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The Week in Art visit the site
4-11 Nov 2025
Openings, events, auctions
Beijing, Berlin, Brussels, Cologne, Dubai, Dublin, Hong Kong, Istanbul, London, Los Angeles, Milton Keynes, Naples, New York, Paris, Seoul, Sydney, Tokyo, Vienna, Zürich
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▻ use the Daily Diary for all the latest events and updates!
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Beijing
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| Beijing, Saturday 8 |
Galleria Continua Beijing:
CONT-IN-UA: Wang Yuyang
key paintings, sculptures, and installations by Wang Yuyang in the first exhibition at the gallery’s new project space for special art initiatives and focused exhibitions by Chinese artists |
first day |
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Berlin
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| Berlin, Friday 7 |
Brutto Gusto:
Partytime
dishes by Hermann Grüneberg and candlesticks by Leopold Anzengruber, Helen Frik, Marius Giuge, Wietske van Leeuwen, Nienke Sikkema, and Willem Speekenbrink |
first day |
Galerie Max Hetzler, Potsdamer Straße:
Janaina Tschäpe: A gush of wind (Atemraum)
an exhibition of new works by the German-Brazilian artist. “In her paintings and works on paper, Tschäpe presents dreamlike abstract landscapes inspired by the natural world and memory“ |
opening reception |
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Brussels
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| Brussels, Thursday 6 |
Templon:
Hervé di Rosa: Idolâtries
“The exhibition extends beyond painting: ceramic sculptures are presented alongside vast canvases, abolishing any hierarchy between image and object, fine arts and so-called minor arts…. (Di Rosa) reaffirms the legitimacy of all forms of expression“ |
first day |
| Brussels, Friday 7 |
Almine Rech:
Brent Wadden: Best Before
“in Brent Wadden’s hands, weaving is not only a method but a process, an artistic language. It binds past to present, solitude to community, work to trance, matter to memory” – Boris Bergmann |
opening reception |
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Cologne
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| Cologne, Thursday 6 |
Galerie Buchholz:
Vincent Fecteau: Two Sculptures
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opening reception |
Zander Galerie:
Allana Clarke: When
Trinidadian-American artist Allana Clarke presents “sculptural paintings that create a new and powerful visual language…. Clarke’s work constantly challenges viewers to rethink ideas of womanhood and Black diasporic identity” |
first day |
Zander Galerie:
Letters from the People
“transforms anonymous messages and seemingly mundane signage found across cities into an aesthetic experience full of graphic verve” |
first day |
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Dubai
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| Dubai, Wednesday 5 |
JD Malat Gallery:
Tim Kent: Horsepower
“Horsepower playfully addresses the historical use of the horse in art and literature…..from cave wall to the modern engine, the horse has remained a constant measure of power and imagination” – Tim Kent |
opening reception |
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Dublin
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| Dublin, Saturday 8 |
Kerlin Gallery:
Talk Art with Isabel Nolan, live from the National Gallery of Ireland for Dublin Gallery Weekend 2025 |
talk |
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Hong Kong
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| Hong Kong, Thursday 6 |
Ben Brown Fine Arts:
Alighiero e Boetti: Ononimo
“exploring the artist’s enduring fascination with systems, collaboration, and variation, the exhibition traces his investigation into how order and repetition give rise to difference, and how meaning emerges through collective labour, time, and chance” |
first day |
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Istanbul
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| Istanbul, Thursday 6 |
Dirimart Pera:
Georgina Gratrix: Sunday Painting
“a series that navigates between types of still life, creates a playful and immersive atmosphere. On canvases that accumulate like sculptures, Gratrix presents paintings that both reference and critically interrogate artistic tradition” |
opening reception |
| Istanbul, Friday 7 |
SANATORIUM:
What inspires the artists for their ideas?
