Gabriel Orozco, Diario de plantas

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Open: Tue-Fri 10am-6pm, Sat 11am-7pm

10 rue Charlot, 75003, Paris, France
Open: Tue-Fri 10am-6pm, Sat 11am-7pm


Gabriel Orozco, Diario de plantas

to Sat 8 Oct 2022

Artist: Gabriel Orozco

10 rue Charlot, 75003 Gabriel Orozco, Diario de plantas

Tue-Fri 10am-6pm, Sat 11am-7pm

Thirty years after the beginning of an amazing and fruitful collaboration, Galerie Chantal Crousel is delighted to welcome Gabriel Orozco’s eighth solo exhibition in Paris, with a selection of new works like a diary between Tokyo and Mexico City, where he currently lives and works.


Drawings and watercolors, temperas on canvas and wood paintings with one common approach will be presented: that of the imprinting of landscape and plants originated from the gardens of Acapulco and Mexico City.

Diario de plantas will take us back to Gabriel Orozco’s fascination with the organic, its complexities and unstable nature, to his love for the elusiveness and immediate gesture which has so often been depicted in his notebooks. In a way, this new series also deals with absence, loss and always, the abstract.

Constantly on the move, overriding national or regional identifications and drawing his inspiration from the places where he lived and travelled—through photography, sculpture, painting and video—Gabriel Orozco is one of the most important artists of his generation.

As the art historian and art critic Briony Fer writes: “Gabriel Orozco makes his work out of where he lives, using local materials and often drawing on traditional artisanal practices but of course art can—and often has—been made in one place but out of another, that is, in imaginary as well as actual dialogues with its own origins. In one sense Orozco continues to animate precisely this entanglement of circumstance and movement. His methods are much more informal—inclining always to the partial and incomplete—than that of an atlas that aims systematically to document a whole world of images. It’s maybe more like a travel notebook of a life (his own), but one that records the circumstantial conditions of life along with the everyday living of it as he moves between different locations. The relationship of his work to place remains porous, exposing a distinctive formal procedure to multiple global image-circuits and economies, pictorial and otherwise.” (1)

His work is characterized by a strong interest in the urban landscape and the human body. Incidents of everyday life and familiar, whose poetry is that of chance and paradox, feed his work. The boundaries between the art object and the everyday environment are deliberately blurred, art and reality deliberately mixed. The movement, expansion, circularity, the relationship between geometric and organic, are constants that animate his artistic research for over twenty years.

Gabriel Orozco is a recipient of the Cultural Achievement Award (2014); The Americas Society (2014) and is also Officer of the Order of Arts ans letters (2012).

He has had major solo exhibitions at The Noguchi Museum, Long Island City (2019); XIII Bienal de la Habana, Museo Nacional de Bellas Artes de La Habana (2019); Museum of Contemporary Art Tokyo (2015); Aspen Art Museum (2015); Moderna Museet, Stockholm (2014); Kunsthaus Bregenz (2013); Tate Modern, London (2011); Musée National d’Art Moderne, Centre Georges Pompidou, Paris (2010); Kunstmuseum, Basel (2010); Museum of Modern Art, New York (2009); Museo Palacio de Bellas Artes, Mexico City (2006); Museum Ludwig, Koln (2006); Hirshhorn Museum and Sculpture Garden, Washington (2005); Museum of Contemporary Art, Los Angeles (2000); Philadelphia Museum of Art (1999); Musée d’Art Moderne de Paris (1998), among others.

Gabriel Orozco was also featured in several international group shows: MCA Chicago (2020); MAXXI, Rome (2018); Rockbund Art Museum, Shanghai (2018); Seattle Art Museum (2017); Centre Pompidou — Metz (2017); Giardini Arsenal, 57th Venice Biennale (2017); Yokohama Museum of Art (2016); Philadelphia Museum of Art (2015); 10th Gwangju Biennale (2014); Guggenheim Museum, New York (2014); The Metropolitan Museum of Art, New York City (2011); The Power Plant, Toronto (2009); Bass Museum of Art, Miami, (2009); Fundación PROA, Buenos Aires (2009); Magasin 3 Stockholm Konsthall, (2008); Istanbul Museum of Modern Art (2009); FRAC Ile-de-France — Le Plateau (2008); Kunsthalle wien, Vienna (2007); The Institute of Contemporary Art, Boston (2006); Venice Biennial, Italian Pavilion (2005); Museum Ludwig, Köln (2005); Tate Modern, London (2006); Documenta 11, Kassel (2002).

His works have joined the collections of the Dallas Museum of Art; FRAC Normandie-Rouen; Carré d’art, Nîmes; Musée d’art moderne de Paris; Kunstmuseum Basel; Musée National d’Art Moderne, Centre Georges Pompidou, Paris; Museum Of Contemporary Art, Los Angeles; Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; San Francisco Museum Of Modern Art; Whitney Museum, New York; Colección Jumex, Mexico; Fondation Louis Vuitton, Paris; Fundación Botín, Cantabria; Long Museum West Bund, Shanghai; The Museum of Fine Arts, Houston.

(1) The texts by Briony Fer here quoted are taken from the press release written on the occasion of Gabriel Orozco’s sixth solo exhibition at the gallery in 2017.

© Gabriel Orozco, 2022. Courtesy of the artist and Galerie Chantal Crousel, Paris.

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