Melanie Smith: Leave it to the Amateurs

, ,
Open: Tue-Fri 10am-6pm, Sat noon-5pm

18 Woodstock Street, W1C 2AL, London, UK
Open: Tue-Fri 10am-6pm, Sat noon-5pm


Visit    

Melanie Smith: Leave it to the Amateurs

London

Melanie Smith: Leave it to the Amateurs
to Sat 10 Jul 2021
Tue-Fri 10am-6pm, Sat noon-5pm
Artist: Melanie Smith

Parafin presents its first exhibition with the internationally acclaimed artist Melanie Smith.

Artworks

Vortex, 2019-20

Single channel video projection
Dimensions variable
Edition of 4 plus 2 AP

contact gallery

Amateur Leading Role 3, 2019

Photograph
57×38 cm 22 1/2×15 in
Edition of 4 plus 2 AP

contact gallery

Collage for Vortex 1, 2019

Collage on paper
29.5×21 cm 11 5/8 × 8 1/4 in

contact gallery

Collage for Vortex 5, 2019

Collage on paper
29.5×21 cm 11 5/8 × 8 1/4 in

contact gallery

Collage for Vortex 14, 2019

Collage on paper
29.5×21 cm 11 5/8 × 8 1/4 in

contact gallery

Collage for Vortex 18, 2019

Collage on paper
29.5×21 cm 11 5/8 × 8 1/4 in

contact gallery

Blake: Absent Leading Role Exercise 8 and 4, 2019

Pigment on wood
38×34 cm each, 15× 13 3/8 in each

contact gallery

Blake: Absent Leading Role Exercise 5, 2019

Pigment on wood
38×34 cm 15 × 13 3/8 in

contact gallery

Blake: Absent Leading Role Exercise 32 and 7, 2019

Pigment on wood
38×34 cm each 15× 13 3/8 in each

contact gallery

Blake: Absent Leading Role Exercise 26, 2019

Pigment on wood
38×34 cm 15× 13 3/8 in

contact gallery


Added to list

Done

Removed

Parafin-Melanie-Smith-1

HyperFocal: 0

HyperFocal: 0

HyperFocal: 0

HyperFocal: 0

HyperFocal: 0

HyperFocal: 0

HyperFocal: 0

HyperFocal: 0

Melanie Smith (born 1965), widely considered one of the leading artists of her generation, was born and studied in the UK but moved to Mexico City in 1989. Working across a range of media Smith explores notions of modernity in relation to art history and contemporary society. She has consistently addressed a number of interrelated themes encompassing the aesthetics of abstraction, urbanization, colonialism and, more recently, nature and entropy, working through a blurring and blending of the worlds of painting, cinema, and performance. While Smith has exhibited widely internationally, her work has been rarely shown in the UK and this is only her second solo exhibition in London, after her ‘Art Now’ project at Tate Britain in 2006.

Parafin’s exhibition focuses on Vortex (2019-20), a new work that continues her investigation into the deconstruction of the pictorial plane using the resources of performance, sculpture and the moving image. From the Museo Amparo in Puebla, Smith remote-directed and recorded the production of an ambitious tableau vivant installed in the MUAC in Mexico City, based on William Blake’s The Circle of the Lustful (1824-1827). That performative event has formed the basis for a new film and accompanying photographs and collages. They are exhibited alongside a series of recent paintings on panel, based on fragments of Blake’s paintings, often with telling details redacted.

This new body of work explores a key impulse that runs through Smith’s work in which she seeks to dismantle and experiment with her own gaze as an artist and image-producer. This exploration has generated new permutations of images that mix and blur the logics of the pictorial, cinematic and performance universe.

Melanie Smith lives and works in London and Mexico City. Smith was born and studied in the UK. However, following a move to Mexico City in 1989 she became a key member of a burgeoning art community there, alongside contemporaries such as Francis Alÿs and Gabriel Orozco. Smith’s move came at a pivotal moment; leaving the political and economic tensions of Britain, in Mexico she witnessed the impact of capitalist modernisation, neo-liberal globalisation and hyper-consumerism, the development of an informal economy alongside traditional forms of manufacture, and the ongoing failures or collapse of modernity. These two contexts, Mexico and Britain, remain central to her work.

In 2011 she represented Mexico at the 54th Venice Biennale, Italy. Recent solo exhibitions include ‘Farce and Artifice’, MACBA, Barcelona (2018), MUAC, Mexico City (2019) and Museo Amparo, Puebla, Mexico (2019), Milton Keynes Gallery (2014), Contemporary Art Centre, Vilnius, Lithuania (2014) and Museum Boijmans Van Beuningen, Rotterdam, Netherlands (2014). Recent group exhibitions include Palais de Tokyo, Paris (2019), the Liverpool Biennial (2018), Hamburger Bahnhof, Berlin, (2016), and Kunstmuseum Bern (2016) amongst many others. Her work is in many important international collections including Tate, London, the Museum of Modern Art, New York, the Modern Art Museum, Fort Worth, Museo de Arte Moderno, Mexico City, MACBA, Barcelona, IVAM, Valencia, Daros Latinamerica Collection, Zurich, La Coleccion Jumex, Mexico City and the Cisneros Fontanals Art Foundation, Miami.

Melanie Smith: Leave it to the Amateurs. Installation view. Photo: Peter Mallet


more to explore:

 
 

By using GalleriesNow.net you agree to our use of cookies to enhance your experience. Close