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The Week in Art |
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view Gallery News check the Daily Diary browse the Shop Diary: openings, events, auctions |
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| Thursday 28 | |||||||||
| Capitain Petzel: Sanya Kantarovsky: Center “this group of paintings emerged out of my recent preoccupation with impermanence and the shared human drive to avoid it. The paintings in this exhibition reflect on death and our persistent reminder of it – the body” – Kantarovsky |
opens | ||||||||
| Friday 29 | |||||||||
| Galerie Barbara Thumm: El Hadji Sy: Silhouettes Critiques the first solo exhibition at the gallery by the icon in the history of visual arts in Senegal |
opening reception | ||||||||
| Galerie Buchholz: Trisha Donnelly |
opens | ||||||||
| Galerie Buchholz: Martin Wong: Dream Fungus. Early Works 1967-1978 |
opens | ||||||||
| Galerie Max Hetzler, Goethestraße 2/3: Jeremy Demester: Djemy a new body of large-scale portraits by Demester addressing his culture as a Tzigane of Kalderash Roma and Sinti origins |
opening reception | ||||||||
| McLaughlin Gallery: Helene B. Grossmann: Share the Light marking the gallery’s two-year anniversary, new works and significant pieces from the past twenty years in Grossman’s first solo exhibition with the gallery |
opening reception | ||||||||
| Tuesday 26 | |||||||||
| Damien & The Love Guru: Magnus Andersen: Readers Remedy “between a Dunkin’ Donuts-like pop, a faux-naïve halfway to real-funny and his neo-impressionism sprinkled with Nestlé realism, his painting is a nightmare for organic food aficionados” – Pierre-Alexandre & Charles Teyssou |
opening reception | ||||||||
| MARUANI MERCIER: Structuring Light |
opens | ||||||||
| Mendes Wood DM: Heidi Bucher |
opens | ||||||||
| NINO MIER GALLERY: Jake Longstreth: Springtime in Southern California |
opens | ||||||||
| NINO MIER GALLERY: Jonathan Wateridge: Aftersun |
opens | ||||||||
| Wednesday 27 | |||||||||
| Almine Rech: Brian Calvin: More “every picture by this artist builds on its precedents, both within his oeuvre and within the canon of Western and global art. He is an artist who, in his own words, sees painting as ‘a long game’” |
opening reception | ||||||||
| Almine Rech: The Wall: Peter Peri: Night is also a sun “in Peri’s works, these metaphysical movements of the mind take on a mesmerizing range of visual clothes. The lines drawn by Peri oppose any notion that the distinctions which they produce might possess a fixed reality” – Federico Campagna |
opening reception | ||||||||
| Baronian: Eric Poitevin |
opens | ||||||||
| dépendance: Peter Wächtler |
opens | ||||||||
| Harlan Levey Projects 1050: Zach Bruder: Greeter |
opens | ||||||||
| Harlan Levey Projects 1080: A Place for the Affections: dwelling in anguish (torment) and love |
opens | ||||||||
| rodolphe janssen: Jason Saager: Sky Gardens |
opens | ||||||||
| Stems Gallery: Figuration Now! |
opens | ||||||||
| Super Dakota: Julia Wachtel: Believe |
opens | ||||||||
| Xavier Hufkens Rivoli: Cassi Namoda: Tropical Depression |
opens | ||||||||
| Xavier Hufkens Van Eyck: Wyatt Kahn: Pile Ups / Cut Outs |
opens | ||||||||
| Thursday 28 | |||||||||
| Art Brussels, 2022 preview |
11am–5pm | ||||||||
| Art Brussels, 2022 vernissage |
5pm-10pm | ||||||||
| LMNO: Miguel Sbastida: High Tide |
opens | ||||||||
| MLF | Marie-Laure Fleisch: Alice Cattaneo: Unbroken Landscape |
opens | ||||||||
| Friday 29 | |||||||||
| Art Brussels, 2022 public day |
11am-7pm | ||||||||
| Bernier/Eliades: Christiane Löhr |
opens | ||||||||
| Michel Rein: Michele Ciacciofera: Step into life of maybe |
opens | ||||||||
| Saturday 30 | |||||||||
| Art Brussels, 2022 public day |
11am-7pm | ||||||||
| Sunday 1 | |||||||||
| Art Brussels, 2022 public day |
11am-7pm | ||||||||
| Wednesday 27 | |||||||||
| Sotheby’s Hong Kong: Fine Classical Chinese Paintings auction: Wed 27 |
auction | ||||||||
