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The Week in Art
10-17 January 2023 |
Openings, events, auctions |
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Berlin
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| Friday 13 |
Galerie Barbara Thumm: Anna Oppermann: T.S.K.F.P.R.M. a comprehensive exhibition of works from the conceptual artist’s estate |
opening reception |
Galerie Max Hetzler, Bleibtreustraße 45: Karel Appel: Encounter in Spring and what follows curated by Franz W. Kaiser, an exhibition of work by the experimental and innovative artist – who was also a founding figure of avant-garde group CoBrA – centred on a set of paintings produced from 1958 to 2006 |
opening reception |
Galerie Max Hetzler, Goethestraße 2/3: Martin Kippenberger: Heute denken – morgen fertig, Werke der 80er und 90er Jahre aus Privatsammlungen und Fotografien von Wilhelm Schürmann und Andrea Stappert |
opening reception |
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Beverly Hills
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| Thursday 12 |
Gagosian: Jim Shaw: Thinking the Unthinkable new paintings in Shaw’s first exhibition with the gallery – “the painting gives me the orders for what I need to do to complete it, and I have to obey” – Shaw |
opening reception |
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Dallas
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| Saturday 14 |
Meliksetian | Briggs: Bas Jan Ader: Thoughts unsaid… the inaugural exhibition at the gallery’s new Dallas location is curated by David Quadrini and brings together Ader’s installations, films, photo works and ephemera, alongside early and never before seen paintings and works on paper |
opening reception |
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Geneva
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| Tuesday 10 |
Bailly Gallery – Longemalle: Yves Clerc: Muses |
opens |
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Helsinki
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| Friday 13 |
Galerie Forsblom: Emanuel Seitz “although Seitz does not paint recognizable scenery, his paintings are reminiscent of abstract landscapes … for Seitz, it is vital that color reinforces form as intensely as possible” |
opens |
Galerie Forsblom: Leena Nio: Comfort Place “composition and cropping are essential parts of Nio’s recent works. Her new paintings are, as it were, tightly cropped portraits that appear to focus on something secondary” |
opens |
Galerie Forsblom: Riku Mäkinen: Green Room “Mäkinen invented his signature technique in the process of trying to find a way to push the seriality of printmaking in a more painterly direction. As always is the case in printmaking, chance plays a huge part in the result” |
opens |
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Hong Kong
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| Thursday 12 |
Sotheby’s Hong Kong: Chinese Art Online: A Private Asian Collection auction: Thu 12 – Thu 19 Jan |
auction starts |
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London
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| Tuesday 10 |
The Artist Room: Eccentric Spaces a group exhibition with works by Leonard Baby, Anderson Borba, William Brickel, Eiko Gröschl, Justin Rui Han, Martin Kippenberger, Graham Little, Iva Lulashi, Fleur Patrick and Francesco Pirazzi |
opening reception |
The Perimeter: Joseph Yaeger: Time Weft “the imagery I use is a protracted search to better understand myself; playing or putting on roles that might clarify an interior that is sort of naturally hidden, even from myself” – Yaeger |
private view |
| Wednesday 11 |
Almine Rech: José Lerma: Guerras Tibias “Lerma’s recent hyper-painterly portraits are paradoxically austere. The copious amount of paint loaded onto each canvas counters the scant number of brushstrokes: only three to ten per piece.” – Antonia Pocock |
opening reception |
Almine Rech: Alejandro Cardenas: RAVINE 23 “in his delicate crafting of apparently intimate scenes inhabited by humanoid beings, Cárdenas presents us with a new body of work that is eerily familiar as well as visually provocative” – Julián Sánchez González |
opening reception |
Bermondsey Project Space: SKAPED: Community Artivism a collective exhibition funded by the Foundation for Future London, developed over 3 months by Skaped’s young artivists coming together to create a space rich with empathy, creativity, compassion, and a desire to change society |
opening reception |
Flowers Gallery, Cork Street: Anthony Daley concurrently with his major presentation at Dulwich Picture Gallery, new large-scale paintings by Daley which expand on his responses to the Gallery’s Peter Paul Rubens work “Venus, Mars and Cupid” |
private view |
FOLD: From The Rattle “an attempt to reconnect with our inner desire for creation, as a response to a sound, as a source of intellectual exploration” |
opens |
Jack Bell Gallery: Zhong Wei: Invalid Order Signature new paintings created during 2022 in Beijing, when China’s “pandemic control period” was at its height – “when almost every day was filled with sad news from all over China” – Zhong Wei |
opens |
