Sean Shim-Boyle: Jack
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Sean Shim-Boyle: Jack @ Jane Lombard Gallery, New York

Thu 5 Apr 2018 to Sat 12 May 2018

Sean Shim-Boyle: Jack @ Jane Lombard Gallery

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Open: Tue-Fri 10am-6pm, Sat 11am-6pm

518 West 19th Street, NY 10011, New York Chelsea, USA
Open: Tue-Fri 10am-6pm, Sat 11am-6pm


Sean Shim-Boyle: Jack

New York

Sean Shim-Boyle: Jack
to Sat 12 May 2018
Tue-Fri 10am-6pm, Sat 11am-6pm

Jane Lombard Gallery presents Jack, Sean Shim-Boyle’s first exhibition with the gallery. The exhibition debuts his latest work including two ambitious installations that intensify the artist’s use of peculiar architectural interventions.

Jane Lombard Gallery Sean Shim-Boyle 5

Sean Shim-Boyle, Mother! Mother!, 2018. Wood and paintshaker

Jane Lombard Gallery Sean Shim-Boyle 1

Jane Lombard Gallery Sean Shim-Boyle 2

Sean Shim-Boyle, Beanstalk, 2018. EMT conduit, compressor and rubber tube

The sculptures draw on mythology and fables to develop parallels between the fictional conditions considered in those stories and their pervasion into our self-identity and consciousness.

In Jack, Shim-Boyle maneuvers, warps and internalizes the distinguished iconography of “Jack and the Beanstalk” culminating in elaborate constructions that solicit an amalgamation of the principles put forth in the known tale with one’s own familiarities and efficacy. Shim-Boyle weaves the visual narrative with his personal state of being as a bi-racial Korean-Canadian. The story becomes a vehicle through which the artist explores his biography; Jack who perilously thieves his new way of living and Shim-Boyle, like many 1.5 and second-generation individuals, who must precariously grab on and assimilate to multiple identity systems.

The installations engage elusive anxieties of belonging – states of non-conformity in cultural, political, and physical limbos – through the various movements and sounds encountered. Beanstalk is erratic and assertive, dangerous and alluring. Mother! Mother! is a slice of a simultaneously collapsing and newly built domestic setting, bringing together the nurturing quality of wood block toys and bright colors with the frantic language and unexpected trembling from the industrial paint mixer beside it. Fee Fi Fo Fum uses a motion activated sliding door and mirror mechanism resulting in an echo-chamber of lustrous vanity, endless movement and futile self-awareness.

In amplifying the fear and comfort of unsettled objects, spaces and bodies, Shim-Boyle addresses the fatigue of self-actualization during political uncertainty while asserting the useful mutability and reinvention available in unresolved circumstances.

Sean Shim-Boyle (b.1986 Vancouver, Canada) lives and works in Los Angeles, CA. Shim-Boyle earned a BFA in graphic design from the California Institute of the Arts, Valencia, CA (2008), and an MFA in sculpture from the University of California, Los Angeles, CA (2012). Exhibitions include Baltimore Museum of Art (upcoming), Baltimore, MD; THIEF, Various Small Fires, Los Angeles, CA; Sisyphus, SIGNAL, Brooklyn, NY; A Rising Tide Lifts All Boats, LA><ART, Los Angeles, CA and Salt House, Project Row Houses, Houston, TX. He is a recipient of the Joan Mitchell Foundation Painters and Sculptors Grant and is in the collection of the Los Angeles County Museum of Art.

Courtesy of the artist and Jane Lombard Gallery, New York

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