curated by Necmi Sönmez, an exhibition of works by Jan Albers, Rey Akdogan, Burak Bedenlier, Irmak Canevi, Andy Fabo, Claus Föttinger, Kavachi, Simin Keramati, Mirjam Kuitenbrouwer, JiSun Lee, Yağız Özgen, Ursula Schulz-Dornburg, and Jaan Toomik |
opening reception |
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London
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| London, Tuesday 4 |
Hamiltons:
Charles March: Sandscript
new minimalist photographs by the British photographer continuing his journey into abstraction |
first day |
Institute of Contemporary Arts (ICA):
Tanoa Sasraku in conversation with Rosalind Nashashibi |
talk |
| London, Wednesday 5 |
Galerie Max Hetzler:
Jeremy Demester: Nile
the artist’s tenth exhibition with the gallery presents paintings on tarp, copper, local cotton, linen and canvas, and drawings on paper, handmade from hemp, or tea-dyed cotton rag – each group accompanied by a poem written by the artist |
opening reception |
Sotheby’s London:
Chinese Art
auction: Wed 5
(viewing: Sat 1-Tue 4) |
auction |
| London, Thursday 6 |
Amanda Wilkinson:
Julia Dubsky: The Angels Are Dials
“a new body of work arising from Julia Dubsky’s suggestive meditations on the parallels between paintings and actors” |
opening reception |
Ben Brown Fine Arts:
Conor Harrington: Pallium
new paintings which examine “legacies of colonialism, empire, and the masculinist ideals that underpin them” in the acclaimed Irish artist’s first exhibition with the gallery |
private view |
Canopy Collections:
Marianne Thoermer: The Periphery
a solo show of new works by the German artist and her first in the UK bring together a series of paintings that “explore the notion of the edge — spatial, social, and psychological – and on what exists beyond the centre” |
private view |
David Zwirner:
Diane Arbus: Sanctum Sanctorum
forty-five photographs made in private places across New York, New Jersey, California, and London between 1961 and 1971 by Arbus, widely regarded as one of the most original and significant artists of the twentieth century |
opening reception |
Lane Gallery:
Olga Sabko: Aftershocks
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first day |
PM/AM:
Areum Yang & Hwi Hahm: Thinking Of That Room
new paintings by two artists “whose practices approach the complexities of interior life from divergent yet complementary directions” |
private view |
Pilar Corrias, Savile Row:
Rachel Rose: Slips
Rose’s new paintings trace “the ways landscapes shape human experience and how the stories and belief systems we weave are born from them” |
opening reception |
Timothy Taylor:
Martha Tuttle: Fields and Hedges
paintings by the American artist Martha Tuttle featuring “materially rich abstractions that trace the intimate dialogue between landscape and body“ |
opening reception |
| London, Friday 7 |
Annely Juda Fine Art:
David Hockney: Some Very, Very, Very New Paintings not yet Shown in Paris
an inaugural exhibition at the gallery’s new space in Hanover Square with new works by David Hockney completed in London over the past six months, together with \’The Moon Room\’ -fifteen iPad paintings by Hockney of the night sky |
first day |
Ben Brown Fine Arts:
Conor Harrington: Pallium
new paintings which examine “legacies of colonialism, empire, and the masculinist ideals that underpin them” in the acclaimed Irish artist’s first exhibition with the gallery |
first day |
Canopy Collections:
Marianne Thoermer: The Periphery
a solo show of new works by the German artist and her first in the UK bring together a series of paintings that “explore the notion of the edge — spatial, social, and psychological – and on what exists beyond the centre” |
first day |
PM/AM:
Areum Yang & Hwi Hahm: Thinking Of That Room
new paintings by two artists “whose practices approach the complexities of interior life from divergent yet complementary directions” |
first day |
Pilar Corrias, Savile Row:
Rachel Rose: Slips
Rose’s new paintings trace “the ways landscapes shape human experience and how the stories and belief systems we weave are born from them” |
first day |
Soho Revue:
A boy falling out of the sky
“the show gives pause to a comforting nihilism in which personal tragedies will slip by unnoticed by the passers-by of our lives, sometimes transforming into treasure, sometimes not” – Charlotte Leseberg Smith |
private view |
Soho Revue:
Nooka Shepherd: House on the Borderlands
