 |
The Week in Art visit site
27 Aug – 3 Sep 2024
Openings, events, auctions |
|
Berlin
|
Berlin, Friday 30 |
Galerie Max Hetzler, Goethestraße 2/3: Beginner’s Mind: Zum 75. Geburtstag von Walter Zimmermann the gallery stages an exhibition and concert programme to celebrate the birthday of a composer who has been one of the defining figures of the international contemporary music scene since the 1970s |
opening reception |
Berlin, Sunday 1 |
Galerie Max Hetzler, Goethestraße 2/3: Conversation between Thomas Grötz and Walter Zimmermann |
talk |
Galerie Max Hetzler, Goethestraße 2/3: Concert by Ensemble Adapter |
performance |
Cologne
|
Cologne, Friday 30 |
Galerie Buchholz: Isa Genzken: 4 Türme, 3 Stelen, Schauspieler und Vollmond |
opening reception |
Geneva
|
Geneva, Wednesday 28 |
Pace, Geneva: Lee Kun-Yong in the pioneering Korean performance artist and painter’s first exhibition in Switzerland, seminal paintings and drawings together with photographs of a 1976 performance |
first day |
Geneva, Tuesday 3 |
Mamco: MAMCO, from Memory before the museum’s three-year renovation begins, an exhibition coordinated by Julien Fronsacq of works from the over-6,000 piece collection – chosen by visitors, Friends, members of the board, partners, and others |
opening reception |
London
|
London, Wednesday 28 |
Goodman Gallery: Irapuru a group exhibition looking at practices that present beauty from within contexts of sociopolitical complexity and struggle. |
first day |
London, Thursday 29 |
Galerie Max Hetzler: Grace Weaver: Flowers in an exhibition of new paintings by Weaver, sixteen large-scale canvases all focussing on “the flower” |
opening reception |
Pippy Houldsworth Gallery: Liorah Tchiprout: I love the flames, but not the embers in the London-based artist’s first solo exhibition with the gallery new paintings of staged and hand-made dolls blur the boundary between imaginary and real, animate and inanimate |
private view |
Staffordshire St: Are the Stones Standing Still in an “exhibition-cum-symposium”, curator Dinosaur Kilby has invited UK-wide collaborative groups to produce a banner as a statement of intent – about now and about the future |
opening reception |
Workplace: Jacob Dahlgren: When Anxieties Become Form new and reimagined sculpture and installation by the Swedish artist show how he recontextualise everyday objects “revealing beauty in the ordinary” |
opening reception |
London, Friday 30 |
David Zwirner: Sosa Joseph: Pennungal: Lives of women and girls new paintings by the Indian artist, a masterful colourist and storyteller, in which figures from her South Indian family and milieu combine with motifs from the natural world |
opening reception |
London, Saturday 31 |
Hauser & Wirth: Sensory Art Workshop: Hospital Rooms. Digital Art School |
special event |
Serpentine North Gallery: Saturday Talks: Liz Stumpf on Judy Chicago: Revelations |
talk |
London, Monday 2 |
Thaddaeus Ropac: Embodied Forms: Painting Now new works by seven artists who reconfigure the relationship between subjectivity and the body – with Carolina Aguirre, Dean Fox, Olga Grotova, Michael Ho, Effie Wanyi Li, YaYa Yajie Liang and Eva Helene Pade |
private view |
London, Tuesday 3 |
Gagosian Shop, London: Howard Hodgkin the current Shop takeover examines Hodgkin’s diverse interest – antiquities, design, food, literature, travel, painting – “I collect for the same reason that I eat too much – I’m one of nature’s shoppers” |
first day |
Pace, London: Alejandro Piñeiro Bello: Entre El Día Y La Noche the first solo UK exhibition – and the largest one to date – of the Cuban artist shows new paintings and works on paper that symbolically explore cyclical journeys, both through time and within the self |
opening reception |
New York
|
New York, Saturday 31 |
