Visions of the Self: Rembrandt and Now

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Open: 10am-6pm Tue-Sat

20 Grosvenor Hill, W1K 3QD, London West End, UK
Open: 10am-6pm Tue-Sat


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Visions of the Self: Rembrandt and Now

London

Visions of the Self: Rembrandt and Now
to Sat 18 May 2019
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In partnership with English Heritage

Rembrandt’s masterpiece Self-Portrait with Two Circles (c. 1665) will go on view at Gagosian Grosvenor Hill, heralding a new alliance between the international gallery and English Heritage—the charity entrusted with the care of this painting and more than 500,000 other paintings and artifacts, together with more than 400 historic sites across England.

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Rembrandt’s legendary painting will be the centerpiece of an exhibition of self-portraits that will also include works by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as leading contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Cindy Sherman, and Rudolf Stingel, among others. A new work created by Jenny Saville in response to Rembrandt’s self-portrait will be revealed for the first time. Entry to the exhibition is free.

The partnership between Gagosian and English Heritage, which will be launched with this exhibition, will entail the gallery supporting the charity and its sites, artworks, and artifacts—including Kenwood, the home of Rembrandt’s self-portrait in the north of London. To begin, Gagosian will support the conservation of the painting’s eighteenth-century wooden frame. Other future events between the two organizations are in the planning stages.

Anna Eavis, Curatorial Director at English Heritage, comments: “Working with Gagosian will allow us to create exciting juxtapositions between our collections and the gallery’s modern and contemporary program. We’re delighted to be starting with Rembrandt’s Self-Portrait with Two Circles, which usually hangs at Kenwood. It’s one of the world’s great paintings and, despite its considerable age, a work of extraordinary modernity.”

After Gagosian, Self-Portrait with Two Circles will return to Kenwood. In October of this year, the painting will be the focus of a special new display, timed to coincide with the 350th anniversary of Rembrandt’s death.

Painted when Rembrandt was about sixty years of age, Self-Portrait with Two Circles is considered to be the artist’s greatest late self-portrait. Rembrandt depicted himself in his studio, wearing a white linen cap and holding his brushes, palette, and maulstick. One of his largest and most ambitious self-portraits, the painting has prompted much speculative interpretation about aspects such as the enigma of the circles in the background that inform the title. Confident and masterful, brooding and anxious, Self-Portrait with Two Circles is a masterpiece of compelling ambiguity. Edward Cecil Guinness, the first Earl of Iveagh, purchased the painting in 1888; later he gave it to the British nation, along with sixty-two other exceptional paintings and the Kenwood Estate. Since 1986, Kenwood and its collections have been in the care of English Heritage. In accordance with the Iveagh Bequest, Kenwood is open and free to the public.

The exhibition will be accompanied by a fully illustrated catalogue, with a text by David Freedberg.

Visions of the Self: Rembrandt and Now, 2019. Installation view 1: From left to right: © Rudolf Stingel, © Howard Hodgkin Estate. Photo: Lucy Dawkins. Courtesy Gagosian; 2: From left to right: © Giuseppe Penone, © Glenn Brown, © Gerhard Richter 2019 (21032019). Photo: Lucy Dawkins. Courtesy Gagosian; 3: From left to right: © Cindy Sherman, © Rudolf Stingel, © Georg Baselitz. Photo: Lucy Dawkins. Courtesy Gagosian; 4: From left to right: © Urs Fischer, © Rudolf Stingel. Photo: Lucy Dawkins. Courtesy Gagosian; 5: From left to right: © Christopher Wool, © Jeff Koons, Artwork by Egon Schiele. Photo: Lucy Dawkins. Courtesy Gagosian; 6: © Ellen Gallagher. Photo: Lucy Dawkins. Courtesy Gagosian; 7: From left to right: © Glenn Brown, © The Estate of Francis Bacon. All rights reserved. DACS 2019, © Jenny Saville. Photo: Lucy Dawkins. Courtesy Gagosian; 8: Photo: Lucy Dawkins. Courtesy Courtesy English Heritage, The Iveagh Bequest (Kenwood, London) and Gagosian

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