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private view |
Waddington Custot:
Jiang Qiong Er: Guardians of Time
sculptural installations, wax paintings, and design objects reimagining ancient Chinese mythology and cultural symbols through 21st century motifs in the first UK exhibition by the acclaimed Chinese artist and designer |
first day |
| London, Saturday 8 |
Ab-Anbar:
Dima Srouji in conversation with Sumayya Vally |
talk |
South London Gallery Fire Station:
Pedro Reyes: Museum of Hypothetical Lifetimes |
performance |
| London, Monday 10 |
The Mayor Gallery:
Celebrating 100 Years, Part 1
the first of three exhibitions marking the gallery’s centenary – and exploring its rich history and ongoing commitment to international art |
first day |
| London, Tuesday 11 |
The Sunday Painter:
The flesh of space
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opening reception |
THE TAGLI:
Lottie Stoddart: Dismember My Monster
“within carefully constructed, almost theatrical settings, Stoddart arranges forms and imagery with precision and wit … revealing a world that is simultaneously humorous, eerie, and vividly imaginative” – Bryan Fulton |
first day |
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Los Angeles
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| Los Angeles, Saturday 8 |
Luis De Jesus Los Angeles:
Ken Gonzales-Day: Afterlife
on view in gallery 1 and 2, a new body of work examining “the vital role of museum collections in celebrating the breadth of human experience” by the artist known for his conceptually driven photography and investigations into race and historical memory |
opening reception |
Luis De Jesus Los Angeles:
John M. Valadez: A Two Second Gaze—Street Photography from the 1970s and 80s
both rarely and never before exhibited photographs from Valadez’ seminal body of work – “a visual archive of portraits of neighbors, friends, and everyday people he encountered on walks through his neighborhood in East Los Angeles” |
opening reception |
Marian Goodman Gallery:
Casting a Glance: Dancing with Smithson
curated by Lisa Le Feuvre, Smithson is shown alongside eighteen other artists in an exhibition which examines his work “from his early 1960s drawings … to his searing critiques of industrial capitalism and attention to geological timescales” |
opening reception |
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Milton Keynes
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| Milton Keynes, Saturday 8 |
MK Gallery:
Lynette Yiadom-Boakye in Conversation |
talk |
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Naples
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| Naples, Friday 7 |
Alfonso Artiaco:
Alan Charlton Liam Gillick
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opening reception |
| Naples, Saturday 8 |
Alfonso Artiaco:
Alan Charlton Liam Gillick
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first day |
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New York
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| New York, Wednesday 5 |
Findlay Galleries:
Belynda Henry – Living Palette
a major exhibition of new landscape paintings by the distinguished Australian artist |
first day |
Graham Shay 1857:
Shelly Malkin: Remembrance of Snows Past
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first day |
| New York, Thursday 6 |
Gagosian West 24th St:
Richard Prince: Folk Songs
never-before-seen recent works |
opening reception |
Hauser & Wirth 22nd Street:
Louise Bourgeois. Gathering Wool
late sculptures, reliefs, and works on paper explore Bourgeois’ relationship to abstraction and her development of a symbolic abstract language |
first day |
Gallery Henoch:
Robert C. Jackson: It’s a Colorful Life
Jackson’s eighth solo exhibition with the gallery – “his new series of paintings continues to infuse humor into the still life genre, blending nostalgia with comedy“ |
opening reception |
Lisson Gallery:
Sean Scully: Tower
“a solo exhibition by the renowned painter featuring three interrelated bodies of work … each being formed from a concatenation of smaller, individual panels, seemingly employing different styles and diverse moments from his own back catalogue“ |
first day |
Michael Werner:
Hurvin Anderson: Repeating Yourself
new paintings and works on paper -“images of lush, abundant vegetation” – in the eminent British painter’s first in New York in nearly a decade |
