Open: Tue-Fri 10am-6pm, Sat 11am-5pm
41 Dover Street, W1S 4NS, London, United Kingdom
Open: Tue-Fri 10am-6pm, Sat 11am-5pm
Visit
41 Dover Street, W1S 4NS Richard Saltoun at artgenève 2023
Tue-Fri 10am-6pm, Sat 11am-5pm
Booths C25 - C27 At artgenève 2023, Richard Saltoun Gallery presents a solo booth dedicated to abstract painter Romany Eveleigh, whose work stands out for her uncompromising sign-based vocabulary rooted in a minimalist aesthetic.
Artworks
Drypoint printed on fabric
38.4 x 43.8 cm
Signed with initials 'LB' (lower right). Edition of 5 plus 2 artist's proofs and 1 printer's proof
India ink, aquarelle and charcoal on paper
22.9 x 15.3 cm
Signed lower right recto and verso
India ink and aquarelle on notebook paper
15 x 14.5 cm
Signed lower left recto and verso
![Progetto 19 [Project 19]](https://www.galleriesnow.net/wp-content/uploads/2023/01/ANT012-image.jpg)
8 watercolours on card. Card portfolio (with pencil study). In card sleeve
Each: 21 x 16.5 cm . Overall approx: 55 x 80 cm
Each inscribed 'Progetto 19' and consecutively inscribed 'N 1' up to 'N 8'. Each monogrammed and dated 'A. C. 1967' on reverse. The sleeve titled 'Progetto N 19 Sequenzen 1 2 3 4 5 6 7 8' by the artist.
![Sitzender Mann [Sitting Man]](https://www.galleriesnow.net/wp-content/uploads/2023/01/SAC007-image.jpg)
Oil on canvas
Each: 20 x 20 cm. Overall approx: 50 x 110 cm
Signed, titled and dated at the back of each painting
Oil on paper mounted on linen canvas
165 x 152.5 cm
Signed, dated and titled at the back
Meret Oppenheim
Souvenir du "Dejeuner en fourrure" (Souvenir of Breakfast in Fur), Conceived in 1936, executed in 1972
Fabric, paper, artificial fur and artificial flowers encased under plastic. (Edition in various colours)
17 x 20 x 3 cm
Signature, title and number to paper label on reverse ‘Souvenir du "Dejeuner en fourrure" Meret Oppenheim Examplaire Nr. 22’ Edition 22 of 120 plus 10 hours commerce
![Andalouse [Espagnole à la mantille]](https://www.galleriesnow.net/wp-content/uploads/2023/01/FPI039-image-1.jpg)
6 loose colour lithographs in red and 6 black and white lithographs included in the text, all signed in the plate and printed on d'Auvergne paper. Published by Imprimerie Union, Paris. Texts by Mendes.
25 x 32.5 cm
Edition 40 of 220
Lithograph
Sheet: 36 x 26 cm. Framed: 38 x 28 cm
Signed and numbered on the front . Edition 25 of 30
Two lithographs
Left sheet: 10.5 x 9.6 cm . Right sheet: 24.5 x 26 cm
Signed in pencil (each) . A few copies printed outside of the book published by Pierre-André Benoit
Added to list
Done
Removed
Installation Views
Borrowing techniques, and materials from the world of writing and printing, Eveleigh realised paintings, drawings and collages that place painting in a philosophical dimension. She often worked in series and on square or near-square white supports resembling blank pages.
Alongside the lesbian activist Michèle Causse, the famed American art historian Barbara Rose was one of the artist’s early champions. She described Eveleigh’s 1980s paintings as 'spiritual retreats that calm and center the mind', comparing them as aids to contemplation in the same manner as Mark Rothko, Barnett Newman, and Robert Motherwell.
Alongside the solo presentation, Richard Saltoun Gallery will also bring works by Bracha L. Ettinger, Louise Bourgeois, Sandro Chia, Alexander Brodsky, Meret Oppenheim, John Latham, Francis Picabia, Vivian Suter, Heidi Bucher and Antonio Calderara.
