Game On!

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Open: Wed-Sat 9.30am-4.30pm, Sun 9am-2pm

295 Pequot Avenue, CT 06890, Southport, United States
Open: Wed-Sat 9.30am-4.30pm, Sun 9am-2pm


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Game On!

Southport

Game On!
to Sat 30 Oct 2021
Wed-Sat 9.30am-4.30pm, Sun 9am-2pm

Hollis Taggart presents Game On!, a group exhibition that explores the different ways in which artists engage with and are inspired by sports in their creative practices. The exhibition, on view at the gallery’s location in Southport, Connecticut, features six contemporary artists, including Thomas Agrinier, Zoë Buckman, Royal Jarmon, Hiroya Kurata, Clintel Steed, and Devin Troy Strother.

Artworks

Tennis court, 2021

Oil on canvas
39 x 30 inches (101.6 x 73.7 cm)

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Kiss Cam, 2021

Oil on canvas
24 x 20 inches (61 x 50.8 cm)

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Judo Cuba vs Japan Tokyo, 2021

Oil on canvas
30 x 40 inches (76.2 x 101.6 cm)

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McBrat, 2021

Graphite and acrylic on canvas
48 x 42 inches (121.9 x 106.7 cm)

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Untitled, 2021

Oil on paper
12 x 9 inches (30.5 x 22.9 cm)

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Untitled, 2021

Oil on paper
12 x 9 inches (30.5 x 22.9 cm)

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Untitled, 2021

Oil on paper
12 x 9 inches (30.5 x 22.9 cm)

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Olympic Twi Keon Do #2, 2016

Oil on canvas
24 x 24 inches (60.96 x 60.96 cm)

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Olympic Series Runners #3, 2018

Oil on canvas
16 x 20 inches (40.6 x 50.8 cm)

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Olympic Runners #6, 2018

Oil on canvas
54.5 x 37 inches (138.4 x 93.9 cm)

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Nadal 3, 2021

Acrylic on canvas
40 x 32 inches (101.6 x 81.3 cm)

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let's have a game of jungle ball, 2019

Oil stick, acrylic, caulking, painted and cut water color paper on canvas
22 x 32 inches (55.9 x 81.3 cm)

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No She Weren't Done, 2019

2 boxing gloves, vintage linen, and chain
36 x 9 x 7 inches (91.4 x 22.9 x 17.8 cm)

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Tight Rooted, 2019

15 boxing gloves, vintage linen, and chain
29 x 21 x 20 inches (73.7 x 53.3 x 50.8 cm)

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Olympic Wrestlers #3, 2018

Oil on canvas
40 x 38 inches (101.6 x 96.5 cm)

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Olympic HighBeam, 2017

Oil on canvas
48 x 49 inches (121.9 x 124.5 cm)

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Olympic 300 Relay #1, 2016

Oil on Masonite
42 x 50 inches (106.7 x 127 cm)

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I got a Kelley Walker all over my MJ's (air walker part.2) the problem continues, 2014

Ink jet, air brush, acrylic, oil varnish, and painted paper on birch panel
72 x 60 x 2 inches (182.9 x 152.4 x 5.1 cm)

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L’élu du mercato (The chosen one of the mercato), 2021

Oil on canvas
35 1/8 x 45 5/8 inches (89 x 116 cm)

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Scene with a Ship, 2016

Oil on canvas
24 x 20 inches (61 x 50.8 cm)
Signed, dated, and titled on verso: "H. KURATA / 2016 / Scene with a Ship"

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Swing study 4, 2015

Oil on panel
8 x 8 inches (20.3 x 20.3 cm)

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Girl with green fence, 2020

Oil on panel
8 x 8 inches (20.3 x 20.3 cm)

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Qp 2 Man in woods, 2020

Oil on panel
8 x 8 inches (20.3 x 20.3 cm)

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Outfield study 3, 2015

Oil on panel
8 x 8 inches (20.3 x 20.3 cm)

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Through a wide range of sports imagery and references, the featured artists examine the power of sports to inspire; to transcend verbal expression; and to engage with broader conversations about identity, culture, and personal and communal experience.

“I have long wanted to organize an exhibition about art and sports. In so many ways, these disciplines parallel each other—as means of expression, in the drive it takes to succeed, and in the pathways each allows to push perceived boundaries,” said Paul Efstathiou, Hollis Taggart’s Director of Contemporary Art and the exhibition’s curator. “I also see this exhibition as an important entry point for those who may not feel comfortable in an art context. The visual vocabulary of sports is accessible, and so I hope this exhibition also inspires people, who might not otherwise, to become engaged with art.”

Thomas Agrinier (b. 1976) is a self-taught artist whose works engage with a wide range of themes, including subjective vision, the body in motion, and the complexity of the human experience. His paintings often depict mysterious and unsettling narratives, where several protagonists appear locked in dramatic conflict—the nature of which eludes the viewer. For Game On!, Agrinier will present a series of paintings depicting soccer players. These works feature Agrinier’s expressive and bold style, with the athletes depicted through dynamic poses that suggest fierce action.

While Agrinier’s paintings emphasize an intensity of movement, Zoë Buckman’s sculptural installations of embroidered and embellished boxing gloves and bags capture the dichotomy between the feminine and masculine. The works are part of a wider series that Buckman (b. 1985) developed to explore her physical relationship to the spaces and objects in her everyday life, especially those related to traditional women’s work as an extension of Buckman’s experiences with her mother’s terminal illness. In these works, the boxing gloves and bags are adorned or wrapped in dish towels and embroidered with delicate stitches, exploring ideas of strength, support, physical touch, and the dissolution of boundaries between aggression and expression.

Hiroya Kurata’s (b. 1980) dreamy scenes of daily activities and landscapes—inspired by both found imagery and personal remembrances—are also laced with emotional resonance. A sense of nostalgia pervades his work, which he produces in bright colors and an exaggerated, cartoonish style. Baseball is a common theme in his work as evocation of childhood moments and memories and in this way the sport becomes a mechanism for expressing personal experiences that feel familiar and communal.
Communal engagement with sports is also central to Devin Troy Strother’s depictions of basketball legend Michael Jordan. Strother’s wider oeuvre embraces an eclectic array of materials, references, and content, and engages with race issues, kitsch, and the exuberance of “high art.” Many of these formal and conceptual threads are manifest in his mixed-media canvases featuring Jordan, which speak to the athlete’s mythic status within our culture and the ways in which that mythology unites, inspires, and compels people from different backgrounds and communities.

Royal Jarmon’s paintings, sculptures, and works on paper also examine popular culture and the impact of commercialism on our daily lives. Jarmon (b. 1986) frequently employs bold, bright colors and contrasting materials and styles. His paintings of athletes juxtapose realist depictions of the body with cartoonish evocations of faces and environments. The works engage with the caricaturing of sports stars as means of examining the human condition and the absurdity therein.

Clintel Steed’s gestural, vibrant paintings also serve as a vehicle through which to consider the world. Often working in series, Steed (b. 1977) creates paintings that reflect his engagement with art history and desire to leverage the formal qualities of paint to capture subjects of personal and universal relevance. For his series depicting scenes from the 2016 Olympics, the artist focused on examining the confluence and experience of movement and time. As the works developed, they also became a platform to explore the athlete as a metaphor and mirror to the endurance and perseverance of daily life.

Courtesy of the artists and Hollis Taggart


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