Ursula Schulz-Dornburg: Zone Grise / The Land in Between

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Open: temporary closure

5-7 Rue de Fourcy, 75004, Paris, France
Open: temporary closure


Ursula Schulz-Dornburg: Zone Grise / The Land in Between


Ursula Schulz-Dornburg: Zone Grise / The Land in Between
to Sun 16 Feb 2020
temporary closure

MEP presents “Zone Grise / The Land in Between”, the first major retrospective in France of the photographer Ursula Schulz-Dornburg.

Ursula Schulz-Dornburg MEP

With a career spanning more than five decades, Schulz-Dornburg’s work explores the complex relationship between the built environment and the landscape. Often drawn to sites of social, political and cultural conflict or areas which hold historical importance her work highlights how power, conflict, time and decay disrupt and transform the landscape leaving traces for decades to come.

This major exhibition explores Schulz-Dornburg’s practice through the lens of three overarching themes prominent in her work; boundaries and borders, architecture and the built environment, and the human impact on the environment and landscape. Her work in Iraq, Mesopotamia, Syria and along the border between Georgia and Azerbaijan explores the history and consequences of boundaries and borders both natural and man made, highlighting how shifts in power and the rise and fall of empires affects and changes the landscape and the people that live in them. Architecture and movement is explored in the series ‘Transit Sites, Armenia’, ‘From Medina to Jordan Border’ and ‘Ploshchad Vosstaniya – Upraising Square’. Highlighting how the built environment and state infrastructure often outlives the power structures that built it.

Finally, the human impact on the environment is explored in the work ‘Opytnoe Pole’ and ‘Chagan’ documenting former nuclear test sites in the Soviet Union and in her installation Wheat, Vavilov Institute, St. Petersburg. Both of which focus on the relationship between power, politics and human destruction of the environment and natural resources, a theme which today feel very timely.

Time is central to Schulz-Dornburg’s practice, however she is not concerned with documenting the aftermath or capturing the indexical moment, instead she is interested in the cycles of time and decay, and the time in between one great historical event and the next.

Schulz-Dornburg’s practice is connected to the systematic process driven approach and formal rigor of minimal and conceptual thinking that emerged in the 1960s and 1970s. Each body of work is installed at the Maison european de la Photographie as an installation conceived by the artist for the space. The exhibition includes more than 250 works made between 1980 and 2012.

Shoair Mavlian
Curator of the exhibition
Director of Photoworks

Erevan - Yeghvard, 1997 © Ursula Schulz-Dornburg

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