Open: Mon-Fri 10am-6pm, Sat 11am-7pm

39 Dover Street, W1S 4NN, London, United Kingdom
Open: Mon-Fri 10am-6pm, Sat 11am-7pm


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Khaleb Brooks: Can I Get A Witness

Gazelli Art House, London

Fri 1 Jul 2022 to Sat 20 Aug 2022

39 Dover Street, W1S 4NN Khaleb Brooks: Can I Get A Witness

Mon-Fri 10am-6pm, Sat 11am-7pm

Artist: Khaleb Brooks

Gazelli Art House presents the debut solo exhibition of gallery represented artist Khaleb Brooks.


Artworks

Spirit of Rebellion

Khaleb Brooks

Spirit of Rebellion, 2022

Acrylic on canvas

597.0 × 800.0 mm

© Khaleb Brooks

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The Blood

Khaleb Brooks

The Blood, 2021

Acrylic on paper

787.0 × 597.0 mm

© Khaleb Brooks

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Lift Every Voice

Khaleb Brooks

Lift Every Voice, 2022

Acrylic and fabric on canvas

2515.0 × 1778.0 mm

© Khaleb Brooks

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Bad Mother

Khaleb Brooks

Bad Mother, 2021

Acrylic and thread on paper

698.0 × 996.0 mm

© Khaleb Brooks

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The Pastor’s Bodyguard

Khaleb Brooks

The Pastor’s Bodyguard, 2022

Oil, acrylic, and leather on linen

1689.0 × 2007.0 mm

© Khaleb Brooks

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I Think I’ll Call It Morning

Khaleb Brooks

I Think I’ll Call It Morning, 2019

Linocut, ink, fabric, acrylic on canvas

2311.0 × 1994.0 mm

© Khaleb Brooks

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1939

Khaleb Brooks

1939, 2022

Acrylic and mixed media on wood

2438.0 × 1118.0 mm

© Khaleb Brooks

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The Brilliant

Khaleb Brooks

The Brilliant, 2018

Oil, embroidery, beads on bedroom curtain

1260.0 × 1650.0 mm

© Khaleb Brooks

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Love In Her Eyes: The Self Inflicted Pressure to Be Pro- found

Oil and leather on cotton

1473.0 × 1473.0 mm

© Khaleb Brooks

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God is Change

Khaleb Brooks

God is Change, 2022

Mid century pulpit, wood and sound installation

991.0 × 1092.0 × 584.0 mm

© Khaleb Brooks

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Saved

Khaleb Brooks

Saved, 2021

Mixed media on packing paper

802.0 × 1047.0 mm

© Khaleb Brooks

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Drexciya

Khaleb Brooks

Drexciya, 2021

Acrylic, pastel and parchment on canvas

1956.0 × 1956.0 mm

© Khaleb Brooks

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Installation Views

Brooks is an interdisciplinary artist, researcher and writer exploring blackness, transness and collective memory. Rooted in personal experience, Can I Get A Witness offers a new range of mixed media, oil paintings, installations and sound-based works that chart the various angles and journeys of the artist’s life. An intimate display of medical scans that memorialise the artist’s body before undergoing gender-affirming surgery is placed alongside mixed media imagery grappling with the historical policing of black women — exploring empowerment as a tool of survival. Informed by and reflective of Brooks’ characteristically multifaceted approach, the exhibition weaves themes such as femininity, girlhood, queerness, family, and the black church through these elements. Underpinned by the artist’s experience as an International Development practitioner, Can I get A Witness enriches his innovative portfolio, driven by a passion for addressing matters of social justice within the creative sector.

Crucially, the exhibition reflects Brooks’ upbringing within a Black, female-led home. Although currently based in London, the artist is originally from Chicago, Illinois. He explains: “Black women, while making up the majority of congregations in Christian churches across the U.S., and rarely serve as spiritual leaders. The women in the ministry are also entrepreneurs, founders, heads of households, breadwinners; and in the case of my mother: the pastor’s bodyguard”. Informed by memory and personal circumstance, Can I Get A Witness elucidates and offers testament to positions of power - beyond tilted leadership - held by black women within American church spaces. More provocatively, where the church is a key pillar of African-American life for many, the exhibition seeks to open dialogue amongst visitors around the impact of religion within Black communities, involving the stigmatisation of sexuality and the erasure of connections to African spiritual practices.

From childhood familial experiences to gender identity and powerful friendships amassed, the previously unseen post-surgery body prints will sit alongside portraits of the artist’s great-grandmother, who hugely influenced their practice in recent residency at the International Slavery Museum in Liverpool. Where the exploration of collective and personal history is integral to Brooks’ work to date, Can I Get A Witness’ intimate points of inquiry mark the counting evolution of their portfolio.

Khaleb Brooks is a multi-disciplinary artist and researcher exploring blackness, gender and the differences between memory and history. Brooks is inspired by the perseverance of black families in overcoming poverty, addiction, abuse and gang violence, alongside drawing upon their own experience of being transgender.

Recently, Brooks has been an artist in residence at the Tate Modern, using the museum’s collection to lead weekly workshops and create work around the transatlantic slave trade. Their exhibition record also includes a performance at the 2019 Venice Biennale, shows at the Institute of Contemporary Art and Schwules Museum in Berlin, alongside others.

Courtesy of the artist and Gazelli Art House, London

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