Wed 25 Oct 2023 to Sat 6 Jan 2024
Artist: Matt Wedel
Opening reception: Wednesday 25 October, 6pm-8pm
L.A. Louver presents Pictures in the Garden, an exhibition of gouache paintings by acclaimed sculptor Matt Wedel. In this presentation two distinct bodies of work reveal formal and thematic dimensions of Wedel’s oeuvre involving time and space, metaphor, and mythology.
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This exhibition culminates two significant moments for the artist in the last year. From November 2022 to April 2023 the Toledo Museum of Art presented Matt Wedel: Phenomenal Debris, a solo exhibition that included over one hundred sculptural artworks and works on paper created over the last decade. Also in 2023, Wedel participated in a two-part artist residency at the Honolulu Museum of Art during which he developed new ceramic works and the gouaches of the Hawaii Series.
The first series in the exhibition debuted in Wedel’s solo exhibition, Phenomenal Debris, at the Toledo Museum of Art in Ohio (November 2022 - April 2023). Each entitled Potted Plant, these gouaches were created between 2017 and 2021 and illustrate the artist's de-velopment of abstraction throughout time, from curious botanical inquiry to explora-tions of color as form.
The second series of gouaches build on these developments. In these more recent paint-ings, each titled Flower Tree (Hawaii), a heightened sense of immediacy is communicated through zoomed-in perspective, all-over composition, the use of background color as an active element, and a subjective shift towards what is seen within the landscape. In the artist’s words: “Some of the cylinder-like vine structures, which seem like serpents in my sculpture, feel like neural synapses in my paintings.”
Paintings in the Flower Tree (Hawaii) series take on new meanings in light of the recent Maui fires. Inspired by the lush O'ahu flora that Wedel experienced during his residency at the Honolulu Museum of Art, these gouaches memorialize the dynamic vibrancy of the Hawaiian landscape while highlighting ideas of environmental balance and fragility. On a collective level, these representations are also a memory of our ecology and its role in our awareness of self. Fragility is a pre-existing philosophical aspect in Wedel's work, em-phasized here by a harmonious exchange of emergent forms and colors inspired by O'a-hu's distinct ecosystem.
Distinguished by its opacity, the dense pigmentation of gouache brings nuanced mean-ings to both the Flower Tree and Potted Plant motifs that repeat and evolve throughout Wedel’s oeuvre. The gouaches evoke feelings of present time through the intensity of their hues, energy is communicated by variegated arrangements of pattern and color, and familiar shapes take on new meanings in two-dimensional space.
The evocation of proximity and movement in these paintings is representative of Wedel’s use of metaphor to connect the material world to the immaterial. Visual techniques of color, form, and perspective are only some of the metaphoric vehicles employed by Wedel; others include drawing thematic parallels between plant forms and the human body, the association between the growth of plants and the unfolding of a narrative, and the larger implied notion of life and death cycles. Mythology is also at play as Wedel communicates through his distinctive aesthetic language to give the Potted Plants and Flower Trees their own personalities and stories. However whimsical, these pictures are not divorced from reality; instead, they enhance the practice of observation by seeing significance — both universal and personal — in everything that surrounds.
Matt Wedel’s artwork has been exhibited extensively throughout the United States and internationally, including at the Louisiana State University Museum of Art, Baton Rouge, LA; Toledo Museum of Art, Toledo, OH; Wichita Falls Museum of Art, Wichita Falls, TX; Omi International Arts Center, Ghent, NY; Wasserman Projects, Detroit, MI; and Erskine Hall & Coe, London, England. His work can be found in the collections of the Honolulu Art Mu-seum, Honolulu, HI; the Flint Institute of Art, Flint, MI; the LSU Museum of Art, Baton Rouge, LA; the Wichita Falls Museum of Art, Wichita Falls, TX; the Long Beach Museum of Art, Long Beach, CA; the Frederick R. Weisman Art Foundation, Los Angeles, CA; the Clay Museum of Ceramic Art, Middelfart, Denmark; the Art Gallery of Nova Scotia, Halifax, NS Canada; among others.