David Koloane: ... Also Reclaiming Space

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26 Cork Street, W1S 3ND, London West End, UK
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David Koloane: ... Also Reclaiming Space

London

David Koloane: ... Also Reclaiming Space
to Sat 9 Jan 2021
temporary closure

“Apartheid was a politics of space more than anything […] and much of the apartheid legislation was denying people the right to move. It’s all about space; restricting space… Claiming art is also reclaiming space” – David Koloane

Goodman Gallery presents … Also Reclaiming Space, marking the first London solo exhibition by the late pioneering South African artist David Koloane.

Artworks

Take It Up, 2007

Mixed Media / Multi Media Work On Paper
125.8 x 305.9 cm
Unique

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Women and Cars,

Mixed media on paper
69.7 x 99.6 cm
Unique

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Untitled 131 (works from the garage),

Mixed media on paper
69.8 x 99.8 cm
Unique

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Red Beret, 2016

Acrylic on canvas
170 x 130 x 2.5 cm
Unique

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Birds Landing, 2017

Mixed media on canvas
160 x 120 x 2.5 cm
Unique

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Flight III, 2018

Mixed media on canvas
46 x 35.5 cm
Unique

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Abstract compositions V, 2019

Mixed media on canvas
25.2 x 20 cm
Unique

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Untitled (lights in traffic II), 2013

Oil on canvas
76 x 51 cm
Unique

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Acolytes, 2016

Mixed media on paper
179.5 x 87cm
Unique

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The presentation comprises major paintings and works on paper spanning apartheid and post-apartheid years and continues Cork Street’s legacy of bringing solo exhibitions by art historical figures to UK audiences for the first time. … Also Reclaiming Space expands on this legacy by platforming the work of a towering African artist whose practice has received limited substantial international visibility to date.

Koloane is one of the most important artists to come out of South Africa not only for his artistic output but for his dogged personal dedication to ensuring that Black artists had access to a more hospitable environment in which to work and exchange ideas during the apartheid years. He mentored those who responded to the method and material based means of production which spoke of a new art – expressive, emotive and not born of the Western canon.

Koloane’s work interrogated key questions around artistic production from the Southern tip of the African continent, namely: “What defines South African expression?” and “What paradigms typify that expression?”

These questions, which Koloane penned in the seminal catalogue for Whitechapel Gallery’s Seven Stories about Modern Art in Africa in 1995, expressed key concerns of artists working from South Africa. They served as frameworks for shaping how Koloane and his contemporaries resisted and reconfigured how they were received and represented in the larger narrative of modernist art.

Koloane’s approach to abstraction was deployed as a means to break away from the visual constraints imposed on African artists, which remain in place to this day. He contested the very idea of an “authentic” African artist and the “notion of struggle art as primarily figurative” (Athi Mongezelili Joja, Artforum 2020).

The late South African novelist Nadine Gordimer captured these sensitivities in her introduction for a monograph dedicated to Koloane’s work: “Perhaps it was also a discovery of the beauty of the colour masses, new to his perception, concentrated on the urban world; but it is clear from the complexity of the work that he was exploring the sources to be discovered by imagination both beyond and yet underlying the figurative.” (Nadine Gordimer, TAXI 006: David Koloane, 2002).

Through his signature monochrome, on occasion colour- saturated, but always darkly expressive drawings, Koloane interrogated the socio-political circumstances of the apartheid and post-apartheid years and captured the profound impact on the human condition. Adopting restless techniques of motion, his work brings to life an abstract expressionism that conveys the resilient pulse of lives lived on the margins in Soweto and Johannesburg.

These poetic works on paper – featured in the exhibition – range from large-scale cityscapes from the 1990s through to the 21st century, as well as evocative portraits of fellow citizens and cultural figures.

Koloane’s representations of the city are populated with images of street life, jazz musicians, traffic jams, migration, refugees, dogs, and birds. Through the mediums of painting, drawing, assemblage, printmaking and mixed media, these scenes are a blend of exuberant and sombre, discernible and opaque pictorial narratives.

As Gordimer famously put it, Koloane’s representations of the city captured the essence of “the huge oppressions, upheavals [and] hard-won freedoms that have epitomised our cities’ sprawl.”

About the Artist
David Koloane (1938–2019) was born in Alexandra, Johannesburg. Throughout his life, he worked as an artist, writer, curator, educator and mentor to fellow artists, creating art and encouraging art-making without the usual avenues of approach.

Koloane co-founded and helped run several major arts spaces in Johannesburg, which were committed to ensuring safe spaces for Black artists to work and share ideas. In 1977 he helped to establish The Gallery, which was the first Black owned and run art gallery in
the country. In 1979 Koloane co-founded the Federated Union of Black Artists (FUBA) where he was the head of the fine gallery from 1985-1990. In 1985 he co-founded the Thupelo experimental workshops series. And, in 1991, Koloane co-founded The Bag Factory Artists’ Studios where he served as director and board member. As a member of the Triangle network, The Bag Factory remains a globally significant space for residencies and exchange programmes across continents.

… Also Reclaiming Space marks twenty-five years since Koloane’s presence has been felt in London in the context of group exhibitions. In 1995, Koloane co-curated and had work featured in Whitechapel Gallery’s unprecedented exhibition, Seven Stories about Modern Art in Africa.
He also contributed to the exhibition’s catalogue, an invaluable point of reference for African art to this day. In the same year, Koloane’s work was exhibited as part of South African Murals held at The Institute of Contemporary Art in London and featured on the Africa 95 festival, a curated exhibition from Goodman Gallery hosted by Bernard Jacobson Gallery.

Shortly before Koloane’s passing in 2019, the Iziko South African Museum in Cape Town held a major survey of his work, titled A Resilient Visionary: Poetic Expressions of David Koloane, which later travelled to the Standard Bank Gallery and Wits Art Museum in Johannesburg where it was re-titled Chronicles of a Resilient Visionary.

Significant international moments include representing South African at the 55th Venice Biennale in 2013. Koloane’s work has also been included in the following international group exhibitions: Liberated Voices (1999) at the National Museum of African Art in Washington DC; My Joburg (2013) at La Maison Rouge in Paris; PANGAEA: New Art from Africa and Latin America (2014) at Saatchi Gallery in London.

Koloane’s work is included in several international collections, including Centre Pompidou, Perez Miami Art Museum, Collection of Princess Beatrix of the Netherlands, Prince Claus Fund and the Louis Vuitton Foundation Collection.

In 2012, Koloane was awarded an Honorary Doctorate from The University of the Witwatersrand, followed by Rhodes University in 2015. In 1998, he received the Prince Claus Fund Award in the Netherlands for his contributions to South African art. From 1983-1985, Koloane had a British Council scholarship and attended Birmingham Polytechnic. He later completed a diploma in Museum Studies at the University of London.

Koloane’s London presentation coincides with the opening of the much anticipated group exhibition Witness: Afro Perspective from the Jorge M. Pérez Collection at The Experimental Art Center in Miami. The exhibition brings 75 artists together of which Koloane’s work is a major component. Koloane is recognised as “a pivotal arts figure in the apartheid- era of South Africa known for his powerful drawings, paintings and collages”.

Courtesy of Goodman Gallery

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