opening reception |
The Painting Center:
Christopher Schade: Strange Land
oil paintings, graphite drawings, and scratchboard pieces made over the course of eighteen years – “these are not imagined landscapes, they are observations shifted out of alignment, closer to psychological truth than visual fact” – Anna Ehrsam |
opening reception |
Templon:
Chiharu Shiota: Echoes Between
“the Japanese artist unfolds her renowned web-like installations, reinventing thread as a poetic and universal medium” |
opening reception |
Upsilon Gallery:
Willard Boepple: Paper, Wood, and Steel
“highly original transubstantiation of the objects of our daily lives into eloquent, compelling, wholly new structures and images that demand and reward our close attention” – Karen Wilkin |
opening reception |
| New York, Friday 7 |
Almine Rech, Tribeca:
Mehdi Ghadyanloo: The Sacred Circus – Suspended Myths
curated by Martha Kirszenbaum, recent trompe l’œil paintings by one of the Middle East’s leading public artists |
opening reception |
Almine Rech, Tribeca:
Heather Day: Hourglass
“color, in Day’s paintings, is an index of time. The atmospheric changes – especially around sunrise and sunset – or the seasonal blooms of flora along the Oregon coast, both nourish her palette in this new body of work“ |
opening reception |
GRIMM:
Anders Davidsen: gråbynkens ord
“the works invite sustained contemplation, offering viewers a quiet resonance with the cyclical and material rhythms that shape both the world and the self“ |
first day |
GRIMM:
Fischer Mustin: Yuppie
new paintings – “young figures located within the absurdities and perversions of contemporary western life” – in Mustin’s first solo exhibition with the gallery, and largest to date |
first day |
HB381:
Irene Nordli: Both Sides Now
sculptural works by the Norwegian ceramicist – “exquisitely produced, her intricate sculptures turn the body of the vessel inside out, inviting viewers to contemplate both sides simultaneously … the structure and the open network of space within it” |
opening reception |
Marian Goodman Gallery:
Ana Mendieta: Back to the Source
“I have thrown myself into the very elements that produced me, using the earth as my canvas and my soul as my tools“ – Mendieta, Proposal for the New York State Council on the Arts, 17 March 1982 |
opening reception |
Michael Werner:
Hurvin Anderson: Repeating Yourself
new paintings and works on paper -“images of lush, abundant vegetation” – in the eminent British painter’s first in New York in nearly a decade |
first day |
| New York, Saturday 8 |
Gagosian 980 Madison Avenue:
Richard Diebenkorn
curated by Jasper Sharp, six decades of Diebenkorn’s works on paper and paintings from every period in an exhibition inaugurating the gallery’s representation of the artist |
opening reception |
HB381:
Irene Nordli, My Hands Just Keep Getting Bigger |
book launch |
| New York, Tuesday 11 |
Hauser & Wirth Wooster Street:
Franz Gertsch. Presence
curated by Dr. Tobia Bezzola, eight monumental works spanning Gertsch’s career, and “elucidating the ways in which he transformed photographic imagery into hyperrealist paintings and woodcuts” |
opening reception |
Hauser & Wirth Wooster Street:
Artist & Curator Walkthrough: Nicolas Party & Tobia Bezzola on Franz Gertsch. Presence |
special event |
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Paris
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| Paris, Wednesday 5 |
Sotheby’s Paris:
The Manny Davidson Collection: A Life in Treasures and Benevolence – Evening Sale
auction: Wed 5
(viewing: Thu 30 Oct-Tue 4 Nov) |
auction |
| Paris, Thursday 6 |
Bigaignon:
Rachelle Bussières: And The Sky Will Follow
in her first exhibition with the gallery, the French-Canadian artist “invites us into a luminous horizon of time, light, and presence … weaving a language of subtle chromatic atmospheres“ |
opening reception |
Galerie Maria Wettergren:
Estelle Yomeda: Animal Vegetal
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opening reception |
Sotheby’s Paris:
The Manny Davidson Collection: A Life in Treasures and Benevolence – Day Sale
auction: Thu 6
(viewing: Thu 30 Oct-Tue 4 Nov) |
auction |
Zander Galerie:
Robert Adams
“photographs from Adams’s Still Lives at Manzanita series (2004), a deeply personal body of work that reflects on memory, place, and the quiet persistence of beauty” |
opening reception |
| Paris, Friday 7 |
