Dexter Dalwood: Collages 1999 - 2011

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Open: Mon-Sat 10am-6pm

12 Berkeley Street, W1J 8DT, London, UK
Open: Mon-Sat 10am-6pm


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Dexter Dalwood: Collages 1999 - 2011

London

Dexter Dalwood: Collages 1999 - 2011
to Sat 8 May 2021
Mon-Sat 10am-6pm
Artist: Dexter Dalwood

Simon Lee Gallery presents an exhibition of Dexter Dalwood’s collage studies. These works have only been shown once previously in the UK as part of Dalwood’s 2010 exhibition at Tate St. Ives, which later travelled to FRAC Champagne – Ardenne and CAC Malaga.

Artworks

Diane Arbus, 2008

Collage on paper
46 x 46 x 4 cm (18 1/8 x 18 1/8 x 1 5/8 in.)
Courtesy of the artist and Simon Lee Gallery

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Truman Capote, 2004

Collage on paper
46 x 46 x 4 cm (18 1/8 x 18 1/8 x 1 5/8 in.)
Courtesy of the artist and Simon Lee Gallery

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Rosa Luxemburg, 1999

Collage on paper
46 x 46 x 4 cm (18 1/8 x 18 1/8 x 1 5/8 in.)
Courtesy of the artist and Simon Lee Gallery

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Jackie’s cabin on the Christina O, 1999

Collage on paper
46 x 46 x 4 cm (18 1/8 x 18 1/8 x 1 5/8 in.)
Courtesy of the artist and Simon Lee Gallery

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Patty Hearst’s Apartment, 1999

Collage on paper
46 x 46 x 4 cm (18 1/8 x 18 1/8 x 1 5/8 in.)

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Bill Gates’ Bedroom, 2001

Collage on paper
46 x 46 x 4 cm (18 1/8 x 18 1/8 x 1 5/8 in.)
Courtesy of the artist and Simon Lee Gallery

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Captain Beefheart’s Desert Trailer, 2001

Collage on paper
46 x 46 x 4 cm (18 1/8 x 18 1/8 x 1 5/8 in.)
Courtesy of the artist and Simon Lee Gallery

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Hendrix’s Last Basement, 2001

Collage on paper
46 x 46 x 4 cm (18 1/8 x 18 1/8 x 1 5/8 in.)
Courtesy of the artist and Simon Lee Gallery

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Anthony Blunt, 2003

Collage on paper
46 x 46 x 4 cm (18 1/8 x 18 1/8 x 1 5/8 in.)
Courtesy of the artist and Simon Lee Gallery

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Brighton Bomb, 2006

Collage on paper
46 x 46 x 4 cm (18 1/8 x 18 1/8 x 1 5/8 in.)
Courtesy of the artist and Simon Lee Gallery

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Rimbaud in Exile, 2011

Collage on paper
46 x 46 x 4 cm (18 1/8 x 18 1/8 x 1 5/8 in.)
Courtesy of the artist and Simon Lee Gallery

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Simon Lee London Dexter Dalwood 1

Simon Lee London Dexter Dalwood 2

Simon Lee London Dexter Dalwood 3

Simon Lee London Dexter Dalwood 4

Although created between 1999 and 2011, Dalwood’s collages feel relevant to the present moment in time. Presenting a series of unpeopled, interior scenes, they speak to the supremacy of the domestic realm at a time when our homes have become inescapable, often claustrophobic, territory. Yet these small-scale works intimate a life beyond four walls; indeed, the fourth wall opens to the viewer, offering a voyeuristic glimpse into an empty interior
that reveals its occupant by composition – and on occasion, title – only.

For Dalwood, his collages existed as exercises in composition. In their subsequent translation to large-scale canvases, he preserved their sharp edges and disjoined aesthetic, resulting in a jarring sense of perspective and proportion that disorients the viewer. In asking his audience to absorb multiple images at once, Dalwood slows down the act of consumption, deconstructing canonical thinking and existing systems of belief, both subjective and collective. In this way, his collages are both symbols representative of his artistic process and his patchwork approach to the inconsistencies of memory.

About Dexter Dalwood
Dexter Dalwood was born in 1960 and lives and works in London, UK. He received his BFA from Central Saint Martins, London and his MFA from the Royal College of Art, London. Recent solo exhibitions include What is Really Happening, Simon Lee Gallery, London, UK (2019); Propaganda Painting, Simon Lee Gallery, Hong Kong (2016); London Paintings, Simon Lee Gallery, London, UK (2014); Kunsthaus, Centre PasquArt, Biel, Switzerland (2013); Orientalism, David Risley Gallery, Copenhagen, Denmark (2012); Dichter und Drogen, Nolan Judin, Berlin, Germany (2011) and a major solo exhibition at Tate St Ives, UK (2010), which travelled to FRAC Champagne-Ardenne, Reims, France and CAC, Malaga, Spain. Recent group exhibitions have included Marx Collection, Staatliche Museen zu Berlin, Berlin, Germany (2018); Painters’ Painters at Saatchi Gallery, London, UK (2016); Mon art à moi, Centre PasquArt, Biel, Switzerland (2016); The Painting Show, a touring exhibition by The British Council, London, UK which travelled to Limerick City Gallery of Art, Limerick, Ireland (2017) and CAC, Vilnius, Lithuania (2016); Fighting History, Tate Britain, London, UK (2015); The Venice Syndrome – The Grandeur and Fall in the Art of Venice, Gammel Holtegaard, Denmark (2014); Not Being Attentive I Notice Everything: Robert Walser and the Visual Arts, Aargauer Kunsthaus, Aarau, Switzerland (2014); Le Corps de l’Absence, FRAC Champagne Ardennes, Reims, France; Setting the Scene, Tate Modern, London, UK (2012) and Dublin Contemporary, Dublin, Ireland (2011). His work is represented in major private and public collections including Tate, London, UK; The British Council Collection, London, UK; The Saatchi Gallery, London, UK; FRAC Champagne-Ardennes, Reims, France and Centre PasquArt, Biel, Switzerland. In 2021 Dalwood presents three solo exhibitions in Mexico at Centro de las Artes San Agustín, Oaxaca; Museo Nacional de Arte (MUNAL), Mexico City
and Kurimanzutto, Mexico City.

Courtesy of the artist and Simon Lee Gallery


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