Open: Tue-Fri 11am-6.30pm, Sat 11am-5pm

Rämistrasse 37, CH-8001, Zürich, Switzerland
Open: Tue-Fri 11am-6.30pm, Sat 11am-5pm


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Peter Hujar & Paul Thek

Mai 36 Galerie, Zürich

Fri 24 Jan 2020 to Sat 18 Apr 2020

Rämistrasse 37, CH-8001 Peter Hujar & Paul Thek

Tue-Fri 11am-6.30pm, Sat 11am-5pm

Artists: Peter Hujar - Paul Thek

Mai 36 presents, for a second time, a joint exhibition with works by artists Peter Hujar and Paul Thek.


Artworks

Paul Thek, The Eye of the Beholder, 1987

Pencil and acrylic on paper

635.0 × 483.0 mm

© Estate of George Paul Thek, Courtesy Mai 36 Galerie, Zurich

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Peter Hujar, Electric Cow, 1978

Vintage gelatin silver print image

37.2 x 37.2 cm (14 5/8 x 14 5/8 in.) framed 59.5 x 56.5 x 3.2 cm (23 3/8 x 22 1/4 x 1 1/4 in.) titled and dated verso in pencil estate and copyright stamp verso in ink; signed verso in pencil by Stephen Koch, for the Estate of Peter Hujar

Peter Hujar, Werktitel, Entstehungsjahr © The Estate of Peter Hujar, Courtesy Mai 36 Galerie, Zurich

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Peter Hujar, Paul Thek (IV), 1976

Vintage silver gelatin print print made by the artist

image 37.5 x 36.9 cm (14 3/4 x 14 1/2 in.) framed 59.7 x 56.7 x 3.5 cm (23 1/2 x 22 3/8 x 1 3/8 in.) signed, titled and dated verso in pencil by Stephen Koch, for the Peter Hujar Archive; estate and copyright stamp verso in ink

Peter Hujar, Werktitel, Entstehungsjahr © The Estate of Peter Hujar, Courtesy Mai 36 Galerie, Zurich

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Paul Thek, Untitled (beach with figures), ca. 1986

Graphite and watercolor on paper

46 x 61 cm (18 1/8 x 24 in.) framed 52.6 x 68 x 3.8 cm (20 3/4 x 26 3/4 x 1 1/2 in.)

© Estate of George Paul Thek, Courtesy Mai 36 Galerie, Zurich

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Paul Thek, Untitled (cityscape), ca. 1986

Graphite and watercolor on paper sheet

460.0 × 610.0 mm

© Estate of George Paul Thek, Courtesy Mai 36 Galerie, Zurich

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Peter Hujar, Tomata du Plenty, 1978

Vintage Silber Gelatineabzug

374.0 × 370.0 mm

Peter Hujar, Werktitel, Entstehungsjahr © The Estate of Peter Hujar, Courtesy Mai 36 Galerie, Zurich

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Installation Views

Installation image for Peter Hujar & Paul Thek, at Mai 36 Galerie Installation image for Peter Hujar & Paul Thek, at Mai 36 Galerie Installation image for Peter Hujar & Paul Thek, at Mai 36 Galerie Installation image for Peter Hujar & Paul Thek, at Mai 36 Galerie Installation image for Peter Hujar & Paul Thek, at Mai 36 Galerie Installation image for Peter Hujar & Paul Thek, at Mai 36 Galerie

The life and photographs of Peter Hujar (1934-1987) are inextricably linked with New York. He moved in the intellectual spheres of avantgarde dance, music, art and drag performances. Originally working in the field of commercial photography, Hujar began in the early 1970s to focus his interest more on the portrayal of the actual lives around him. From then on, he photographed people, animals and plants, still-lives, landscapes and city scenes, making the portrait a central tenet of his oeuvre. Hujar himself was very much a part of the life he portrayed. He did not over-aestheticize it, but instead, created uncomplicated, direct photographs of divers and difficult subjects, immortalizing the aspects, personalities and subcultures of a city that was, at the time, at the forefront of a very public coming out of the homosexual community, and would later go on to become a central place of the AIDS crisis.1 A major retrospective of his work was recently launched at the Jeu de Paume in Paris, running until January 2020.

Paul Thek (1933-1988) was an American sculptor and painter. In addition to the sculptures and installations for which he is best known, he also produced paintings and drawings. In the early 1960s, Thek travelled to Europe, where he created extraordinary environments that were shown in major international exhibitions. They combined elements from the fields of art, literature, theatre and religion, expanded the then prevailing concept of the artwork and questioned perceptions of art and life. During this period, Thek participated in several groundbreaking exhibitions, including documenta 4 and documenta 5 in 1968 and 1972 respectively, as well as the 1976 Venice Biennale. In the late 1970s, Thek returned to New York, where he devoted himself to small-scale, sketch-like paintings on canvas. At the same time, he created further environments.

Peter Hujar and Paul Thek met in 1956. They remained close friends until Hujar’s death, sharing a strong intellectual and artistic connection that influenced the work of both artists.

The exhibition at Mai 36 features vintage prints by Peter Hujar alongside later paintings, watercolors, newspaper drawings and the object Untitled (meat cables), 1969 – one of the seldom seen meat pieces by Paul Thek.

Mai 36 has represented the estate of Paul Thek for almost 30 years and that of Peter Hujar since 2014.

Courtesy of Mai 36 Galerie, Zürich

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