Galerie Georges-Philippe & Nathalie Vallois:
Duke Riley: Baigné de vos langueurs
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first day |
Galerie Georges-Philippe & Nathalie Vallois:
Focus #3 – Emanuel Proweller
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first day |
| Paris, Saturday 8 |
Bigaignon:
Artist Talk: Rachelle Bussières |
talk |
Galerie Peter Kilchmann:
Valérie Favre: Un billet pour quatre pièces
a new cycle of works – painting, sculpture, and works on paper – centered on the theme of transformation in myth, nature, and memory |
opening reception |
Sobering Galerie:
Ivan Arlaud: Memory Rooms
“Arlaud reaffirms the silent power of painting: its ability to give shape to memory, to light, and to the still beauty of simple moments” |
opening reception |
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Seoul
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| Seoul, Tuesday 4 |
Gallery Chosun:
Yi Yunyi: Solar Grounds
a series of installations and video works that explore “the potential for an art space to function as a venue for spiritual reflection and exchange” including three acrylic panels inspired by stained glass |
first day |
| Seoul, Wednesday 5 |
Barakat Contemporary:
Nikita Gale: 99 DREAMS
based on a dream Gale had, a newly commissioned installation fills both spaces with teapots of mugwort, tea kettles, and an audiovisual system created with long time collaborator and lighting designer Josephine Wang |
first day |
| Seoul, Friday 7 |
Perrotin Seoul:
Hun Kyu Kim: The Prayers
an exhibition by the Korean artist on faith and belief, presenting a unique painterly world that moves fluidly between Eastern and Western visual idioms |
first day |
| Seoul, Tuesday 11 |
Esther Schipper, Seoul:
Young Joon Kwak & Eusung Lee
new sculptural and relief works by the two artists |
first day |
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Sydney
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| Sydney, Thursday 6 |
Art Leven:
First Nations Fine Art Auction
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first day |
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Tokyo
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| Tokyo, Wednesday 5 |
Perrotin Tokyo:
Lee Bae: The In-Between
“The In-Between affirms the power of the ‘middle’: a fertile space where the world can be reborn, where man and nature can once again find each other and be attuned, where transformation occurs” – Michaël Ferrier (translation Kate Deimling) |
opening reception |
Taka Ishii Gallery:
Makoto Saito: sight
the artist’s third solo exhibition at the gallery presents recent new large-scale abstract paintings |
opening reception |
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Vienna
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| Vienna, Thursday 6 |
MEYER*KAINER:
Raphaela Vogel: Stop! (The Infinite Regress)
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opening reception |
| Vienna, Friday 7 |
MEYER*KAINER:
Raphaela Vogel: Stop! (The Infinite Regress)
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first day |
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Zürich
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| Zürich, Tuesday 4 |
Galerie Peter Kilchmann, Zahnradstrasse:
Sculpture Today
works by Francis Alÿs, Maja Bajević, Vlassis Caniaris, Los Carpinteros, Andriu Deplazes, Willie Doherty, Valérie Favre, Leiko Ikemura, Zilla Leutenegger, Tobias Spichtig, Didier William, and Artur Zmijewski |
first day |
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Don’t miss: exhibitions closing
London, Los Angeles, Melbourne, New York, Paris, Tel Aviv, Zürich
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London
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| London, Friday 7 |
Ames Yavuz:
Pinaree Sanpitak: Gathering Tables |
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Heckmann Design Studio & Gallery:
Ian Kirby: Wabi 侘 |
Virtual Visit! ▻ |
Hurst Contemporary:
Yirui Fang: Oracle at Dusk |
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Gallery KIWA:
Ahn Doojin: Imaquark |
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Larkin Durey:
Giovanni Fabián Guerrero: Sabiduría Eterna (Eternal Wisdom) |
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| London, Saturday 8 |
Alice Amati:
Danielle Fretwell: Tablescapes |
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Annka Kultys Gallery:
