Fri 1 Jul 2022 to Sat 20 Aug 2022
39 Dover Street, W1S 4NN Khaleb Brooks: Can I Get A Witness
Mon-Fri 10am-6pm, Sat 11am-7pm
Artist: Khaleb Brooks
Gazelli Art House presents the debut solo exhibition of gallery represented artist Khaleb Brooks.
Khaleb Brooks
Spirit of Rebellion, 2022
Acrylic on canvas
597.0 × 800.0 mm
© Khaleb Brooks
Khaleb Brooks
Lift Every Voice, 2022
Acrylic and fabric on canvas
2515.0 × 1778.0 mm
© Khaleb Brooks
Khaleb Brooks
Bad Mother, 2021
Acrylic and thread on paper
698.0 × 996.0 mm
© Khaleb Brooks
Khaleb Brooks
The Pastor’s Bodyguard, 2022
Oil, acrylic, and leather on linen
1689.0 × 2007.0 mm
© Khaleb Brooks
Khaleb Brooks
Linocut, ink, fabric, acrylic on canvas
2311.0 × 1994.0 mm
© Khaleb Brooks
Khaleb Brooks
1939, 2022
Acrylic and mixed media on wood
2438.0 × 1118.0 mm
© Khaleb Brooks
Khaleb Brooks
The Brilliant, 2018
Oil, embroidery, beads on bedroom curtain
1260.0 × 1650.0 mm
© Khaleb Brooks
Khaleb Brooks
Love In Her Eyes: The Self Inflicted Pressure to Be Pro- found, 2018
Oil and leather on cotton
1473.0 × 1473.0 mm
© Khaleb Brooks
Khaleb Brooks
God is Change, 2022
Mid century pulpit, wood and sound installation
991.0 × 1092.0 × 584.0 mm
© Khaleb Brooks
Khaleb Brooks
Saved, 2021
Mixed media on packing paper
802.0 × 1047.0 mm
© Khaleb Brooks
Khaleb Brooks
Drexciya, 2021
Acrylic, pastel and parchment on canvas
1956.0 × 1956.0 mm
© Khaleb Brooks
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Brooks is an interdisciplinary artist, researcher and writer exploring blackness, transness and collective memory. Rooted in personal experience, Can I Get A Witness offers a new range of mixed media, oil paintings, installations and sound-based works that chart the various angles and journeys of the artist’s life. An intimate display of medical scans that memorialise the artist’s body before undergoing gender-affirming surgery is placed alongside mixed media imagery grappling with the historical policing of black women — exploring empowerment as a tool of survival. Informed by and reflective of Brooks’ characteristically multifaceted approach, the exhibition weaves themes such as femininity, girlhood, queerness, family, and the black church through these elements. Underpinned by the artist’s experience as an International Development practitioner, Can I get A Witness enriches his innovative portfolio, driven by a passion for addressing matters of social justice within the creative sector.
Crucially, the exhibition reflects Brooks’ upbringing within a Black, female-led home. Although currently based in London, the artist is originally from Chicago, Illinois. He explains: “Black women, while making up the majority of congregations in Christian churches across the U.S., and rarely serve as spiritual leaders. The women in the ministry are also entrepreneurs, founders, heads of households, breadwinners; and in the case of my mother: the pastor’s bodyguard”. Informed by memory and personal circumstance, Can I Get A Witness elucidates and offers testament to positions of power - beyond tilted leadership - held by black women within American church spaces. More provocatively, where the church is a key pillar of African-American life for many, the exhibition seeks to open dialogue amongst visitors around the impact of religion within Black communities, involving the stigmatisation of sexuality and the erasure of connections to African spiritual practices.
From childhood familial experiences to gender identity and powerful friendships amassed, the previously unseen post-surgery body prints will sit alongside portraits of the artist’s great-grandmother, who hugely influenced their practice in recent residency at the International Slavery Museum in Liverpool. Where the exploration of collective and personal history is integral to Brooks’ work to date, Can I Get A Witness’ intimate points of inquiry mark the counting evolution of their portfolio.
Khaleb Brooks is a multi-disciplinary artist and researcher exploring blackness, gender and the differences between memory and history. Brooks is inspired by the perseverance of black families in overcoming poverty, addiction, abuse and gang violence, alongside drawing upon their own experience of being transgender.
Recently, Brooks has been an artist in residence at the Tate Modern, using the museum’s collection to lead weekly workshops and create work around the transatlantic slave trade. Their exhibition record also includes a performance at the 2019 Venice Biennale, shows at the Institute of Contemporary Art and Schwules Museum in Berlin, alongside others.