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The Week in Art visit the site
31 Mar-7 Apr 2026
Openings, events, auctions
London, Los Angeles, New York, Paris, Tokyo
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▻ use the Daily Diary for all the latest events and updates!
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London
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| London, Wednesday 1 |
General Assembly:
Alina Zamanova: Fallout of Silence
the paintings in this exhibition depict “children and landscapes shaped by war’s trauma, capturing forced stillness, protection, and resilience through dynamic brushwork and grounded materials from Ukraine’s landscape” |
private view |
Hayward Gallery:
Hayward Gallery Lates: Chiharu Shiota & Yin Xiuzhen |
special event |
Sotheby’s London:
Old Master & 19th Century Paintings Online
auction: Wed 1-Wed 15
(viewing: Fri 10-Wed 15) |
auction starts |
Tiwani Contemporary:
Tizta Berhanu: Love Is A Practice
“through her compassionate lens” the Ethiopean artist “reminds us that love lives not only in grand declarations, but in the quiet, steadfast practice of being there for one another” |
opening reception |
NISO:
Mateo Revillo: Forms Have Attitude
the artist’s first solo exhibition in the UK |
private view |
| London, Thursday 2 |
BEERS London at Saatchi Gallery:
Andrew Moncrief & Sebastian Neeb: The Wink & Nudge
the two artists present “figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context” |
first day |
General Assembly:
Alina Zamanova: Fallout of Silence
the paintings in this exhibition depict “children and landscapes shaped by war’s trauma, capturing forced stillness, protection, and resilience through dynamic brushwork and grounded materials from Ukraine’s landscape” |
first day |
NORITO:
NORITO x Teaspoon Projects: Mood Swings
curated by Elleanna Chapman and Gigi Surel, and presented with Teaspoon Projects |
private view |
Twilight Contemporary:
Ho-sa Wang: Vomit Green and Muddy Brown
curated by Sam Hanson, the Taiwanese artist’s first solo exhibition in the UK explores “deterrence and disruption through large, ambiguous compositions with intersecting lines, scratched surfaces, and sculptural urban forms” |
opening reception |
NISO:
Mateo Revillo: Forms Have Attitude
the artist’s first solo exhibition in the UK |
first day |
| London, Friday 3 |
NORITO:
NORITO x Teaspoon Projects: Mood Swings
curated by Elleanna Chapman and Gigi Surel, and presented with Teaspoon Projects |
first day |
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Los Angeles
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| Los Angeles, Saturday 4 |
Roberts Projects:
Instant Theatre: Rachel Rosenthal and King Moody
an exhibition exploring Rosenthal and Moody’s experimental theatre with archival materials, props, and immersive set designs |
opening reception |
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New York
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| New York, Tuesday 31 |
The Painting Center:
Thomas Berding: Projections in the Deluge
recent work continuing Berding’s decades-long exploration of painting as a space for “re-ambiguating the world through collapsing histories and categorical understandings” |
first day |
The Painting Center:
Alisa Henriquez: Beneath the Palms
Henriquez’s latest work imaginatively re-stages inherited family mythologies and stories set within the lush landscape of Jamaica |
first day |
| New York, Thursday 2 |
CARVALHO:
Heath Wae: Mineral Meridian
the exhibition presents “immersive orchid paintings that explore becoming, sensory perception, and materiality using hand-foraged pigments, evoking transformation, eroticism, and the entanglement of human and non-human worlds” |
opening reception |
CARVALHO:
Kat Howard: In place of no, my mouth leaks honey
in Howard’s inaugural show with the gallery – “Howard’s sculptures make exaggeratedly external what is often oppressively confined to the internal, conveying the richness and complexity of how feelings are felt, embodied, and remembered” – Rebecca Birrell |
opening reception |
Galerie Lelong:
Ficre Ghebreyesus: Color is Supreme
an exhibition dedicated to the work of the late artist highlighting his handling of vibrant color in often abstract compositions, including photographs and notebooks from recent discoveries in the artist’s archive by his son |
opening reception |
The Painting Center:
Thomas Berding: Projections in the Deluge
recent work continuing Berding’s decades-long exploration of painting as a space for “re-ambiguating the world through collapsing histories and categorical understandings” |
opening reception |
The Painting Center:
Alisa Henriquez: Beneath the Palms
Henriquez’s latest work imaginatively re-stages inherited family mythologies and stories set within the lush landscape of Jamaica |
opening reception |
SANATORIUM at FIERMAN:
Çağla Köseoğulları:
Seeping Into the Horizon
“ink, charcoal, and video works exploring bodily memory, gesture, and the fragile relationship between image and surface through porous, atmospheric drawings and a looping video of fleeting landscapes” |
opening reception |
| New York, Friday 3 |
CARVALHO:
Heath Wae: Mineral Meridian
the exhibition presents “immersive orchid paintings that explore becoming, sensory perception, and materiality using hand-foraged pigments, evoking transformation, eroticism, and the entanglement of human and non-human worlds” |
first day |
CARVALHO:
Kat Howard: In place of no, my mouth leaks honey
in Howard’s inaugural show with the gallery – “Howard’s sculptures make exaggeratedly external what is often oppressively confined to the internal, conveying the richness and complexity of how feelings are felt, embodied, and remembered” – Rebecca Birrell |
first day |
| New York, Saturday 4 |
Berry Campbell:
Performance by the Martha Graham Dance Company |
performance |
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Paris
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| Paris, Thursday 2 |