Halsey McKay Gallery: Matthew Kirk |
first day |
New York, Tuesday 3 |
Findlay Galleries: Charles Neal: Fragments and Traces |
first day |
Goodman Gallery: Misheck Masamvu: Exit Wounds “When I get into colour, I realise that this is a deeper space, and I realise that I must travel within it… I can feel, I can hear, I cannot be stopped” – Masamvu |
first day |
Hauser & Wirth 18th Street: Philip Guston: Room, Sea & Sky an exhibition examining Guston’s significant, and often-overlooked, printmaking practice |
first day |
Palm Beach
|
Palm Beach, Friday 30 |
Findlay Galleries Palm Beach: Summer Discoveries: Abstract Works Palm Beach the second part of the gallery’s “Summer Discoveries” series “invites viewers to explore a vibrant exhibition of mid-century modern and contemporary abstract works” |
first day |
Paris
|
Paris, Saturday 31 |
Perrotin Marais: Koak: Lake Margrethe the San Francisco-based artist’s first major European exhibition is “the most personal exhibition I’ve created in a long time” – Koak |
opening reception |
Perrotin Marais: Nick Goss: Isle of Thanet Goss’s first solo show in Paris, and with the gallery, takes an historic part of the South-East UK as its jumping-off point to examine what life is like when living on an island |
opening reception |
Perrotin Marais: Katherina Olschbaur: Sweet Expulsion “Olschbaur’s paintings remind us that just as we are subjects of history’s calculating production, we are also bound to its immense disorder — its cosmic unrest” – Mara Hassan |
opening reception |
Semiose: Présence Panchounette surréaliste ? Mon œil ! “change life” stated Rimbaud. “Transform the world” suggested Karl Marx. Surrealism never lost sight of these two imperatives. “Et tout a fini dans le décor,” Présence Panchounette would have added” – Jérôme Duwa |
opening reception |
Paris, Tuesday 3 |
Almine Rech, Turenne: Aurélie Gravas: My Virgin Skin on Yours Gravas’ first solo exhibition with the gallery – “it’s this free, spontaneous symphony that is the foundation of Aurélie Gravas’s painting” – Boris Bergmann |
opening reception |
Templon: Pierre et Gilles: Nuit électrique the duo’s latest exhibition demonstrates their longevity, their role as portraitists of an era, and their place as pioneering explorers of LGBTQIA+ questions |
first day |
Seoul
|
Seoul, Friday 30 |
Perrotin Seoul: Jason Boyd Kinsella: Ghost in the Machine the Canadian artist’s work deals with representation of the human mind and psychology – “breaking down traits and personalities into geometric units, defining individuality through various shapes, colors, and sizes” |
opening reception |
Seoul, Tuesday 3 |
Barakat Contemporary: Lawrence Abu Hamdan: Zifzafa |
first day |
Gagosian at APMA Cabinet: Derrick Adams: The Strip Adams’s debut exhibition in Korea presents new work drawn from display windows at beauty supply stores, presented in the David Chipperfield–designed headquarters of the renowned Korean beauty company Amorepacific |
opening reception |
Mai 36 Galerie x Paik Hae Young Gallery: HARMONY in collaboration with Paik Hae Young Gallery, an exhibition of works by Kim Hyung Dae, Chung Hyun, Lee Hye Min, Michel Pérez Pollo, Thomas Ruff, Albrecht Schnider, Markus Saile, Choi Young Wook, and Cho Yong Ik |
opening reception |
Galerie Eva Presenhuber x P21: Sam Falls in the American artist’s first exhibition project in Seoul he “seeks to explore the open atmosphere and enter a symbiotic relationship with the environment” |
opening reception |
Tokyo
|
Tokyo, Saturday 31 |
Taka Ishii Gallery: Naoya Hatakeyama: Tsunami Trees in his first solo exhibition at the gallery in eight years, the internationally acclaimed artist shows works which examine the relationship between nature, cities, and photography |
opening reception |
Zürich
|
Zürich, Wednesday 28 |