| Sotheby’s Hong Kong: Brilliant Moonlight: The Mid-Autumn Festival at the Imperial Garden by the Qianlong Emperor and Dong Bangda auction: Wed 27 |
auction | ||||||||
| Sotheby’s Hong Kong: Modern Evening Auction auction: Wed 27 |
auction | ||||||||
| Thursday 28 | |||||||||
| Sotheby’s Hong Kong: Contemporary Art Evening Sale auction: Thu 28 |
auction | ||||||||
| Sotheby’s Hong Kong: Modern Day Auction auction: Thu 28 |
auction | ||||||||
| Friday 29 | |||||||||
| Sotheby’s Hong Kong: Contemporary Art Day Sale auction: Fri 29 |
auction | ||||||||
| Saturday 30 | |||||||||
| Sotheby’s Hong Kong: Fine Chinese Paintings auction: Sat 30 |
auction | ||||||||
| Tuesday 26 | |||||||||
| Bermondsey Project Space: Queer Noise II |
spoken word performance | ||||||||
| Lisson Gallery: Hélio Oiticica painted compositions, three-dimensional works, film, and a paticipatory environmental structure in the first survey of Oiticica’s work in London for fifteen years |
opens | ||||||||
| Lisson Gallery: Rodney Graham: Painting Rocks “while an inveterate and self-confessed appropriator in the Duchampian mode, Graham has now entered a self-reflexive mode of painting, drawing from his own past projects, rather than wholly from art historical precedent” |
opens | ||||||||
| Olivier Malingue: Nobuyoshi Araki works spanning the breadth of the cult photographer’s career, offer an overarching view of the leading recurrent subjects that have consumed him ever since he published his first photobook in 1970 |
private view | ||||||||
| Galerie Max Hetzler: Hans Josephsohn “I have a feeling I have never accepted life as it is. But of course that gave me the strength to put something else in its place; to show how it should be” – Josephsohn |
opening reception | ||||||||
| Pilar Corrias, Savile Row: Vivien Zhang: undo undo undo |
opens | ||||||||
| Unit London: Mauro Martinez: The Last Man “a cathartic release that heralds the ability of technology to open up spaces in a world founded on hierarchical systems” |
opens | ||||||||
| Unit London: Nicolas Holiber: Shape-Shifter Holiber’s first solo exhibition with the gallery aligns his artmaking process with the work’s visceral content – features and colours mutate through changing perspectives within sculptural works on canvas |
opens | ||||||||
| Wednesday 27 | |||||||||
| Bermondsey Project Space: The Art of Poetry with Write2Speak |
performance | ||||||||
| Colnaghi: Forbidden Fruit: Female Still Life an exhibition devoted to female still life – with important and rare works by the mannerist artist Fede Galizia, Giovanna Garzoni, Caterina Angela Pierozzi and the acclaimed Dutch botanical artist Rachel Ruysch |
opens | ||||||||
| FOLD: DRAPE a multidisciplinary exhibition exploring notions of materiality, the aesthetics of migration and the processes of making and unmaking |
private view | ||||||||
| Thomas Dane Gallery: Amie Siegel: Bloodlines Siegel’s new large-scale moving image work follows the movement of paintings by George Stubbs – from aristocratic homes to a public gallery and back again |
opens | ||||||||
| Thursday 28 | |||||||||
| Bermondsey Project Space: RCA Presents: Meta Alarm / Meat Alarm |
performance | ||||||||
| Maximillian William: Reginald Sylvester II: CUTS |
special event | ||||||||
| Pilar Corrias, Eastcastle St: Manuel Mathieu: Keeping Things Whole |
opens | ||||||||
| Rodeo: Iman Issa: PROXIES, WITH A LIFE OF THEIR OWN |
opens | ||||||||
| Sotheby’s London: Modern Art Online auction: Thu 28 Apr – Wed 4 May (viewing: Fri 29 April – Wed 4 May) |
auction starts | ||||||||
| Stephen Friedman Gallery: Caroline Walker: Lisa in the gallery’s first solo exhibition with Walker, a new body of work tracing the daily life of her sister-in-law as she becomes a mother |
private view | ||||||||
| Friday 29 | |||||||||
| Bermondsey Project Space: Scruffy: A One-Woman Show |
performance | ||||||||
| Camden Art Centre: Lily van der Stokker – Thank You Darling the first institutional solo exhibition in London by one of the Netherlands’ most celebrated contemporary artists |
