Jo Baer: Rats and Horses

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Open: Thu-Fri noon-6pm, Sat 1pm-7pm & by appointment

Markgrafenstrasse 68, D-10969, Berlin, Germany
Open: Thu-Fri noon-6pm, Sat 1pm-7pm & by appointment


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Jo Baer: Rats and Horses

Berlin

Jo Baer: Rats and Horses
to Sat 11 Jul 2020
Thu-Fri noon-6pm, Sat 1pm-7pm & by appointment

Galerie Barbara Thumm re-opens with an outstanding exhibition of works by Jo Baer.

Artworks

The River Thames, 1992

Oil, pencil and oil-pigment on tracing-paper on board
200 x 150 cm

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The Mighty Hudson, 1992

Oil, pencil and oil-pigment on tracing-paper on board
200 x 150 cm

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Anisotropic Relations: First Century Roman Snaffle (for Jerry), 1988

Conté crayon on handmade paper
58 x 80 cm

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Anisotropic Relations: Anti-Rear Bit (for Jack), 1988

Conté crayon on handmade paper
58 x 80 cm

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Anisotropic Relations: A Fat Mouthpiece (for Dick), 1988

Conté crayon on handmade paper
80 x 58 cm

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Anisotropic Relations: Metropolitan Stallion Bit ( for Robt), 1988

Conté crayon on handmade paper
80 x 58 cm

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Anisotropic Relations: Swan-Cheek Double-Bridle (for Bruce), 1988

Conté crayon on handmade paper
80 x 58 cm

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Alleged. From the series: With Bruce Robbins, 1982 / 1990

Charcoal on paper framed
87,5 x 120 x 4,5 cm

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Pray. From the series: With Bruce Robbins, 1982 / 1990

Charcoal on paper framed
87,5 x 120 x 4,5 cm

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Our MIrage. From the series: With Bruce Robbins, 1982 / 1990

Charcoal on paper framed
87,5 x 120 x 4,5 cm

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Moorestyle. From the series: With Bruce Robbins, 1982 / 1990

Charcoal on paper framed
87,5 x 120 x 4,5 cm

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Kris. From the series: With Bruce Robbins, 1982 / 1990

Charcoal on paper framed
120 x 87,5 x 4,5 cm

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Condorcet. From the series: With Bruce Robbins, 1982 / 1990

Charcoal on paper framed
87,5 x 120 x 4,5 cm

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Busted. From the series: With Bruce Robbins, 1982 / 1990

Charcoal on paper framed
87,5 x 120 x 4,5 cm

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Altar of the Egos (Through a Glass Darkly) Drawing, 2002

Injekt print with colored pencil on paper
29,7 x 21 cm

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Altar of the Egos (Through a Glass Darkly) Drawing, 2002

Injekt print with colored pencil on paper
29,7 x 21 cm

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Altar of the Egos (Through a Glass Darkly) Drawing, 2002

Injekt print with colored pencil on paper
29,7 x 21 cm

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Altar of the Egos (Through a Glass Darkly) Drawing, 2002

Injekt print with colored pencil on paper
29,7 x 21 cm

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Altar of the Egos (Through a Glass Darkly) Drawing, 2004

Giclée print on paper
42 x 29,7 cm

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Galerie Barbara Thumm Jo Baer 1

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Galerie Barbara Thumm Jo Baer 3

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Galerie Barbara Thumm Jo Baer 5

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Galerie Barbara Thumm Jo Baer 7

The starting point for all paintings in Jo Baer’s oeuvre was always drawing and collage. Later in the nineties, collages were made digitally, then printed out and drawn upon. The drawings of Jo Baer reveal in the most direct and intimate way the thought and creative processes of her practice of what she had entitled herself Radical Figuration.

The recent international recognition of the post minimalist oeuvre is closely linked to a new reading of the live-time achievements. The retrospective at Ludwig Museum in 2011 followed the curatorial thesis that there always has been an underlying continuation in Baer’s oeuvre, which can be traced by studying her drawing practice. Since then, Baer’s oeuvre used to be viewed as having a radical break after her minimalist period. Since then, the Radical Figuration paintings have entered high profile museum collections, such as the MOMA and the Whitney Museum.

The gallery show will be preceded by a solo presentation at the Feature Section in the upcoming ArtBasel.

Rats and Horses, Installation view. Galerie Barbara Thumm 2020


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