Flowers Gallery presents a solo exhibition by London-based Italian artist Lorenzo Vitturi. The works in his new series Money Must be Made are based at the Balogun Market in Lagos, Nigeria, the second biggest market of its kind in West Africa.
Located on Lagos Island, Balogun Market sprawls from street to street under the shadow of the now-unoccupied Financial Trust House. In its heyday, the twenty-seven storey Financial Trust building was the tallest on the island, housing western corporations and banks. While Vitturi’s previous project Dalston Anatomy reflected on the gentrification displacing local businesses in London, Vitturi explores the inverse situation in this area of Balogun Market, where its thriving business is causing global corporations to relocate.
Lorenzo Vitturi: Money Must Be Made / ends Saturday 30 June / @flowersgallery London / click the link in our bio for more #lastchance #mustsee #LorenzoVitturi #Flowers #FlowersGallery #London #gallery #exhibition #art #photography #abstract #geometry #contemporaryart #modernart #seemoreart #dontmissout #GalleriesNow #ID12708
Populated by tens of thousands of people each day, Vitturi describes the throng of Balogun market as a “sensory overload” of colour and noise. A large mural print on the central wall of the gallery shows an overhead image of the street market in full swing, commanding the rhythm of the surrounding exhibition. Vitturi went about foraging for materials and photographing the things that he found crammed and balanced in every conceivable space – from prayer mats, beads, household products and man-made plastic goods imported from China, to anthropomorphically-shaped Calabash and Agbe gourds, snails, hooves, and horns. Returning to the studio with the materials he had gathered, Vitturi created teetering totemic assemblages with a Baroque sense of drama, collaging and overpainting his photographs and materials in high-register colours – and often layering physical objects within the photographic assemblages to create new volumetrically disorientating images.
At the market’s core are its mobile street vendors, portrayed by Vitturi in a set of abstracted figure studies. He collaborated with a number of traders who posed in a makeshift outdoor studio at the base of the Financial Trust building. Photographing his subjects with their faces turned away from the camera, and using textiles sourced from the market as a backdrop, the images highlight the radical transformation of the figure by means of goods stacked and balanced on and around their bodies.
In contrast to the visual cacophony of Vitturi’s images of the market, photographs taken within the Financial Trust House allow moments of pause. Objects such as monitor screens and keyboards, plastic bottles and stacks of forgotten paperwork are set against the stark backdrop of empty offices, their tones unified almost to the point of monochrome by a thick layer of dust. Despite representing redundancy and decay, they retain a quietly assured aesthetic presence, like that of a Morandi still life. This fluctuation of tempo – switching from the lively colour-clash of the streets to the austere, muted photographs of discarded objects in the tower – reflects the complex relationship of global capital and local trade in one of Africa’s fastest growing urban centres. Phrases, calls and pronouncements by local vendors are transcribed in a series of hand-painted prayer mats produced in collaboration with a local artisan, forming slogans for the economic ethos of Balogun Market: “Oyinbo!!… Oyinbo Oyinbo…” / “It’s Like a Dream” / “Money Must be Made!”.
ABOUT LORENZO VITTURI
Lorenzo Vitturi (b. 1980, Italy) is a photographer and sculptor based in London. Formerly a cinema set painter, Vitturi has brought this experience into his photographic practice, which revolves around site-specific interventions at the intersection of photography, sculpture and performance. In Vitturi’s process, photography in conceived as a space of transformation, where different disciplines merge together to represent the complexities of changing urban environments.
Vitturi’s latest solo exhibitions have taken place at FOAM Museum in Amsterdam, The Photographers’ Gallery in London, at Contact Gallery in Toronto, and at the CNA in Luxembourg. Vitturi also participated to group exhibitions at MaXXI in Rome, Centre Georges Pompidou in Paris, La Triennale in Milan, the Shanghai Art Museum and K11 Art Space in Shanghai, and BOZAR in Brussels.
Following the presentation of Dalston Anatomy in 2013 as a book, multi-layered installations and performance, Vitturi’s latest photo-book ‘Money Must Be Made’ was published by SPBH Editions in September 2017.