opens | ||||||||
| Camden Art Centre: Jesse Darling – Enclosures a major new commission where Darling addresses the fallibility, adaptability and vulnerability of living beings, society and technologies |
opens | ||||||||
| Cristea Roberts Gallery: Synthesis and Tension. Tom Wesselmann’s Editions a major survey of Wesselmann’s graphic oeuvre, exploring the rich and diverse editions the leading American Pop artist made over the course of his career |
opens | ||||||||
| Frith Street Gallery, Golden Square: Thomas Schütte |
opens | ||||||||
| Maureen Paley: Jane and Louise Wilson: The Toxic Camera marking the 10-year anniversary of the titular film – centred on Chernobyl – an exhibition presented across both of the gallery’s London spaces |
private view | ||||||||
| Maureen Paley Studio M: Jane and Louise Wilson: The Toxic Camera works from the twins’ most recent photographic series, continuing their exploration of the fragile interaction between human and natural environments |
private view | ||||||||
| Pontone Gallery: Reef Hsu: A Forest Seen From Space the gallery’s first exhibition of the Taiwanese painter, an experienced artist with an international reputation and award-winning pedigree |
opens | ||||||||
| Thomas Dane Gallery: Amie Siegel in conversation with Priyesh Mistry, Associate Curator of Modern and Contemporary Projects at the National Gallery London |
talk | ||||||||
| Saturday 30 | |||||||||
| Zabludowicz Collection: Among the Machines |
tour | ||||||||
| Tuesday 3 | |||||||||
| Bartha Contemporary: Stephan Baumkötter: Recent Works “Baumkötter’s works engage viscerally. Here oil paintstick is applied directly by hand, drawn and then rubbed into the surface, layer by layer” |
private view | ||||||||
| Bermondsey Project Space: Yamam Nabeel: Intersecting Realities showing in its most comprehensive form to date – Nabeel’s work encompasses film, digital & verbal portraiture across two years and three cities |
opens | ||||||||
| Sotheby’s London: Picasso Ceramics auction: Tue 3 – Thu 12 May |
auction starts | ||||||||
| The Sunday Painter: Cynthia Daignault: Xanadu |
opening reception | ||||||||
| Saturday 30 | |||||||||
| GAVLAK: T. J. Wilcox video, drawings and archival prints by the multidisciplinary artist, thematically centered around a new film developed during the pandemic |
opening reception | ||||||||
| Roberts Projects: Collins Obijiaku: Unexpected Sittings self-taught and self-assured, Obijiaku’s elegant portraits of Black subjects gaze directly at the viewer |
opening reception | ||||||||
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Melbourne |
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| Friday 29 | |||||||||
| Tolarno Galleries: Danie Mellor: redux “selected images are printed on highly polished surfaces, the viewer reflected and brought into the work as witness to changes that unfolded in and on our landscapes” – Mellor |
opening reception + talk |
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Murnau am Staffelsee |
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| Saturday 30 | |||||||||
| PULPO GALLERY: Agnes Grochulska: The Outline “the outline acts as a metaphor … It incorporates and roots the portrait in the traditional art of portraiture. It also represents the contemporary aspect of the painting in its bold and vibrant expressive character” – Grochulska |
opens | ||||||||
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New Orleans |
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| Thursday 28 | |||||||||
| ESTELLA: Dean Fox. Dreamscapes new works. exploring unknown places blurred between our present moment and the past |
opens | ||||||||
| ESTELLA: Heidi Jung. Botanical “through draughtsmanship and technique acquired over the years in both college and career, she has brought an extraordinary and authentic approach to drawing” |
opens | ||||||||
| Tuesday 26 | |||||||||