Pippy Houldsworth Gallery: Conscious Unconscious six artists who explore the articulation of desire – Katarina Caserman, Héloïse Chassepot, Alexis Soul-Gray, Saskia Colwell, Li Hei Di and Zoe McGuire |
private view |
| Thursday 12 |
Christie’s London: Next at Christie’s |
opens |
David Zwirner: Dan Flavin: colored fluorescent light recreating Flavin’s 1976 exhibitions at Leo Castelli Gallery in New York and Galerie Heiner Friedrich in Cologne, the gallery’s first presentation of the artist’s work in London offers a rare opportunity to experience his singular vision |
opens |
GRIMM: Ciarán Murphy: this appear new paintings by the Irish artist in his first exhibition at the gallery’s recently-opened London space |
opens |
Maximillian William: Richard Maguire: What Happens to Remain Unsaid |
opening reception |
Pilar Corrias, Eastcastle St: Let The Sunshine In |
opens |
Pilar Corrias, Savile Row: Let The Sunshine In |
opens |
Zabludowicz Collection: Invites: Molly Erin McCarthy working across an interactive game space and 3D printed dioramas, the Plymouth-based artist responds to the landscape, folklore and history of Cornwall |
opens |
| Friday 13 |
Modern Art Bury Street: René Daniëls: Works on Paper works on paper by Daniëls from between 1976 and 1987 trace the development of his practice from punk beginnings to a pointed critique of the commercial art world |
opens |
| Saturday 14 |
BEERS London: Hamid Yaraghchi: Let The Wound Lie Open a new body of work by the Iranian painter, investigating the aesthetics of abject motifs and focusing on the human body as a symbol of beauty |
private view |
| Tuesday 17 |
Bermondsey Project Space: Sleeve Shock following the 2022 Open Call, an exhibition responding to the concept, from the novel “Altered Carbon”, of “Sleeve Shock” or identity conflict |
opens |
Tiwani Contemporary at Cromwell Place: Virginia Chihota: Chibereko Chakaramba Kuudzirwa (The Womb Refused To Be Told) “these unique muralesque serigraphic works are a palimpsest of drawn, printed and densely layered compositions, that intersect the realms of her sub-consciousness and lived reality” |
opening reception |
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Los Angeles
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| Saturday 14 |
Charlie James Gallery: Glenn Hardy, Jr.: Who Am I If I Don’t Represent the Maryland-based self-taught artist responds to negative visual language towards the Black American experience, producing paintings which can be considered acts of self-preservation through the cultivation of empathy |
opening reception |
Luis De Jesus Los Angeles: Mimi Smith: HEAD-ON the pioneering artist’s first solo exhibition on the West Coast features sculptures, paintings, and drawings from the 1960s to the present – navigating womanhood, identity and history, and the use of her body as “the armature for a worn environment” |
opening reception + talk |
Luis De Jesus Los Angeles: Hugo Crosthwaite: CARAVAN new paintings, sculptures, and videos drawing on Crosthwaite’s experience living on the US/Mexico-border – “we are defined by the stories that we tell ourselves … either real or imagined, to deal with difficult situations in our lives” – Crosthwaite |
opening reception |
Sean Kelly Gallery: Janaina Tschäpe: Restless Moraine new work in Tschäpe’s first solo exhibition in LA – layered abstract landscapes evocative of the natural world and suggesting growth, transition, and metamorphosis |
opening reception |
Steve Turner: Brittany Miller: Before I Entered the Room, What Was I? the New York-based artist presents new paintings conveying unresolved human dramas |
opens |
Steve Turner: Shohei Takasaki: Hybrids new paintings by Takasaki – “a reconciliation of muscle and mind with his process encompassing much personal reflection” |
opens |
Steve Turner: Adam Linn: Edge Crush the New York-based shows new paintings depicting stretched, twisted, condensed and collapsed domestic spaces which “aim to disrupt the heteronormative assumptions aligned with the idea of home” |
opens |
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New York
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| Tuesday 10 |
Barbara Mathes Gallery: Edda Renouf: A Selection of Paintings and Drawings from 1976 – 2019 comprehensively spanning more than forty years of the artist’s career, an exhibition exploring her commitment to meditative, lyrical abstraction alongside the experiments with process and material for which she is known |
opens |
David Richard Gallery: Li Trincere: Hard Edge, Geometric Paintings: 1986 – 1990 the gallery presents two simultaneous exhibitions of the New York artist – the first, at the 526 W 26th St space, highlighting paintings dating from the late 1980s through the early 1990s |
opens |
David Richard Gallery: Li Trincere: Hard Edge, Geometric Paintings: 2021 – 2022 the gallery presents two simultaneous exhibitions of the New York artist – at the 508 W 26th St space, the debut of new paintings from 2022, alongside recent paintings and drawings dating from 2020 to 2022 |
opens |
| Wednesday 11 |
Eva Presenhuber: David Deutsch: Hurly-Burly forty works across two spaces in the gallery’s first solo exhibition with the New York-based artist |
opening reception |
Fridman Gallery: Jan Tichy: Infra Structures three recent bodies of work continuing the artist’s exploration into the politics of light and his experiments with it as a material |