Christophe Guye Galerie: In Conversation: A Photographic Dialogue Between Japan and Korea ten Japanese and Korean artists, all known for their unique approach to photography – with Hiroshi Sugimoto, Rinko Kawauchi, Risaku Suzuki, Yoshinori Mizutani, Syoin Kajii, Bae, Bien-U, Jung Lee, Jun Ahn, Ina Jang, A Mi Yoon |
opening reception |
Zürich, Thursday 29 |
Galerie Peter Kilchmann, Zahnradstrasse: Leiko Ikemura: Cosmic Mom new painting, sculpture, drawing, and film by the internationally renowned artist – showcasing the new direction of her decades-long developed series “Girls” |
opening reception |
Zürich, Friday 30 |
Galerie Eva Presenhuber, Maag Areal: Wyatt Kahn: Signs this group of important new paintings by the New York-based artist “glows with restrained color … a major leap forward for the artist” |
opening reception |
Galerie Eva Presenhuber, Maag Areal: Wyatt Kahn in conversation with Elke Buhr |
talk |
Galerie Eva Presenhuber, Waldmannstrasse: John Dilg: Planet on the Prairie “Dilg portrays the inscape of his subjects with the sober acquiescence of our secular time, where we must confront the planetary scale harm we are causing” – Yuki Higashino
|
opening reception |
Galerie Peter Kilchmann, Rämistrasse: Valérie Favre: Temps contre Temps, a taste of freedom four never-before-exhibited series from the Swiss artist and winner of this year’s Meret Oppenheim Prize |
opening reception |
|
|
Don’t miss: exhibitions closing |
|
Addis Ababa
|
Addis Ababa, Saturday 31 |
Addis Fine Art: Nahom Teklehaimanot: When Home Won’t Let You Stay |
|
Berlin
|
Berlin, Sunday 1 |
Galerie Max Hetzler, Goethestraße 2/3: Beginner’s Mind: Zum 75. Geburtstag von Walter Zimmermann |
|
Beverly Hills
|
Beverly Hills, Friday 30 |
Gagosian: Art for a Safe and Healthy California. In partnership with Jane Fonda |
|
Gagosian: Social Abstraction |
|
Frankfurt
|
Frankfurt, Saturday 31 |
Galerie Bärbel Grässlin: Schöner Wohnen |
|
Geneva
|
Geneva, Tuesday 3 |
Bailly Gallery – Longemalle: Summertime |
|
Hong Kong
|
Hong Kong, Saturday 31 |
Hauser & Wirth: Tetsumi Kudo. Cages |
|
Perrotin Hong Kong: Emi Kuraya: Girl’s Time |
|
London
|
London, Friday 30 |
Omer Tiroche Gallery: Vasarely/Agam: In Pursuit of Op |
virtual visit ▶ |
Sotheby’s London: Khamseen: 50 Years of Saudi Visual Arts |
|
London, Saturday 31 |
Bartha Contemporary: Summer Accrochage 2024 |
|
BEERS London: Ksenia Dermenzhi: Invisible Paths |
|
Carpenters Workshop Gallery: Charles Trevelyan: Vignettes |
|
David Gill: Group Show |
|
Felix & Spear: Katherine Gili: Shift (1974) |
|
Flowers Gallery, Cork Street: Supernova |
|
JGM Gallery: Revelation & Concealment |
|
Shapero Modern: Summer Show 2024: The Munich 1972 Olympic Posters |
|
Stern Pissarro Gallery: Jean-Pierre Cassigneul: Moments of Splendour |
|
London, Sunday 1 |
Barbican: Francis Alÿs: Ricochets |
|
Serpentine North Gallery: Judy Chicago: Revelations |
|
Serpentine South Gallery: Yinka Shonibare CBE RA: Suspended States |
|
Staffordshire St: Are the Stones Standing Still |
|
Monaco
|
Monaco, Saturday 31 |
Hauser & Wirth Monaco: Larry Bell. Works from the 1970s |
|
New York
|
New York, Friday 30 |
Findlay Galleries: Summer Discoveries: From the Garden |
|
Leila Heller Gallery: Expansive Change: Distortion as Dialogue in Modern and Contemporary Art |
|
New York, Tuesday 3 |
Nohra Haime Gallery: Chroma |
|
Paris
|
Paris, Saturday 31 |
Bonne Espérance Gallery: Jürgen Schadeberg – Icon of South African Photography |
|
Salisbury
|
Salisbury, Sunday 1 |
New Art Centre: Abigail Reynolds: Works in Glass |
|
Taipei
|
Taipei, Saturday 31 |
Each Modern: Cole Lu and Djordje Ozbolt: Interstellar Traveler to Home |
|
Tokyo
|
Tokyo, Saturday 31 |
Perrotin Tokyo: Elizabeth Glaessner: Head Games |
|
apply to feature your gallery on GalleriesNow |
|
|
|