Josef Strau: The Mephisto Hours

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Open: Tue-Sat 11am-6pm

Fasanenstraße 30, 10719, Berlin, Germany
Open: Tue-Sat 11am-6pm


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Josef Strau: The Mephisto Hours

Berlin

Josef Strau: The Mephisto Hours
to Sat 24 Apr 2021
Tue-Sat 11am-6pm

Under the title “The Mephisto Hours”, Josef Strau presents new sculptures and paintings in his fifth solo exhibition at Galerie Buchholz.

Artworks

Drawing for ‘The 13 Hour Cymbal Spiderclock’, 2020

Pencil, ink and felt pen on paper
21 x 29,7 cm, framed: 38,6 x 47,2 x 2,8 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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The 13 Hour Cymbal Spiderclock That Exhales the Dreams, 2020

Metal, lacquer, with ropes, on plinth
126 x 98 x 65 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Mephisto’s Unexplaining, 2021

Metal, lacquer, with ropes, on plinth
107 x 70 x 70 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Mephisto’s Hybrid Hours, 2021

Metal, lacquer, pencil and felt pen, with ropes, on plinth
125 x 60 x 48 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Mephisto Not Performing, 2021

Metal, lacquer and pencil, with ropes, on plinth
100 x 66 x 49,5 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Mephisto’s finally Opening Up, 2021

Metal, lacquer, pencil and felt pen, with ropes, on plinth
130 x 50 x 60 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Mephisto’s Inbetween, 2021

Metal, lacquer and pencil, with ropes and leather, on plinth
114 x 136 x 77 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Scotus’ Unexplainable Omission, 2021

Metal, lacquer, pencil and felt pen, with ropes, leather and cable, on plinth
133 x 60 x 50 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Mephisto’s Broken Down, 2021

Metal, lacquer and pencil, with ropes, on plinth
112 x 154 x 73,5 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Mephisto’s Reconfiguration, 2021

Metal, lacquer and pencil, with ropes, on plinth
89 x 99 x 66 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Mephisto Delayed, 2021

Metal, lacquer and pencil, with ropes, on plinth
118 x 52 x 64 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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New Angel 1, 2021

Tin, solder, enamel and marker on canvas
60 x 50 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Angel 3, 2019

Tin, solder, enamel and marker on canvas
90 x 74 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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New Angel 2, 2021

Tin, solder, enamel and marker on canvas
60 x 50 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Angel 10, 2019

Tin, solder, enamel and marker on canvas
84 x 74 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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New Angel 3, 2021

Tin, solder, enamel and marker on canvas
60 x 40 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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New Angel 4, 2021

Tin, solder, enamel and marker on canvas
30 x 40 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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New Angel 5, 2021

Tin, solder, enamel and marker on canvas
40 x 30 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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New Angel 6, 2021

Tin, solder, enamel and marker on canvas
40 x 50 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Angel 5, 2019

Tin, solder, enamel and marker on canvas
69 x 58,5 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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New Angel 9, 2021

Tin, solder, enamel and marker on canvas
30 x 40 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Josef Strau had a solo exhibition in 2020 at the Kunstverein für die Rheinlande und Westfalen, Düsseldorf, and was included in the Busan Biennale 2020, curated by Jacob Fabricius. In recent years, Josef Strau’s work has been shown in a number of institutional solo exhibitions, including “A Turtle Dreaming (… Echoes from an Encapsulated Space Exiled Sounds of Letters Requiring Symphonic Treatment)” at Secession, Vienna (2015), “The New World, Application for Turtle Island”, The Renaissance Society, Chicago (2014), and
“A Dissidence Coincidence But WHCTLJS” at the Malmö Konsthall (2008).

Josef Strau, “The Mephisto Hours”, installation view Galerie Buchholz, Berlin 2021. Courtesy Galerie Buchholz Berlin/Cologne/New York

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