Simeon Barclay: In the Name of the Father

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Open: Tue-Sun 11am-6pm

65-67 Peckham Road, SE5 8UH, London, UK
Open: Tue-Sun 11am-6pm


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Simeon Barclay: In the Name of the Father

to Sun 27 Nov 2022

Artist: Simeon Barclay

65-67 Peckham Road, SE5 8UH Simeon Barclay: In the Name of the Father

Tue-Sun 11am-6pm


Talk: Simeon Barclay in conversation with Ajamu X. Wednesday 16 November, 6.30pm. Booking

The South London Gallery (SLG) presents a major solo exhibition by Simeon Barclay (b.1975) featuring an installation of new works in the Main Gallery.

Known for his multimedia practice which incorporates sculpture, collage, neon, and moving image, Simeon Barclay explores the ways we navigate and perform identity based on cultural memory. His art is particularly engaged with aspects of aesthetics, and he often creates interventions in the architecture of gallery spaces through colour, light, and the use of industrial materials. His influences range from folk tales, fashion, and club culture, through to concepts of masculinity and the history of art.

In the Name of the Father brings together a new body of works that extends Barclay’s enquiry into questions of legacy, identity, and masculinity, through the lens of the father son relationship. Works in various media weave together multiple references to the personal, the social and the geographical as an attempt to understand and negotiate one’s relationship to place. The history of Huddersfield’s cloth industry and the artist’s father’s original trade as a tailor are both alluded to in a duo of bespoke grey felt suits, as is the wider history of urbanisation and migration in the town. Barclay’s past employment as an industrial machinist has been a major influence in his artistic practice and a towering totem of containers hints at this, as well as being suggestive of the chimneys that remain a feature in Yorkshire’s postindustrial landscape.

Supported by Suling C Mead and Workplace.

Simeon Barclay, In the Name of the Father, South London Gallery, September 2022. Installation view, Andy Stagg


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