A&R Fleury:
Alicia Penalba: Formes volantes
an exhibition by the late Argentinian sculptor |
first day |
| Paris, Tuesday 7 |
Carpenters Workshop Gallery:
Dialogues
encounters between artists whose practices expand the boundaries between functional art and collectible design |
first day |
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Tokyo
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| Tokyo, Saturday 4 |
Taka Ishii Gallery:
Reika Takebayashi: A petal falling
“five paintings and ceramic panel works exploring landscapes through layered paint and textured resin, capturing natural phenomena and time’s accumulation in shifting scenes” |
opening reception |
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Don’t miss: exhibitions closing
Berlin, Boston, Chicago, Cologne, Istanbul, London, Los Angeles, Monaco, New York, Paris, Vienna, Zug, Zürich
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Berlin
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| Berlin, Saturday 4 |
Brutto Gusto:
Intermezzo – Glassworks |
Virtual Visit! ▻ |
Galerie Buchholz:
Gili Tal: Soft and Bouncy |
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Boston
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| Boston, Sunday 5 |
Public Art Fund in Boston:
On the Flip Side |
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Chicago
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| Chicago, Sunday 5 |
Public Art Fund in Chicago:
On the Flip Side |
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Cologne
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| Cologne, Saturday 4 |
Galerie Buchholz:
Larry Johnson |
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Istanbul
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| Istanbul, Sunday 5 |
Dirimart Dolapdere:
Gregor Hildebrandt: Duale Systeme aus der Mauerstadt |
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London
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| London, Tuesday 31 |
Hamiltons:
Philippe Garner: New York – all seasons and Summer Still Lifes I-V |
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| London, Thursday 2 |
Robilant+Voena, London:
A Princely Taste: From Renaissance to Baroque |
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Upsilon Gallery:
Zhang Xiaodong: Recluse |
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Waddington Custot:
Fabienne Verdier: Aria |
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| London, Saturday 4 |
FreddieFoulkes Gallery:
A Brutal Kind of Bloom |
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Vardaxoglou Gallery:
Aegean |
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Workplace:
Nothing Stands Still For Long |
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| London, Sunday 5 |
Bartha_contemporary:
Annika Thiems: On wings (or almost) |
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Emanuel von Baeyer:
All Aspects of Love |
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Opera Gallery:
Dreaming in Colour |
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Los Angeles
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| Los Angeles, Saturday 4 |
parrasch heijnen:
Marcia Hafif: Experience of Being |
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| Los Angeles, Sunday 5 |
Bluerider ART LA•Manhattan Beach:
Carol Prusa: Expansion Universe |
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Monaco
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| Monaco, Friday 3 |
Almine Rech:
Peter Halley: Recent Paintings |
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New York
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| New York, Tuesday 31 |
The Foundation of ART NYC:
Genealogies of Time: Korean Modern and Contemporary Art |
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Carpenters Workshop Gallery:
Vincenzo De Cotiis: Je Marchais Pieds Nus Dans L’Étang |
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galerie gmurzynska:
Dan Basen: New York Underground in the 1960s |
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| New York, Saturday 4 |
Jack Shainman Gallery:
Elizabeth Neel: In the Guts of Living |
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Michael Rosenfeld Gallery:
William T. Williams: Word of Eye |
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Michael Rosenfeld Gallery:
Beauford Delaney: The Light Contained in Every Thing |
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Nohra Haime Gallery:
Hugo Bastidas: Let Me Remember Things I Don’t Know (Capturing the Imagination) |
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| New York, Sunday 5 |
Public Art Fund:
On the Flip Side |
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Stellarhighway:
Lucy Sallick: Familiar Traces |
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Paris
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| Paris, Saturday 4 |
Esther Schipper, Paris:
Printemps 2026 |
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Galerie Marian Goodman:
Barkley L. Hendricks: All is Portraiture |
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Galerie Mitterrand Temple:
Edi Hila |
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Vienna
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| Vienna, Thursday 2 |
Galerie Kandlhofer:
Frauke Dannert: Doppelgänger |
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Galerie Kandlhofer:
Focus On: A House the Size of a Shell |
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Zug
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| Zug, Sunday 5 |
Helvetika 1575:
Marina Abramović and Márta Kucsora: After Attention |
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Zürich
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| Zürich, Saturday 4 |
Lechbinska Gallery:
Toward Reception. Five years of presence & exchange |
Virtual Visit! ▻ |
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