Maureen Paley presents an exhibition of new works by Kaye Donachie at Morena di Luna, Hove.
This follows on from her solo exhibition Silent As Glass at the London gallery space. The title, taken from Ann Quin’s 1966 novel Three, provides a script for a new body of work that continues her portrayal of radical women often including writers, activists, poets and artists. For this exhibition, the new paintings are accompanied by free-standing screens featuring specially made wall coverings.
b. 1970, Glasgow, UK, lives and works in London, UK. Recent solo exhibitions include Silent As Glass, Maureen Paley, London, 2018, Under the clouds of her eyelids, Le Plateau Frac ile-de-France, Paris, France, 2017 and Dearest…,The Fireplace Project, East Hampton, USA, 2015. Selected group exhibitions include The Critic as Artist, curated by Michael Bracewell and Andrew Hunt, Reading International, Reading, UK, 2017; The Painting Show, Contemporary Art Centre (CAC), Vilnius, Lithuania, travelled to Limerick City Gallery of Art, Limerick, Ireland and Goyang Cultural Foundation, Korea (C), 2016-2017; (un mural, des tableaux), Frac Île de France Le Plateau, Paris, France, 2015; Gen X, Museo d’Arte Moderna e Contemporanea S. Francesco, San Marino, 2013; Secret Societies, Schirn Kunsthalle, Frankfurt, 2011 and The Dark Monarch: Magic and Modernity in British Art, Tate St Ives, 2009.Kaye Donachie, The eclipse that settled, 2018. Oil on linen 55.5 x 40.5 cm