opening reception |
| Thursday 12 |
Almine Rech: Phyllis Stephens: The Movement of Material new tapestries allude to Stephens’ passion for dance and movement, in the esteemed Atlanta-based quilter and visual artist’s first solo exhibition at the gallery |
opening reception |
David Richard Gallery: Li Trincere: Hard Edge, Geometric Paintings: 1986 – 1990 |
opening reception |
David Richard Gallery: Li Trincere: Hard Edge, Geometric Paintings: 2021 – 2022 |
opening reception |
Helwaser Gallery: Modern Muses Post-war and Contemporary Masters including George Condo, Genieve Figgis, Helen Frankenthaler, Hans Hofmann, Yayoi Kusama, Isshaq Ismail, Nicholas Party, and Andy Warhol |
opening reception |
Helwaser Gallery: Veronique Cauchefer: Parisian Girls “the artist’s imagination is an available reality accessible to inhabit. Familiar objects sit enthroned on a table and the interior invites you to settle in” |
opening reception |
Lehmann Maupin: Robin Rhode: African Dream Root new photographs, sculptures, installations, and wall paintings inspired by the Berlin-based artist’s research into visual and oral traditions of storytelling in his native Southern Africa |
opens |
Marian Goodman Gallery: Andrea Fraser a survey of Fraser’s work from the late 1980s to the early 2000s – alongside the NYC premiere of a new video installation – in the radical artist’s first exhibition with the gallery |
opening reception |
Peter Freeman, Inc.: Back spanning Pop art to the present, works “pushing into view the usually unseen, the hidden, or things thought unimportant” with David Adamo, Alvin Baltrop, Elisabetta Benassi, Arthur Jafa, Roy Lichtenstein, Adam McEwen, Catherine Murphy, Bruce Nauman |
opens |
Peter Freeman, Inc.: Paul Anthony Harford: The Circus Animals’ Desertion selected by Cecily Brown, an exhibition of works on paper in Harford’s first exhibition outside of the UK |
opens |
Petzel: Hanne Darboven: Fin de Siècle – Buch der Bilder a one-work exhibition capturing Darboven’s interest in weaving together computational procedure, historical and cultural artefact, and autobiographical documentation to explore the disconnect between subjective and objective perceptions of time |
opens |
| Friday 13 |
David Lewis: Ravi Jackson: Hardcore Jackson’s debut solo exhibition with the gallery is named after Lil’ Kim’s first album and reimagines the Renaissance altarpiece as a shrine to figures in popular culture |
opening reception |
David Nolan Gallery: The Collector and the Art Dealer: Jack Shear and David Nolan, A 20-Year Adventure with Drawings works that the artist, curator, and President of the Ellsworth Kelly Foundation acquired building his drawing collection in collaboration with the gallerist |
opens |
Gagosian 976 Madison Avenue: Roe Ethridge: American Polychronic new photographs by Ethridge – “photography is like jujitsu. You’re taking whatever is coming at you, and doing something with it” – Ethridge |
opening reception |
HB381: John Shea: standard, abstract the American ceramic artist’s latest body of work “belongs with equal comfort to pottery, painting, sculpture, and installation art and yet – a free radical – it belongs exclusively to no one camp” |
opening reception |
| Saturday 14 |
Perrotin New York: Hans Hartung: Revenge across all three floors of the gallery, an exhibition of paintings produced by the pioneer of “art informel” during his seminal period of experimentation in the 1970s |
opens |
| Tuesday 17 |
Christie’s New York: European Art auction: Tue 17 Jan – Wed 1 Feb (viewing: Sat 21 – Wed 25 January) |
auction starts |
Gagosian West 24th St: Y.Z. Kami: Night and Day new paintings from two bodies of work in the Iranian American artist’s first solo exhibition in the City since 2014 |
opening reception |
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Palm Beach
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| Thursday 12 |
GAVLAK: T. J. Wilcox video, drawings, and archival prints by the multidisciplinary artist, centered around a new film – “Wilcox’s work uses the effects of process to explore a sense of place and identity informed by the transience of time” |
opening reception |
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Paris
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| Tuesday 10 |
Perrotin Matignon: Salon Perrotin Matignon |
opens |
| Thursday 12 |
Galerie Lelong & Co.: Günther Förg: Peintures sur Canson mostly never shown before, twelve paintings on large sheets of Canson paper, all made at the very end of the twentieth century |
opening reception |
Galerie Lelong & Co.: Ernest Pignon-Ernest: De traces en empreintes drawings juxtaposed with recent prints – some never previously exhibited – which combine Pignon-Ernest’s preparatory drawings and photographs of his public interventions on a single sheet |
opening reception |
Galerie Lelong & Co. Matignon: David Nash: Sculptures and papers recent and minimal abstractions with rich colours by the British artist |
opening reception |
Tornabuoni Art: A new artistic conception 1960 the gallery’s first exhibition of 2023 looks back to 1960 and the exhibition which brought together a group of artists including Alberto Biasi, Enrico Castellani, Heinz Mack, Piero Manzoni and Manfredo Massironi for the first time |
