Open: Mon-Sun 10.30am-5.30pm with advance booking

11 West 53 Street, NY 10019, New York, United States
Open: Mon-Sun 10.30am-5.30pm with advance booking


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Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction

MoMA, New York

Mon 21 Nov 2016 to Sun 19 Mar 2017

11 West 53 Street, NY 10019 Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction

Mon-Sun 10.30am-5.30pm with advance booking

Artist: Francis Picabia

Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction is a comprehensive survey of Picabia’s audacious, irreverent, and profoundly influential work across mediums. This is the first exhibition in the United States to chart his entire career.
 


Installation Views

Installation image for Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction, at MoMA, New York Installation image for Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction, at MoMA, New York Installation image for Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction, at MoMA, New York Installation image for Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction, at MoMA, New York

Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction is a comprehensive survey of Picabia’s audacious, irreverent, and profoundly influential work across mediums. This is the first exhibition in the United States to chart his entire career.
 
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Among the great modern artists of the past century, Francis Picabia (French, 1879–1953) also remains one of the most elusive. He vigorously avoided any singular style, and his work encompassed painting, poetry, publishing, performance and film. Though he is best known as one of the leaders of the Dada movement, his career ranged widely—and wildly—from Impressionism to radical abstraction, from Dadaist provocation to pseudo-classicism, and from photo-based realism to art informel. Picabia’s consistent inconsistencies, his appropriative strategies, and his stylistic eclecticism, along with his skeptical attitude, make him especially relevant for contemporary artists, and his career as a whole challenges familiar narratives of the avant-garde.

Francis Picabia features over 200 works, including some 125 paintings, key works on paper, periodicals and printed matter, illustrated letters, and one film. The exhibition aims to advance the understanding of Picabia’s relentless shape-shifting, and how his persistent questioning of the meaning and purpose of art ensured his iconoclastic legacy’s lasting influence.

© 2016 The Museum of Modern Art. Photography: Martin Seck

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