| Barbara Mathes Gallery: Color Field Painting 60 Years: 1958-2018 works by Ed Clark, Thomas Downing, Sam Francis, Sam Gilliam, Charles Hinman and Kenneth Noland explore the history of the Color Field movement and its legacy in the 21st century |
opens | ||||||||
| David Lewis: Mary Beth Edelson: A Celebration on the anniversary of her death, an exhibition dedicated to Edelson’s groundbreaking contributions to art history, with a range of media from throughout her career and an emphasis on the breadth and scale of her achievement |
opening reception | ||||||||
| Sean Kelly Gallery: David Claerbout: Dark Optics the US premiere of Claerbout’s two most recent film works, together with a series of works on paper relating to each film |
opening reception + talk |
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| Wednesday 27 | |||||||||
| David Richard Gallery – Uptown: Dee Shapiro’s “Redrawn and Redressed”, Re-presenting Classic Female Nudes new artworks by Shapiro create female figures, mostly nude, bathing or reclining, as her versions of classic female nudes presented over centuries of art history |
opening reception | ||||||||
| Michael Werner, Upper East Side: Francis Picabia – Women: Works on Paper 1902-1950 over forty works on paper spanning fifty years of the iconoclastic French artist’s career |
opens | ||||||||
| Thursday 28 | |||||||||
| Art Projects International: Color as Space the third of the gallery’s BACK WALL initiatives includes works by Bahar Behbahani, Mariano Ferrante, Seokmin Ko, Il Lee, Soo Im Lee, Filipe Rocha da Silva, Gwenn Thomas and Richard Tsao |
opens | ||||||||
| Berry Campbell Gallery: Nanette Carter: Shape Shifting collages, constructions, and installations recalling the lineage of African American quilt-making – and drawing on jazz, Japanese prints, Russian Constructivism, Abstract Expressionism and other sources |
opening reception | ||||||||
| Fergus McCaffrey: Richard Nonas: As Light Through Fog the first exhibition of Nonas’ work since his passing in May 2021 – “I place my sculpture, I mean to say, to shape our shifting pasts” – Nonas |
opening reception | ||||||||
| Gagosian Park & 75: Alexandria Smith: Pretend Gravitas and Dream Aborted Givens Smith’s first solo exhibition with the gallery – organized by Antwaun Sargent |
opening reception | ||||||||
| Lehmann Maupin W 24th St: Nari Ward: I’ll Take You There; A Proclamation New York new sculptures and installations composed from discarded material found and collected in the acclaimed artist’s Harlem neighborhood |
opens | ||||||||
| Perrotin New York: Josh Sperling: Daydream organized across three floors of the gallery’s NYC space, Sperling’s largest exhibition marks a return to key motifs developed over the last decade and re-articulated by this new body of work |
opens | ||||||||
| Sean Horton (Presents): Corydon Cowansage: Seed new paintings by Cowansage showcase the artist’s vibrant and dynamic meditations on organic and biomorphic forms |
opens | ||||||||
| Friday 29 | |||||||||
| Eva Presenhuber: Karen Kilimnik: Early Drawings 1976 – 1998 presented with Sprüth Magers, London, an exhibition of the artist’s own rich and varied selection of more than fifty previously unseen early works on paper |
opening reception | ||||||||
| GRIMM: William Monk: The Ferryman a three-venue exhibition of Monk’s new paintings and works on paper presented jointly by Pace and GRIMM |
opens | ||||||||
| Halsey McKay Gallery: Matt Kenny |
opens | ||||||||
| Halsey McKay Gallery: Bruce Conner & Adam Helms |
opens | ||||||||
| Saturday 30 | |||||||||
| Sean Horton (Presents): Corydon Cowansage: Seed |
opening reception | ||||||||
| Monday 2 | |||||||||
| Findlay Galleries: Ptolemy Mann – Thresholds large-scale woven works and abstract paintings influenced by Abstract Expressionism and architecture |
opens | ||||||||
| Tuesday 3 | |||||||||
| Almine Rech: Scott Kahn: The Walled City new works in Kahn’s second solo exhibition with the gallery |
opens | ||||||||
| Tuesday 26 | |||||||||
