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The Week in Art visit the site
24-31 Mar 2026
Openings, events, auctions
Bruton, Chicago, Cologne, Hamburg, Hong Kong, London, Los Angeles, Milan, New York, Paris, Seoul, Tokyo, Venice, Zürich
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▻ use the Daily Diary for all the latest events and updates!
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Bruton
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| Bruton, Thursday 26 |
Hauser & Wirth Somerset:
Film Screening: Don McCullin. Looking for England |
special event |
| Bruton, Saturday 28 |
Hauser & Wirth Somerset:
Don McCullin. 90 |
tour |
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Chicago
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| Chicago, Saturday 28 |
Gray Chicago:
John Stezaker: Raft
“a new series of landscape works that mend together two images from the artist’s vast archive to create a single, uncanny composition” |
opening reception |
Gray Chicago:
John Stezaker: Raft |
tour |
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Cologne
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| Cologne, Saturday 28 |
Zander Galerie:
Christiane Baumgartner: The Long Goodbye
new and recent woodcuts by Baumgartner – monumental seascapes and landscapes in both black and white and color which explore the contemporary perception of time, and the fragile space between control and uncertainty |
opening reception |
Zander Galerie:
Mitch Epstein: American Arbor
large-scale photographs of trees from the last two decades, exploring the relationship between landscape and culture in the US |
opening reception |
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Hamburg
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| Hamburg, Friday 27 |
Galerie Vera Munro:
Günther Förg: Canvases · Bronzes · Copper · Drawings · Lead works
an exhibition exploring the varied work of the German painter, graphic designer, sculptor, and photographer |
opening reception |
| Hamburg, Saturday 28 |
Galerie Vera Munro:
Günther Förg: Canvases · Bronzes · Copper · Drawings · Lead works
an exhibition exploring the varied work of the German painter, graphic designer, sculptor, and photographer |
first day |
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Hong Kong
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| Hong Kong, Tuesday 24 |
Ben Brown Fine Arts:
Les Lalanne: A Living Landscape
a comprehensive exhibition of the celebrated artistic duo – “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden” |
private view |
Hauser & Wirth:
Nicole Eisenman. Fallen Angels
new paintings and sculptures as Eisenmann concentrates on three sites of middle-class living: home, work, beach |
opening reception |
Hauser & Wirth:
In Conversation: Nicole Eisenman and Robin Peckham |
talk |
| Hong Kong, Sunday 29 |
Sotheby’s Hong Kong:
Modern & Contemporary Evening Auction
auction: Sun 29
(viewing: Fri 20-Sun 29) |
auction |
| Hong Kong, Monday 30 |
Sotheby’s Hong Kong:
Modern Day Auction
auction: Mon 30
(viewing: Fri 20-Mon 30) |
auction |
Sotheby’s Hong Kong:
Contemporary Day Auction
auction: Mon 30
(viewing: Fri 20-Mon 30) |
auction |
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London
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| London, Wednesday 25 |
David Zwirner:
Flavin, Judd, McCracken, Ryman, Sandback
sculptures, paintings, and prints by five key artists from the gallery’s program who were at the avant-garde of American art during the 1960s and 70s |
first day |
Grosvenor Gallery:
Hashim Samarchi: Historical works from the 1960s
historical watercolours and prints by one of the founder members of the hugely influential New Vision Group in Baghdad – “the most prominent Op-artist in Iraq, perhaps in the whole Arab world” – Jabra I. Jabra |
opening reception |
| London, Thursday 26 |
ATLAS Gallery:
Legacy of Light: 200 Years of Photography
an ambitious exhibition celebrating two centuries since the dawn of photography |
private view |
Gazelli Art House:
Kalliopi Lemos: A Tide of Roses
covering nearly three decades, new paintings and key sculptural works exploring personal memories, myth, and the female body over the passing of time |
private view |
LBF Contemporary:
Towards the Late Light
an exhibition of the work of three international painters – Isabella Amram, Kan Hung-Ju, and Yehong Mao |
private view |
Larkin Durey:
Massoud Hayoun: Paper Ships
