Paulina Olowska: 30 Minutes Before Midnight

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Open: Tue-Sat 11am-7pm

12 Pedder street, Central, Hong Kong, Hong Kong
Open: Tue-Sat 11am-7pm


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Paulina Olowska: 30 Minutes Before Midnight

Hong Kong

Paulina Olowska: 30 Minutes Before Midnight
to Sat 19 Jun 2021
Tue-Sat 11am-7pm
Artist: Paulina Olowska

‘The half hour before midnight is for doin’ good. The half hour after midnight is for doin’ evil — seems like we need a little of both tonight’, Minerva in Midnight in the Garden of Good and Evil (1997).

‘Our culture is replete with religious and symbolic images of women that are either subservient or sacrificial and that do not hold and reflect the multiplicities of women’s creative powers’, Juliet Miller, The Creative Feminine and her Discontents (2008).

Simon Lee Gallery Hong Kong presents an exhibition of new paintings by Paulina Olowska.

Artworks

30 Minutes Before Midnight, 2021

Oil on canvas
65 x 50 cm (25 5/8 x 19 3/4 in.)
Courtesy of the artist and Simon Lee Gallery

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Night Discontent, Day Drama, 2021

Oil on canvas
170 x 110 cm (66 7/8 x 43 1/4 in.)
Courtesy of the artist and Simon Lee Gallery

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Susan, The Revenger, 2021

Oil on canvas
80 x 80 cm (31 1/2 x 31 1/2 in.)
Courtesy of the artist and Simon Lee Gallery

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Tera, The Queen, 2021

Oil on canvas
100 x 70 cm (39 3/8 x 27 1/2 in.)
Courtesy of the artist and Simon Lee Gallery

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Brittany and Daimons, 2021

Oil on canvas
140 x 110 cm (55 1/8 x 43 1/4 in.)
Courtesy of the artist and Simon Lee Gallery

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Grazyna, The Modernist, 2021

Oil on canvas
160 x 100 cm (63 x 39 3/8 in.)
Courtesy of the artist and Simon Lee Gallery

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Maidens fishing for bohemian Merelf, 2021

Oil on canvas
170 x 110 cm (66 7/8 x 43 1/4 in.)

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Vali, The Witch of Positano, 2021

Oil on canvas
100 x 85 cm (39 3/8 x 33 1/2 in.)
Courtesy of the artist and Simon Lee Gallery

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Wandering Astrologer, 2021

Oil and collage on canvas
65 x 54 cm (25 5/8 x 21 1/4 in.)
Courtesy of the artist and Simon Lee Gallery

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What Does WoMan Want?, 2021

Oil on canvas
40 x 30 cm (15 3/4 x 11 3/4 in.)
Courtesy of the artist and Simon Lee Gallery

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Greta’s Grotto, 2021

Oil and collage on canvas
53 x 30 cm (20 7/8 x 11 3/4 in.)
Courtesy of the artist and Simon Lee Gallery

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Simon Lee Hong Kong Paulina Olowska 1

Simon Lee Hong Kong Paulina Olowska 2

Simon Lee Hong Kong Paulina Olowska 3

Simon Lee Hong Kong Paulina Olowska 4

Simon Lee Hong Kong Paulina Olowska 5

Simon Lee Hong Kong Paulina Olowska 6

Simon Lee Hong Kong Paulina Olowska 7

Simon Lee Hong Kong Paulina Olowska 8

Olowska’s oeuvre has long been informed by her examination of the restrictive stereotypes that underpin representations of womanhood in the history of art. Seeking to depict femininity in all its guises, Olowska’s visual language asserts and redefines the capacity of the female gaze in painting, encoding each work with symbols and narrative cues that embolden her subject’s physical and psychological presence.

For her second solo exhibition in Hong Kong, Olowska has created a body of works depicting muses and heroines in various scenarios at different times of the day and night. The title of the show alludes to John Berendt’s novel Midnight in the Garden of Good and Evil and the subsequent film adaptation. Drawing on the hoodoo notion of midnight, the passage of time in the book and film defines the period for good magic – the thirty minutes prior to midnight – and the period for bad magic – the thirty minutes after midnight. Olowska extends this notion of time and the passing of day to night as both a visual and narrative device to contextualise the subjects of her portraits. Colours – and the time of day they indicate – fortify the viewer’s initial engagement with Olowska’s protagonists. Shifting from soft to vibrant tones, the works in the exhibition fluctuate in mood throughout the exhibition as day turns to night.

Olowska promotes the duality of the image in her practice, layering multiple meanings into her works to subvert and twist the viewer’s expectations and create space for an array of narratives to emerge. Idealistic compositions of gentil figures painted in pastel hues possess a distinct, threatening undertone. Elsewhere in the exhibition, the bold darkness of night and all its negative connotations becomes a source of innate strength for the figures within the paintings.

Many of the heroines in Olowska’s latest paintings refer to films and the actors and characters within them. Works in the exhibition allude to the avant-garde spiritual guru Vali Myers and the film about her life, ‘The Witch of Positano’ (1965), as well as to the magical powers that define the roles of Samantha Robinson in ‘The Love Witch’ (2016) and Valerie Leon in ‘Blood from the Mummy’s Tomb’ (1971). Olowska celebrates the Polish actor Grazyna Szapolowska in another work as a standard-bearer for modern political activism. Hollywood icons Jodie Foster and Susan Sarandon also make an appearance, selected by Olowska for the subversive qualities they represent to the artist. Drawing on the world of film, Olowska brings together her own cast of distinct and commanding protagonists.

About Paulina Olowska
Born in 1976 in Gdansk, Poland, Paulina Olowska lives and works between Rabka-Zdroj and Krakow, Poland. She received her BFA from the School of the Art Institute of Chicago, Chicago, IL; an MFA from The Academy of Fine Arts, Gdansk, Poland and was awarded The Aachen Art Prize (2014). Internationally renowned, Olowska’s work has been the subject of numerous solo exhibitions and projects, including SCAD Museum of Art, Savannah, GA (2021); Simon Lee Gallery, London, UK (2019); Fondazione Furla, Museo del Novecento, Milan, Italy (2018); The Kitchen, New York, NY (2017); Tate Modern, London, UK (2015); Ludwig Forum für Internationale Kunst, Aachen, Germany (2015); Stedelijk Museum, Amsterdam, Netherlands (2013); Kunsthalle Basel, Basel, Switzerland (2013), CCA Wattis Institute for Contemporary Arts, San Francisco, CA (2010) and Camden Arts Centre, London, UK (2009). Major group exhibitions include National Gallery of Art, Warsaw, Poland (2019); Liverpool Biennial, Liverpool, UK (2018); San Francisco Museum of Modern Art, San Francisco, CA (2016), Centre Pompidou, Paris, France (2016); Haus der Kunst, Munich, Germany (2015); Baltic Centre for Contemporary Art, Gateshead, UK (2014); Serralves Museum of Contemporary Art, Porto, Portugal (2014); Museum of Modern Art, New York, NY (2012) and the New Museum, New York, NY (2011). Her work belongs to major private and public collections including Tate, London, UK; Sammlung Boros, Berlin, Germany; Stedelijk Museum, Amsterdam, Netherlands; Museum of Modern Art, Warsaw, Poland; Serralves Museum of Contemporary Art, Porto, Portugal; San Francisco Museum of Modern Art, San Francisco, CA and Museum of Modern Art, New York, NY.

Courtesy of the artist and Simon Lee Gallery


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