opens |
| Friday 13 |
PARLIAMENT: Navid Nuur: THE TENTEXT THEORY |
opening reception |
| Saturday 14 |
Galerie Max Hetzler: Distant Voices with Ai Weiwei, Leilah Babirye, Simone Fattal, Adam Pendleton, four artists who explore exile, fight and resilience – “you always have to be aware that art is not only a self-expression but a demonstration of human rights and dignity” – Ai Weiwei |
opening reception |
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Rome
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| Tuesday 10 |
Richard Saltoun: Roman Allegories & Greek Mythologies a landmark exhibition of two seminal series – one by pioneering American feminist artist Eleanor Antin and the other by the founder of “Metafisica”, Giorgio de Chirico |
opens |
| Friday 13 |
T293: Amina Toure-K: Behind the Scenes; Tales of a Dreamer the first solo exhibition in Europe by the Ghanian artist explores the coping behavior of African diaspora populations in the US |
opening reception |
T293: Numero Cromatico: The future will not wait for us ovvero il Futuro non ci aspetta large-scale artworks from the Collective – “an exhibition, as well as an installation, an image, a path” |
opening reception |
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Shanghai
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| Friday 13 |
Almine Rech: Aaron Johnson: Day Is Night “Johnson is reaching beyond the realm of painting, bringing into play the alchemy of paint while exploring and challenging the medium itself” – Saša Bogojev |
opens |
Almine Rech: Justin Adian: Tipsy “Adian continues to plumb this liminal territory with works that quite physically reside on a tilt, staunch in their sly and playful refusal to firmly alight on one side or the other” – Jessica Holmes |
opens |
Perrotin Shanghai: Thilo Heinzmann “for the past several decades Thilo Heinzmann has been creating paintings that visually challenge the viewers and conceptually question the nature and raison d’etre of this ancient art form in our contemporary society” – Kaimei Olsson Wang |
opens |
Perrotin Shanghai: I Feel the Way You Feel with works by artists including Iván Argote, Gabriel De La Mora, Lionel Estève, Zach Harris, Barry Mcgee, Jean-Michel Othoniel, Paola Pivi, Christiane Pooley, Claire Tabouret, Pieter Vermeersch, Bi Rongrong, Chen Tianzhuo, Chen Ke and Jin Ningning |
opens |
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Vienna
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| Saturday 14 |
Galerie Ernst Hilger: Hans Staudacher – selected works works from 1960 to 2000 in an exhibition to mark Staudacher’s 100th birthday |
opens |
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Zürich
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| Friday 13 |
Galerie Eva Presenhuber, Maag Areal: Torbjørn Rødland: Old Shep the Norwegian-born, Los Angeles-based artist’s new photographs address time, depicting people, plants, and things in moments of transition and disappearance |
opening reception |
Galerie Eva Presenhuber, Waldmannstrasse: Lucas Blalock: Potemkin Village “with these new pictures, Blalock asks the viewer not just to contemplate the mechanisms of the photographic medium … but also the stage managed, facade-like nature of the artistic career itself” – Chris Wiley |
opening reception |
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Don’t miss: exhibitions closing |
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Berlin
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| Friday 13 |
Under The Mango Tree: Nadiia Doicheva: Human Fragility |
view VR ▶ |
| Saturday 14 |
Galerie Max Hetzler, Potsdamer Straße: Hans Hartung |
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Brussels
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| Saturday 14 |
Almine Rech: John McAllister: be delirious reveries ringing |
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Almine Rech: The Wall: Claire Decet, Guillaume Gelot and Jean-Baptiste Bernadet |
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Kensington
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| Thursday 12 |
Pazo Fine Art: Dorothy Fratt: Paint the Town Red |
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London
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| Tuesday 10 |
Thaddaeus Ropac: Adrian Ghenie: The Fear of NOW |
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| Saturday 14 |
Bermondsey Project Space: SKAPED: Community Artivism |
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Cardi Gallery: Hidetoshi Nagasawa: Passage through time. 1969-2017 |
view VR ▶ |
Gagosian Davies St: Douglas Gordon: Neon Ark |
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Gazelli Art House: Aziz + Cucher: You’re Welcome and I’m Sorry |
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Goodman Gallery: Dor Guez: Knowing the Land |
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MAMOTH: KAITO Itsuki: The Monopolistic Sweet Spots |
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Pangolin London: Peter Randall-Page |
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Pangolin London: Rachel Grimshaw: Movement in Stillness |