“Hayoun’s work continues to interrogate contemporary politics through the lens of his North African heritage and the stories of people he observes in daily life” |
opening reception |
Perrotin London:
Sigrid Sandström: Squall
“these are, above all, abstract works, and as such are committed to full pictorial disclosure … for all their undoubted poise and beauty, Sandström’s paintings have a restless quality” – Tom Morton |
private view |
Pippy Houldsworth Gallery:
Language Between Us
painting, drawing, performance, video, and photography from four Native American artists – James Luna, Mario Martinez, Jaune Quick-to-See Smith, and Emmi Whitehorse – who explore the cultural resilience of Indigenous independence |
private view |
Sprovieri:
Gregor Schneider: Rheydt NOW
Schneider’s first solo exhibition at the gallery centres his ongoing Gesamtkunstwerk “Haus u r” with two livestream projections shown for the first time, alongside key works from the house |
private view |
| London, Friday 27 |
ATLAS Gallery:
Legacy of Light: 200 Years of Photography
an ambitious exhibition celebrating two centuries since the dawn of photography |
first day |
Bluerider ART London:
Ink Flux – 7 Narratives of Contemporary Chinese Ink
in a dialogue between historical context and contemporary experience, seven rising contemporary Chinese ink artists who approach the form from distinct perspectives |
opening reception |
Gazelli Art House:
Kalliopi Lemos: A Tide of Roses
covering nearly three decades, new paintings and key sculptural works exploring personal memories, myth, and the female body over the passing of time |
first day |
LBF Contemporary:
Towards the Late Light
an exhibition of the work of three international painters – Isabella Amram, Kan Hung-Ju, and Yehong Mao |
first day |
Larkin Durey:
Massoud Hayoun: Paper Ships
“Hayoun’s work continues to interrogate contemporary politics through the lens of his North African heritage and the stories of people he observes in daily life” |
first day |
Luxembourg + Co.:
Jannis Kounellis, Untitled, 1971 by Emily Henderson (Cello) & Da Inventare Sul Posto, 1972 by Hugo Max (violin), Kate Hester (ballerina) |
performance |
Maureen Paley, 4 Herald St:
Fiona Connor: I haven’t arrived yet, Closed Down Clubs
life-size reproductions of now-closed nightclub or community establishment doors, alongside bronze casts of shoes, continue Connor’s exploration of peripheral forms and spatial details in sites of exchange and communication |
opening reception |
Maureen Paley:
Michaela Eichwald: MÄR
in an exhibition held across this and the Studio M space, Eichwald’s work “engages critically with the visual language of Abstract Expressionism and Art Informel, replacing their seriousness with self-doubt and humour” |
opening reception |
Maureen Paley Studio M:
Michaela Eichwald: MÄR
in an exhibition held across this and the 60 Three Colts Lane space, Eichwald’s work “engages critically with the visual language of Abstract Expressionism and Art Informel, replacing their seriousness with self-doubt and humour” |
opening reception |
National Portrait Gallery:
Tracey Emin in conversation with David Dawson |
talk |
Pippy Houldsworth Gallery:
Language Between Us
painting, drawing, performance, video, and photography from four Native American artists – James Luna, Mario Martinez, Jaune Quick-to-See Smith, and Emmi Whitehorse – who explore the cultural resilience of Indigenous independence |
first day |
Serpentine South Gallery:
Cecily Brown: Picture Making
inspired by the gallery’s unique location in Kensington Gardens, new and key paintings, monotypes, and drawings by the artist known for her vigorous brushwork, vivid colour and dynamic compositions |
first day |
Sprovieri:
Gregor Schneider: Rheydt NOW
Schneider’s first solo exhibition at the gallery centres his ongoing Gesamtkunstwerk “Haus u r” with two livestream projections shown for the first time, alongside key works from the house |
first day |
| London, Saturday 28 |
Alma Pearl:
Jeanine Richards: Physical Chemistry
new sculptures, paintings, and installations in Richards’ first solo exhibition with the gallery |
opening reception |
Maureen Paley, 4 Herald St:
Fiona Connor: I haven’t arrived yet, Closed Down Clubs
life-size reproductions of now-closed nightclub or community establishment doors, alongside bronze casts of shoes, continue Connor’s exploration of peripheral forms and spatial details in sites of exchange and communication |
first day |
Maureen Paley:
Michaela Eichwald: MÄR