| Galerie Maria Wettergren: Rasmus Fenhann: Light Fenhann’s furniture combines traditional and sometimes near-forgotten craft techniques with advanced technology and tooling |
opens | ||||||||
| Friday 29 | |||||||||
| Almine Rech, Turenne: Hajime Sorayama: CYBER LADIES’ WORLD “I’ve been interested in machines and metal since I was child. I am addicted to the shine of metal. As I was born male, the female body provides aesthetic qualities which I never bore of” – Sorayama |
opens | ||||||||
| Saturday 30 | |||||||||
| Galerie Max Hetzler: Carroll Dunham: Somatic Transmissions & Qualiascope (Recent Paintings) Dunham’s first solo exhibition with the gallery in Paris explores recurrent themes in his work of gender, sexuality, the relationship to the body, taboos and human nature |
opening reception | ||||||||
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Rome |
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| Tuesday 26 | |||||||||
| T293: Hannah Beerman: Sunspots and Underpants a series of small-scale assemblage paintings in the New York-based artist’s first solo project in Europe |
opening reception | ||||||||
| T293: Alexis Ralaivao: Glittering Short Stories the first solo exhibition in Italy by the French artist depicts everyday life and ordinary people and activities following the same attention to detail as the Dutch Masters |
opening reception | ||||||||
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Sag Harbor |
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| Friday 29 | |||||||||
| Mark Borghi: Michi Itami: A Movement in Print Itami is a visual artist known for printmaking, ceramics, paintings and digital art, this exhibition showcases her unique style with work spanning over thirty years |
opens | ||||||||
| Saturday 30 | |||||||||
| Mark Borghi: Michi Itami: A Movement in Print |
opening reception | ||||||||
| Thursday 28 | |||||||||
| Galerie Ernst Hilger Ballgasse: Terms Of Endearment |
opening reception | ||||||||
| Galerie Lisa Kandlhofer: Rodrigo Valenzuela: Afterwork “Valenzuela’s contemporary Frankensteinian contraptions are ominous, uncanny, and have a sinister edge, embodied by the threat of metal chains and hefty hooks. But they are also by turns delicate, and almost sympathetic” – Paula Kupfer |
opens | ||||||||
| Galerie Lisa Kandlhofer: Focus On | Anastasia Samoylova the Russian-American artist moves between observational photography, studio practice and installation to explore notions of environmentalism, consumerism and the picturesque |
opens | ||||||||
| Tuesday 3 | |||||||||
| Galerie Ernst Hilger: Allen Jones – BOUTIQUE |
opens | ||||||||
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Browse all current exhibitions in: New York London Paris Los Angeles Berlin more… |
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Don’t miss: exhibitions closing |
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| Saturday 30 | |||||||||
| Dauwens & Beernaert Gallery: 4 X 1 = 5 | |||||||||
| Hopstreet Gallery: Unfolding Worlds – Part 1 | |||||||||
| Sunday 1 | |||||||||
| Galerie Greta Meert: Anne Neukamp: Pile ou Face | |||||||||
| Galerie Greta Meert: Jean-Luc Moulène | |||||||||
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Bruton |
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| Monday 2 | |||||||||
| Hauser & Wirth Somerset: Ida Applebroog. Right Up To Now 1969 – 2021 | |||||||||
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Helsinki |
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| Saturday 30 | |||||||||
| Galerie Forsblom: Reima Nevalainen: Remnant | |||||||||
| Galerie Forsblom: Hannu Väisänen: Entourage of the Seahorse | |||||||||
| Galerie Forsblom: Jenny Carlsson: Fingrars väsen | |||||||||
| Saturday 30 | |||||||||
| LGDR & Wei: Eternal Seasons | |||||||||
| Tuesday 26 | |||||||||
| Tiwani Contemporary at No.9 Cork Street: Michaela Yearwood-Dan: The Sweetest Taboo | |||||||||
| Wednesday 27 | |||||||||
| Shapero Modern: Warhol in Focus | |||||||||