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Patrick Heide Contemporary Art: Sophie Bouvier Ausländer | Jyll Bradley | Rebecca Salter |
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Rodeo: Guglielmo Castelli: A knife with no blade, missing its handle |
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Simon Lee Gallery: Winston Branch: Jasmines blowing in the wind |
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Timothy Taylor: Honor Titus: Bourgeoisie in Bloom |
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Workplace: Rosa-Johan Uddoh: Star Power |
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| Sunday 15 |
Camden Art Centre: Dani and Sheilah ReStack – Cuts in the Day |
view VR ▶ |
Camden Art Centre: Forrest Bess – Out of the Blue |
view VR ▶ |
Maureen Paley: Fiona Connor: Long Distance |
view VR ▶ |
Maureen Paley Studio M: Andrew Grassie: Looking for something that doesn’t exist. |
view VR ▶ |
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Naples
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| Saturday 14 |
Alfonso Artiaco: Tursic & Mille: Disastri |
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New Orleans
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| Friday 13 |
ESTELLA: Javier Leon Perez |
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New York
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| Wednesday 11 |
Skarstedt: Cristina BanBan: Mujeres |
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| Friday 13 |
Leon Tovar Gallery: Omar Rayo: Larutan atur al |
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| Saturday 14 |
Fergus McCaffrey: Leiko Ikemura: Anima Alma – Works 1981 – 2022 |
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GRIMM: Gabriella Boyd: Mile |
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GRIMM: Dave McDermott: The Varieties of Religious Experience |
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Lisson Gallery: Wael Shawky: Isles of the Blessed |
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Lisson Gallery W 24th St: Cheyney Thompson: Several Bellonas |
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Marlborough: Henri Matisse: Portraits |
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Marlborough: A Tribute to Alex Katz |
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Marlborough: Deborah Butterfield |
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| Sunday 15 |
Montague Contemporary: We Contain Multitudes |
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Paris
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| Saturday 14 |
Galerie Maria Wettergren: Etienne Bertrand Weill – Un coup de peigne astral |
view VR ▶ |
LGDR: Gego: Lines in Space |
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| Sunday 15 |
MEP – Maison Européenne de la Photographie: Antony Cairns: PXL CTY |
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MEP – Maison Européenne de la Photographie: Boris Mikhaïlov: Ukrainian diary |
view VR ▶ |
| Monday 16 |
Christie’s Paris: Instincts Présents: Christie’s Paris Staff Art Exhibition |
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Sag Harbor
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| Tuesday 10 |
Mark Borghi: Dial 0 for Anything: Dana Louise Kirkpatrick |
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San Pedro Garza García
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| Friday 13 |
Colector Poniente: Charlie Godet Thomas: At the window, staring |
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Seoul
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| Saturday 14 |
Perrotin Seoul: Matthew Ronay: A Canker in the Leaf |
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Shanghai
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| Saturday 14 |
Lisson Gallery: Richard Deacon: Harbour |
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Southport
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| Saturday 14 |
Hollis Taggart: Shape Shifting |
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Tokyo
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| Saturday 14 |
Taka Ishii Gallery: Jadé Fadojutimi: Memory in Translation |
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Vienna
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| Wednesday 11 |
Galerie Ernst Hilger: Asgar/Gabriel: Obscure things and the sun |
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| Saturday 14 |
Galerie Ernst Hilger Ballgasse: Max Brenner: the blink of an eye |
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Galerie Ernst Hilger Ballgasse: Anastasia Khoroshilova: Zuflucht der Stille |
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Galerie Lisa Kandlhofer: Alina Kunitsyna: Le Bain of Love |
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Galerie Lisa Kandlhofer: Théo Viardin: Et in Arcadia Ego |
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Zürich
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| Saturday 14 |
galerie gmurzynska, Talstrasse: Otto Piene: Rouge et Noir |
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Hauser & Wirth: Erna Rosenstein |
view VR ▶ |
Daily Diary New VRs Bookshop |
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