in an exhibition held across this and the Studio M space, Eichwald’s work “engages critically with the visual language of Abstract Expressionism and Art Informel, replacing their seriousness with self-doubt and humour” |
first day |
Maureen Paley Studio M:
Michaela Eichwald: MÄR
in an exhibition held across this and the 60 Three Colts Lane space, Eichwald’s work “engages critically with the visual language of Abstract Expressionism and Art Informel, replacing their seriousness with self-doubt and humour” |
first day |
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Los Angeles
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| Los Angeles, Tuesday 24 |
Perrotin Los Angeles:
Todd Gray and Michael Govan in Conversation |
talk |
| Los Angeles, Saturday 28 |
Louis Stern Fine Arts:
Mimi Chen Ting: Ties Unbound
an exhibition tracing the stylistic evolution of the late Chinese American artist as she moved from semi-autobiographical figuration to fluently expressive abstract painting |
opening reception |
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Milan
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| Milan, Wednesday 25 |
Sotheby’s Milan:
An Italian Collecting Journey – Chapter II
auction: Wed 25
(viewing: Wed 18-Sun 22) |
auction |
| Milan, Thursday 26 |
Robilant+Voena, Milan:
Maria Kreyn: Continuum
the American artist’s first solo exhibition in Milan presents new paintings alongside an important watercolour by Turner in a dialogue between her atmospheric renderings merging figuration with abstract geometries and his visionary approach to landscape |
opening reception |
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New York
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| New York, Tuesday 24 |
Sotheby’s New York:
Indian & Himalayan Art, including Property from the Zimmerman Family Collection
auction: Tue 24
(viewing: Thu 19-Mon 23) |
auction |
| New York, Wednesday 25 |
Nagas:
Véronique Wirbel
“dense pictorial fields built through the accumulation of figures, signs, fragments of text, and symbolic forms … compositions populated by animals, hybrid figures, and totemic structures” |
first day |
Sotheby’s New York:
Chinese Art
auction: Wed 25
(viewing: Thu 19-Tue 24) |
auction |
| New York, Thursday 26 |
Sotheby’s New York:
Modern & Contemporary South Asian Art
auction: Thu 26
(viewing: Thu 19-Wed 25) |
auction |
Templon:
David Smalling: Elizabethan Collar
new paintings on wood panels in Smalling’s first exhibition with the gallery, exploring how cultural hierarchies and taboos shape identity, through the visual language of the Old Masters |
opening reception |
| New York, Friday 27 |
Friedrichs Pontone:
Heather Horton: Filigree
“Horton attempts to engage with the chaotic order of perception as she painstakingly describes her introspection through an employment of contemplative narratives by way of rhythmic techniques” |
opening reception |
| New York, Saturday 28 |
Nicola Vassell Gallery:
In Conversation: Abigail Lucien and Jessica Bell Brown |
talk |
| New York, Tuesday 31 |
The Painting Center:
Thomas Berding: Projections in the Deluge
recent work continuing Berding’s decades-long exploration of painting as a space for “re-ambiguating the world through collapsing histories and categorical understandings” |
first day |
The Painting Center:
Alisa Henriquez: Beneath the Palms
Henriquez’s latest work imaginatively re-stages inherited family mythologies and stories set within the lush landscape of Jamaica |
first day |
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Paris
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| Paris, Tuesday 24 |
HELENE BAILLY MARCILHAC:
Kees van Dongen
a monograph exhibition dedicated to this major figure in twentieth-century modern art |
first day |
| Paris, Thursday 26 |
Galerie Maria Wettergren:
Lotte Westphael: Where Colours Dissolve Into Weightless Nothingness
an exhibition by the Danish ceramic artist – “delicate porcelain pieces where colour, texture, and form converge in a quiet, concentrated expression” |
opening reception |
Loevenbruck:
Key Hiraga: Works 1966-1971
paintings and works on paper by the late Japanese artist who combined vivid palettes with surreal, often erotic figures |
opening reception |
| Paris, Friday 27 |
Galerie Maria Wettergren:
Lotte Westphael: Where Colours Dissolve Into Weightless Nothingness
an exhibition by the Danish ceramic artist – “delicate porcelain pieces where colour, texture, and form converge in a quiet, concentrated expression” |
