Open: Tue-Sat 10am-6pm

146 Greene Street, NY 10012, New York, United States
Open: Tue-Sat 10am-6pm


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GOAT X THE GRAPHIC IMAGE

Susan Sheehan Gallery, New York

Thu 5 Sep 2024 to Sat 19 Oct 2024

146 Greene Street, NY 10012 GOAT X THE GRAPHIC IMAGE

Tue-Sat 10am-6pm

Artists: Vija Celmins - Richard Diebenkorn - Jasper Johns - Ellsworth Kelly - Brice Marden - Ed Ruscha - Andy Warhol - H.C. Westermann

Master Prints by: Celmins, Diebenkorn, Johns, Kelly, Marden, Ruscha, Warhol, Westermann

Susan Sheehan Gallery presents GOAT X THE GRAPHIC IMAGE, an exhibition featuring works by artists including Vija Celmins, Richard Diebenkorn, Jasper Johns, Ellsworth Kelly, Brice Marden, Edward Ruscha, Andy Warhol, and H.C. Westermann. Referencing the contemporary abbreviation for “Greatest of All Time”, usually reserved for athletes and singers with a vast career of achievements, this group exhibition highlights artworks by some of the most iconic visual artists of the Post War Era, ranging from 1960 to the present.

Artworks

Andy Warhol

Screenprint

Richard Diebenkorn

Aquatint and drypoint

Ed Ruscha

Screenprint

Installation Views

Included in the exhibition is Brice Marden’s Cold Mountain Series, Zen Studies 1-6 (1991). Grounded in the art of calligraphy and based on the poems of the celebrated Chinese poet named Hanshan, this series of etchings with aquatint depict tangled webs and vertical gestures suggesting poetic couplets. Also featured is Flowers (1970), a part of one of Andy Warhol’s most popular series. Based on a fold-out spread depicting four hibiscus blooms from Popular Photography Magazine, Warhol ran this image through a primitive photocopier to coarsen the gradients and flatten the petals into bleached cutouts ready for lurid colors, further disrupting recognizability. Another highlight is Ed Ruscha’s Standard Station (1966), one of the enduring emblems of American Pop art. Its subject was a lucky find: a dowdy gas station that he photographed on the drive between Los Angeles and Oklahoma City and included in his groundbreaking artist’s book, Twenty-six Gasoline Stations (1963).

Representing a wide array of techniques, disciplines and intentions, this exhibition gathers what can be considered some of the “GOATS,” or greatest artists of our time.

Photo: Frankie Tyska

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