| The Artist Room: Lost at Sea | |||||||||
| Thursday 28 | |||||||||
| Holtermann Fine Art: Bill Woodrow and Richard Deacon: Shared Drawing | |||||||||
| Friday 29 | |||||||||
| Marlborough: Christopher Bramham | |||||||||
| Marlborough: Louise Bourgeois: Selected Graphics | |||||||||
| Marlborough: Figuration | |||||||||
| Mazzoleni: Agostino Bonalumi. Shaped Metal | view VR ▶ | ||||||||
| Robilant+Voena, London: Sunneva Ása Weisshappel: New Work | |||||||||
| Timothy Taylor: Chris Martin: After the Rain | |||||||||
| Workplace: Katinka Lampe: Anima Mundi | |||||||||
| Saturday 30 | |||||||||
| Alison Jacques: Of the Surface of Things | |||||||||
| Bastian: Paul Wallach – T R U T H T H A T | |||||||||
| Hollybush Gardens: Lubaina Himid: Water Has a Perfect Memory | |||||||||
| October Gallery: Aubrey Williams: Sunphase: Works on Paper | |||||||||
| Patrick Heide Contemporary Art: Haptic Codes | |||||||||
| Pippy Houldsworth Gallery: Kedisha Coakley: In the Beginning | |||||||||
| Pippy Houldsworth Gallery: Ming Smith: A Dream Deferred | |||||||||
| Taymour Grahne Projects Holland Park: Matthew F Fisher – Time and Space | |||||||||
| Taymour Grahne Projects Notting Hill: Anika Roach – In Spite of That | |||||||||
| Taymour Grahne Projects, The Artist Room: Grace Mattingly – Yellow Horses | |||||||||
| Sunday 1 | |||||||||
| The Gallery of Everything: A Swedish Plateau | |||||||||
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Lugano |
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| Thursday 28 | |||||||||
| Cortesi Gallery: Oltre la Materia | |||||||||
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Milan |
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| Tuesday 26 | |||||||||
| Cortesi Gallery: Evocare senza Rappresentare | |||||||||
| Saturday 30 | |||||||||
| Boccanera Milan: Gabriele Grones. Conversazioni | |||||||||
| Tuesday 3 | |||||||||
| A arte Invernizzi: The Critical Eye | |||||||||
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Monaco |
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| Saturday 30 | |||||||||
| Hauser & Wirth Monaco: Bodily Abstractions / Fragmented Anatomies | |||||||||
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Naples |
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| Saturday 30 | |||||||||
| Alfonso Artiaco: Robert Barry: Early works | |||||||||
| Wednesday 27 | |||||||||
| Leila Heller Gallery: Nathaniel Aric Galka: rebellious nature… | |||||||||
| Friday 29 | |||||||||
| Menconi + Schoelkopf: Charles Goeller: The Art of the Unfinished Problem | |||||||||
| Saturday 30 | |||||||||
| David Lewis: Lesser Miracle | |||||||||
| Findlay Galleries: Traditional & Contemporary: Timeless Composition | |||||||||
| Petzel: Joe Bradley: Bhoga Marga | view VR ▶ | ||||||||
| Monday 2 | |||||||||
| International Center of Photography: A Trillion Sunsets: A Century of Image Overload | |||||||||
| International Center of Photography: Actual Size! Photography at Life Scale | |||||||||
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Online |
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| Thursday 28 | |||||||||
| Galerie Barbara Thumm Viewing Room: New Viewings #33: Diango Hernández, Curated by Barbara Thumm | |||||||||
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Sag Harbor |
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| Thursday 28 | |||||||||
| Mark Borghi: Arlene Slavin: In Sequence 1970 – 2022 | |||||||||
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Southport |
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| Saturday 30 | |||||||||
| Hollis Taggart: Beyond the Surface | |||||||||
| Thursday 28 | |||||||||
| Galerie Ernst Hilger: Joannis Avramidis: Masterworks on Paper | |||||||||
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Zürich |
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| Saturday 30 | |||||||||
| Damien & The Love Guru: Christiane Blattmann: The Law | |||||||||
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