first day |
Loevenbruck:
Key Hiraga: Works 1966-1971
paintings and works on paper by the late Japanese artist who combined vivid palettes with surreal, often erotic figures |
first day |
| Paris, Saturday 28 |
Sobering Galerie:
Stories at Room Temperature
colored pencil drawings and layered acrylic and vinyl paintings by Steffen Kern and Jonah Gebka which explore images in a state of suspension – where narratives are not fully formed, but held in latency |
first day |
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Seoul
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| Seoul, Thursday 26 |
Gallery Chosun:
Lee Eun: Silly Symphony
an exhibition centered on a roll painting based on one of the short animated films produced by Disney between 1929 and 1939 – “Lee approaches painting not as a single frozen moment, but as something ongoing” |
opening reception |
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Tokyo
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| Tokyo, Tuesday 24 |
Perrotin Tokyo:
Mathilde Denize: Time and Light
Denize’s first solo exhibition in Japan – “the paintings function as a single album, or their arrangement operates like a musical score, through which visual language is transposed into a musical configuration” – Yusuke Nishimoto |
first day |
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Venice
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| Venice, Friday 27 |
Patricia Low Venezia:
Cables of Cobwebs
painting and sculpture by eight international artists whose work channels the spirit of the universe and our connection to the natural world |
private view |
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Zürich
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| Zürich, Friday 27 |
Galerie Peter Kilchmann, Rämistrasse:
Marion Baruch: Quel che rimane del cielo
in collaboration with Sommer Contemporary Art, new works presenting Baruch’s singular practice in which textile functions as both medium and language – “a living, pulsating material” through which social, economic and historical processes become visible |
opening reception |
| Zürich, Saturday 28 |
Galerie Peter Kilchmann, Rämistrasse:
Marion Baruch: Quel che rimane del cielo
in collaboration with Sommer Contemporary Art, new works presenting Baruch’s singular practice in which textile functions as both medium and language – “a living, pulsating material” through which social, economic and historical processes become visible |
first day |
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Don’t miss: exhibitions closing
Berlin, Cape Town, Dubai, Istanbul, London, Los Angeles, Monterrey, New York, Palm Beach, Paris, Seoul, St. Moritz, Tokyo, Zürich
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Berlin
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| Berlin, Sunday 29 |
Pace, Berlin:
David Lynch |
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Cape Town
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| Cape Town, Friday 27 |
RESERVOIR:
Mankebe Seakgoe: This is not piano… |
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Dubai
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| Dubai, Tuesday 31 |
JD Malat Gallery:
Luis Olaso: Photosynthesis |
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Istanbul
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| Istanbul, Saturday 28 |
SANATORIUM:
Mehmet Dere: 21:21 |
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London
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| London, Wednesday 25 |
Goodman Gallery:
Laura Lima: Communal Nests for Windows, Balconies, Verandas, Gardens, and Forests |
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Goodman Gallery:
Banele Khoza: I was always within and without |
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Thaddaeus Ropac:
Joseph Beuys: Bathtub for a Heroine |
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| London, Friday 27 |
JD Malat Gallery:
Stress Lines |
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| London, Saturday 28 |
Ames Yavuz:
Anya Paintsil: mamwlad |
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Elizabeth Xi Bauer, Deptford:
Saint Takyi & Ivan Moraes: Two Shores |
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NORITO:
Civilised Yourself: Sirawit Chatu, Audrey Lukban |
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Sim Smith:
Caroline Jackson: Multum |
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Sprüth Magers:
Bernd & Hilla Becher |
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Twilight Contemporary:
How to Guarantee a Miracle |
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Upsilon Gallery:
Zhang Xiaodong: Recluse |
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DES BAINS:
Scala: Sasha Ercole & Christian Kingo |
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domobaal:
Shelf |
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sketch:
Jonathan Baldock: The Gathering |
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| London, Sunday 29 |
Institute of Contemporary Arts (ICA):
Laura Lima: The Drawing Drawing |
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| London, Monday 30 |
Asprey Studio Gallery:
Marvel Masterpieces Avengers: Asprey Studio Collection |
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Asprey Studio Gallery:
Tim Yip: MIRROR OF THE META: Incredible Reality |
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| London, Tuesday 31 |
Hamiltons:
Philippe Garner: New York – all seasons and Summer Still Lifes I-V |
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Los Angeles
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| Los Angeles, Saturday 28 |
Lisson Gallery:
Leiko Ikemura: Riding Horizon |
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Monterrey
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| Monterrey, Saturday 28 |
Colector:
Ruben Gutierrez: Gestos de Continuidad |
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New York
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| New York, Wednesday 25 |
Sotheby’s New York:
Zarina |
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| New York, Saturday 28 |
Anita Shapolsky Gallery:
B: The Bold Nexus of Abstraction |
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Edwynn Houk Gallery:
North Light |
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Galerie Lelong:
Ursula von Rydingsvard |
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Luhring Augustine Chelsea:
Yasumasa Morimura and Charles Atlas |
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Luhring Augustine Tribeca:
Zarina: Beyond the Stars |
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The Painting Center:
Tracy Burtz: What She Knows |
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The Painting Center:
Claire McConaughy: Uncultivated |
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| New York, Sunday 29 |
Halsey McKay Gallery:
Cait Porter: What Stays With Me |
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Halsey McKay Gallery:
An Hoang: Garden Poems |
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| New York, Tuesday 31 |
The Foundation of ART NYC:
Genealogies of Time: Korean Modern and Contemporary Art |
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Carpenters Workshop Gallery:
Vincenzo De Cotiis: Je Marchais Pieds Nus Dans L’Étang |
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galerie gmurzynska:
Dan Basen: New York Underground in the 1960s |
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Palm Beach
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| Palm Beach, Tuesday 24 |
Findlay Galleries Palm Beach:
Belynda Henry: Living Palette |
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Paris
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| Paris, Friday 27 |
Carpenters Workshop Gallery:
Radical Making |
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Carpenters Workshop Gallery:
Atelier Van Lieshout: Sculptures of Humanity |
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Seoul
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| Seoul, Saturday 28 |
LKIF Gallery:
Seohyun Oh: Prelude: On the Uneven Road |
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St. Moritz
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| St. Moritz, Saturday 28 |
Hauser & Wirth:
Alberto Giacometti: Faces and Landscapes of Home |
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Tokyo
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| Tokyo, Saturday 28 |
Taka Ishii Gallery:
Goro Kakei: Human Issues |
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Zürich
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| Zürich, Saturday 28 |
Mai 36 Galerie:
Jack Warne: where love appears |
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Mai 36 Galerie:
Kentaro Kawabata: By Heart |
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