Signe Pierce: New World Aura |
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BEERS London:
Adam Baker: Velvet Hours |
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Carpenters Workshop Gallery:
Lightness of Form |
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David Gill:
Fredrikson Stallard: Tomorrow |
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Emanuel von Baeyer:
Canvas Current |
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NORITO:
The god is selfish and the trees are wise |
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NıCOLETTı:
Nana Wolke: Nothing Left to Want |
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NıCOLETTı:
Ilê Sartuzi: A CRIME, A CONFESSION AND A TRADE |
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Patrick Heide Contemporary Art:
Andy Harper: Any Way Up |
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Pipeline:
Strings Attached. Chapter One |
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Pippy Houldsworth Gallery:
Shaqúelle Whyte: Winter Remembers April |
Virtual Visit! ▻ |
Pippy Houldsworth Gallery:
Seba Calfuqueo: Imagen país, Hilandera |
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| London, Sunday 9 |
County Hall Pottery:
Collaborative |
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Kearsey & Gold:
Unstable Grounds |
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Saatchi Yates:
Marina Abramović |
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| London, Monday 10 |
JD Malat Gallery:
RETNA: Locked Lines |
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| London, Tuesday 11 |
Bartha_contemporary:
Joan Witek: Black as a Living Colour |
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sketch:
¡hola, London! |
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Los Angeles
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| Los Angeles, Saturday 8 |
Philip Martin Gallery:
Laurie Nye: This World Only |
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parrasch heijnen:
Kristy Luck: Ground for Assumptions |
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Melbourne
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| Melbourne, Saturday 8 |
Tolarno Galleries:
Wanapati Yunupiŋu: Näṉarr – Tongue of Flame |
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New York
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| New York, Wednesday 5 |
Findlay Galleries:
Ptolemy Mann: Significant Colour |
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Goodman Gallery:
Jared Ginsburg: All the things you are |
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Stephen Friedman Gallery:
Ana Cláudia Almeida: Over Again |
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| New York, Friday 7 |
D’Lan Contemporary:
Reggie Uluru |
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| New York, Saturday 8 |
Eerdmans:
Margaret Kennedy: Color Tryst |
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Hauser & Wirth 18th Street:
Don McCullin. A Desecrated Serenity |
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Hutchinson Modern & Contemporary:
José Gurvich: Sense of Place |
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Lincoln Glenn:
The Slow Unfolding: Friedel Dzubas’ Final Abstractions |
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Michael Rosenfeld Gallery:
Surreal America |
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Tina Kim Gallery:
Lee Seung Jio: Nucleus in Resonance |
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| New York, Tuesday 11 |
The Foundation of ART NYC:
Zukie: Infinite Expansions |
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Paris
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| Paris, Wednesday 5 |
Sobering Galerie:
Craig Cameron-Mackintosh: Stringless Symphony |
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Tel Aviv
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| Tel Aviv, Saturday 8 |
Gallery Har-El:
Adam Rabinowitz: Sun Shark |
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Zürich
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| Zürich, Saturday 8 |
Lullin + Ferrari:
Special Presentation of Works by Pierre Haubensak |
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Galerie Peter Kilchmann, Rämistrasse:
Ishita Chakraborty: I Recall The Forest Inside Me |
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