Irma Blank

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Open: Thu 10am-9pm, Sat-Sun 11am-6pm

10, rue des Vieux-Grenadiers, CH-1205, Geneva, Switzerland
Open: Thu 10am-9pm, Sat-Sun 11am-6pm


Irma Blank


Irma Blank
to Sun 2 Feb 2020
Thu 10am-9pm, Sat-Sun 11am-6pm

Mamco Irma Blank 1

Mamco Irma Blank 2

Mamco Irma Blank 3

A passionate reader and a lover of language, Irma Blank (b. 1934), met her Italian husband in her home country of Germany, and moved with him to Sicily. The experience of deracination (both geographical and linguistic) became the foundation of her work. Her discovery that “there is no such thing as the right word” influenced her first abstract series, Eigenschriften (“self-writings”) at the end of the 1960s. Rooted in the process of writing itself, the series captures the experience of self-reflection through intense concentration.

This intimate work, sprawling across numerous pages, led to the Trascrizioni, in which she copied the appearance of text rather than its letters, words, and sentences. She transposed the typology of different text blocks, in newspapers or poetry books, in pursuit of her work’s central aim to strip words of their meaning and establish a choreography of presence.

Irma Blank considers all her work autobiographical, a form of “universal writing” in which drawing sets language free from meaning. The line empties the word, and creates a form of universal transmission. Color is also intrinsic to her work: “there is always color,” she explains, “but there is never coloring.” Blue is the quintessential color for her, connected with the sky and hand-writing, expressing both the individual response to the skyscape and self-absorption in the act of writing.

The exhibition connects Blank’s first and last series: Global Writings and Gehen. For the latter, the right-handed artist Irma Blank was forced by health problems to learn how to draw with her left hand. The experience led to a rediscovery of line and its dance with the body, through slowed-down choreography. Book Crossings and Global Crossing (from the Global Writings series) delve into letters and texts, specifically “hdjt ljr,” the seminal ensemble of letters forming Irma Blank’s own invented language.

Like many women of her generation, Irma Blank’s work has been overlooked for too long, and is now garnering the attention it deserves.

© Annik Wetter–MAMCO Geneva

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