRE: Lisa Sanditz in conversation with John Yau | talk |
| New York, Friday 25 |
NORR COHAN: Vicky Colombet: Memory of the Surface “Colombet’s abstractions carry a rhythmic, almost variable logic, echoing the geometries nature repeats at every scale - ripples on the surface of water, waves lapping up sand, tectonic plates forming vast topographies” | opening reception |
| New York, Tuesday 29 |
The Painting Center: Kathleen Beausoleil: Meet at the Ferris Wheel these new oil paintings by Beausoleil are centered on the American town fair, exploring how crowds form, how people connect through repeated encounters, and how shared rituals create a sense of belonging | first day |
The Painting Center: Ellen Starr Lyon: Nesting Rituals “this exhibition continues Lyon’s exploration of life transitions … this body of work speaks to her current overlapping transitions of relocation to New York State from the Midwest and to what is known colloquially as an empty nester” | first day |
Petworth
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| Petworth, Friday 25 |
Petworth House and Park: Petworth Late - In Conversation | special event |
Salisbury
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| Salisbury, Saturday 26 |
New Art Centre: Alison Crowther: Anatomy of a Tree Crowther’s first solo exhibition at the Centre showcases her work, sculpted from naturally felled local timber, on all scales | private view |
Vienna |
| Vienna, Tuesday 22 |
Galerie Eva Presenhuber: Angela Bulloch in conversation with Lynn Kost | talk |
Zürich
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| Zürich, Thursday 24 |
Galerie Eva Presenhuber, Maag Areal: Josh Smith: Mind Child “one of the defining painters of his generation, Smith has developed a multifaceted body of work over more than two decades, characterized by seriality, repetition, and an ongoing engagement with the possibilities of painting” - Dr. Raphael Gygax | opening reception |
Galerie Eva Presenhuber, Maag Areal: Josh Smith in conversation with Dr. Raphael Gygax | talk |
Galerie Eva Presenhuber, Maag Areal: Dieter Roth dedicated to one of the most important and influential Swiss artists of the 20th century, “the exhibition exemplifies how Roth, with his open concept of the artwork, redefined the boundaries between work, material, and working process” - Dr. Raphael Gygax | opening reception |
Hauser & Wirth: Catherine Goodman. The Colour of a Quiet Mind… new works see Goodman combine strongly pigmented oil paint, expressive brushwork, oil sticks, drips, and washes to create immersive abstract paintings and explore “how painting can hold both quietness and turbulence” | opening reception |
| Zürich, Friday 25 |
Galerie Eva Presenhuber, Maag Areal: Josh Smith: Mind Child “one of the defining painters of his generation, Smith has developed a multifaceted body of work over more than two decades, characterized by seriality, repetition, and an ongoing engagement with the possibilities of painting” - Dr. Raphael Gygax | first day |
Galerie Eva Presenhuber, Maag Areal: Dieter Roth dedicated to one of the most important and influential Swiss artists of the 20th century, “the exhibition exemplifies how Roth, with his open concept of the artwork, redefined the boundaries between work, material, and working process” - Dr. Raphael Gygax | first day |
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Don’t miss: exhibitions closing Amsterdam, Cologne, Dubai, London, Los Angeles, Monaco, New York, Paris, Petworth, Tokyo, Zürich
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Amsterdam
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| Amsterdam, Friday 25 |
Reflex: It’s Summer After All | |
Cologne
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| Cologne, Saturday 26 |
Galerie Buchholz: Deshaun Price | |
Dubai
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| Dubai, Friday 25 |
Perrotin Dubai: Summer Group Show | |
London |
| London, Thursday 24 |
SQFT:Space Gallery: Judy Clarkson: Body & Soul | |
| London, Friday 25 |
Gazelli Art House: Interweave | |
Sprovieri: Paint Me a Body | |
Twilight Contemporary: Luca Longhi: Ruins Romance | |
| London, Saturday 26 |
ATLAS Gallery: The Last Dolls by Bob Carlos Clarke | |
Ab-Anbar: A Present Tense: Contemporary Artists Living and Working in Iran | |
Emanuel von Baeyer: Landscapes and Cityscapes | |
Larkin Durey: Andrew Maughan: Hypernormal | |
No.9 Cork Street: gallery rosenfeld: Ndidi Emefiele: Behind the Glass | |
No.9 Cork Street: Jhaveri Contemporary: Fiza Khatri: The Great Rebuild! | Kirtika Kain: Mimetics | |
Patrick Heide Contemporary Art: Woven Dialogues | |
Roseberys Belgravia: Design | |
Sylvia Kouvali: Jason Dodge | |
Upsilon Gallery: What Remains Visible | |
| London, Sunday 27 |
County Hall Pottery: Charly Blackburn: Lanthanides: Rare Earth Spectra | |
Elizabeth Xi Bauer, Exmouth Market: Our Place in These Worlds | |
DES BAINS: Aitor González: I Do Not Miss Heaven | |
Los Angeles |
| Los Angeles, Saturday 26 |
Philip Martin Gallery: A Certain Slant of Light | |
Monaco
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| Monaco, Friday 25 |
Almine Rech: Genieve Figgis: Drama Club | |
| Monaco, Saturday 26 |
Hauser & Wirth Monaco: Mise-en-scène | |
New York |
| New York, Saturday 26 |
The Painting Center: Megan Marlatt: Myths and Mummers | |
The Painting Center: Jane Zweibel: Dreams in Action | |
| New York, Sunday 27 |
Friedrichs Pontone: Summer Show 2026 | |
Sotheby’s New York: John Chamberlain: The Energy of Form | |
Paris |
| Paris, Friday 25 |
Esther Schipper, Paris: Pays rêvé, pays réel | |
| Paris, Saturday 26 |
Art: Concept: Pierre Bellot: Vallée FM | |
Carpenters Workshop Gallery: Dialogues | |
Hauser & Wirth: Charles Gaines. Ciphering African Acacias and Supreme Court Decisions | |
Perrotin Marais: Emma Prempeh: The Domain of the Stranger | |
Perrotin Marais: Restons Unis 2 | |
Zander Galerie: Lee Friedlander: The Shape of Seeing. Early Vintage Prints | |
Petworth
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| Petworth, Sunday 27 |
Petworth House and Park: Expressions in Blue: Monumental Porcelain by Felicity Aylieff | |
Tokyo
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| Tokyo, Saturday 26 |
Taka Ishii Gallery: Kei Takemura: Garden Next Door | |
Zürich
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| Zürich, Saturday 26 |
galerie gmurzynska: Christoph Niemann: Urban Horizons | |
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