Henning Strassburger: KARMA MANSION

, ,
Open: Mon-Fri 10am-6pm, Sat 10am-5pm

4 Hanover Square, W1S 1BP, London West End, UK
Open: Mon-Fri 10am-6pm, Sat 10am-5pm


Visit    

Henning Strassburger: KARMA MANSION

London

Henning Strassburger: KARMA MANSION
to Sat 16 Nov 2019
Mon-Fri 10am-6pm, Sat 10am-5pm

Blain|Southern presents KARMA MANSION, Henning Strassburger’s first solo exhibition in the UK. Appropriated imagery provides the backdrop for new abstract paintings which play with twenty-first century visual culture and image construction.

Blain Southern Henning Strassburger 1

Blain Southern Henning Strassburger 2

Blain Southern Henning Strassburger 3

Blain Southern Henning Strassburger 4

Henning Strassburger (b.1983 Meissen, Germany) is an artist whose spontaneous aesthetic belies a meticulous and pre-planned practice. His visual language of expressive marks, strokes and recurring motifs appear gestural, but are on closer inspection predetermined. Seemingly unconstrained lines and splashes that don’t overlap but sit neatly in gaps on the canvas, thin, precisely placed brushstrokes: the shape and position of each form is carefully calculated construction. It is this disparity between image and perception, surface and reality that fascinates Strassburger.

The backdrop for the new paintings is a ‘wallpaper’ of photographs that originally featured celebrity couple Justin Bieber and Hayley Baldwin. Both subject to the invasive long lenses of the paparazzi and the objects of digital manipulation by high end fashion magazines, the couple are an example of the hype that surrounds individuals who are promoted like idols or products.

Strassburger lifted pictures of the couple from the internet and made a number of alterations in Photoshop; removing them from the frame and then reconstructing the missing elements to fill the voids. Enlarged and transposed to cover the walls of the gallery, the Lo-Fi reproduction of the bold colours and architectural elements in the photo-mural throw the paintings into sharp relief.

By using appropriated imagery Strassburger explores the relationship between mass media, pop culture and architecture. An age in which our digital selves are experienced by more people than our physical selves raises questions around identity and meaning. KARMA MANSION alludes to the effect that mass media has not just on image construction but also on our material space, blurring the lines between inside and outside, public and private.

Henning Strassburger, KARMA MANSION, 2019, Installation View, Blain|Southern London. Photo: Peter Mallet

more to explore:

 
 

By using GalleriesNow.net you agree to our use of cookies to enhance your experience. Close