Mehdi Ghadyanloo

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Open: Tue-Sat 11am-7pm

7/F Pedder Building, 12 Pedder Street, Central, Hong Kong, Hong Kong
Open: Tue-Sat 11am-7pm


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Mehdi Ghadyanloo

to Sat 5 Nov 2022

7/F Pedder Building, 12 Pedder Street, Central Mehdi Ghadyanloo

Tue-Sat 11am-7pm


I’m creating a kind of atmosphere, a space of ambiguity.
—Mehdi Ghadyanloo

Gagosian presents new paintings and works on paper by Mehdi Ghadyanloo. Opening on September 22, this is his first solo exhibition in Asia.

Artworks

The Parallel Love, 2022

Acrylic and oil on canvas
82 11/16 x 70 13/16 inches 210 x 180 cm
© Mehdi Ghadyanloo Courtesy Gagosian

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The King's Speech, 2022

Acrylic and oil on canvas
92 1/2 x 47 1/4 inches 235 x 120 cm
© Mehdi Ghadyanloo Courtesy Gagosian

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The Spring Soldier, 2022

Acrylic and oil on canvas
92 1/2 x 47 1/4 inches 235 x 120 cm
© Mehdi Ghadyanloo Courtesy Gagosian

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The Sky Monument, 2022

Acrylic and oil on canvas
82 11/16 x 47 1/4 inches 210 x 120 cm
© Mehdi Ghadyanloo Courtesy Gagosian

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The Iron River, 2022

Acrylic and oil on canvas
55 1/8 x 55 1/8 inches 140 x 140 cm
© Mehdi Ghadyanloo Courtesy Gagosian

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The Fairy Temple, 2022

Acrylic and oil on canvas
55 1/8 x 55 1/8 inches (140 x 140 cm)
© Mehdi Ghadyanloo Courtesy Gagosian

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The Mystic Messenger, 2022

Acrylic on canvas
70 7/8 x 51 3/16 inches 180 x 130 cm
© Mehdi Ghadyanloo Courtesy Gagosian

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Untitled, 2022

Watercolor on paper
19 11/16 x 14 3/16 inches 50 x 36 cm
© Mehdi Ghadyanloo Courtesy Gagosian

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Untitled, 2022

Watercolor on paper
19 11/16 x 9 13/16 inches 50 x 25 cm
© Mehdi Ghadyanloo Courtesy Gagosian

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Ghadyanloo’s paintings are composed with meticulous attention to geometry, color, and chiaroscuro. At once familiar and mysterious, the slides, tunnels, and ladders he depicts are sited in shallow rectilinear chambers. The scenes are illuminated from above by skylights, with painted beams of light that reveal the details of the plastic and metal structures while indicating different times of day. The pieces of playground equipment exist as symbols, monuments to psychological states, as much as they are imagined physical constructions. Absent of children or other figures, they have an enigmatic, monumental presence that prompts nostalgia for the innocence of childhood play while hinting at existential themes.

Ghadyanloo’s unique approach as a painter evolved as he completed over one hundred public murals across Tehran from 2004 through 2011. Created to beautify the urban environment and promote civic harmony, these expansive works transformed the face of the city and garnered international attention, leading to mural commissions in Europe and the United States. His return to painting on canvas has allowed him to advance other themes, inspiring the present body of work.

The trompe l’oeil slides extend the mastery of scale and visual impact that Ghadyanloo has developed, while echoing his fatherly observation of playgrounds’ global appeal. In the Hong Kong exhibition, he additionally explores the theme of dualism in paintings such as The Parallel Love (2022), in which two slides mirror each other’s positions as they spiral through space. The crown surmounting The King’s Speech (2022) invokes a symbol of social hierarchy as a kind of child’s play, while other subjects exhibit impractical or illogical designs. In The Sky Monument (2022), for example, the slide’s bottom segment is disconnected and appears to have been replaced by a ladder. The themes of artificiality and childhood are further explored in The Mystic Messenger (2022), which represents a glossy, multicolored rabbit. Works on paper such as A Blinking Memory (2022) envision the slides and the drama of light and shadow in watercolor.

Ghadyanloo’s paintings are reminiscent of the paradoxical spaces of Giorgio de Chirico and René Magritte, though Surrealism is but one of the artist’s inspirations. Citing his admiration for Giorgio Morandi’s poetic still lifes, he asks: “If an ordinary bottle can speak to you, then why can’t a red slide do the same?” The paintings’ precise geometry is equally informed by the rich cultural traditions of the artist’s native Iran, from painting and architecture to decorative arts and literature.

Installation views, "Mehdi Ghadyanloo" Gagosian Hong Kong. Artwork © Mehdi Ghadyanloo. Courtesy Gagosian. Photo: Martin Wong.


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