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Corinne Chase: Curtain

Halsey McKay Gallery, New York

Sat 14 Jan 2023 to Mon 20 Mar 2023

Artist: Corinne Chase

Halsey McKay presents Curtain, Corinne Chase’s first solo show with the gallery.


Artworks

Second Morning

Corinne Chase

Second Morning, 2022

Glazed translucent porcelain

305 × 508 mm

20 x 12 inches (50.8 x 30.5 cm)

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Curtain (Downpour)

Corinne Chase

Curtain (Downpour), 2022

Glazed translucent porcelain

191 × 254 mm

10 x 7.5 inches (25.4 x 19.1 cm)

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Curtain (Sour Soil)

Corinne Chase

Curtain (Sour Soil), 2022

Glazed translucent porcelain

222 × 298 mm

11.75 x 8.75 inches (29.8 x 22.2 cm)

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Curtain (Lost Light)

Corinne Chase

Curtain (Lost Light), 2022

Glazed translucent porcelain

225 × 292 mm

11.5 x 8.85 inches (29.2 x 22.5 cm)

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Curtain (In the Wings)

Corinne Chase

Curtain (In the Wings), 2022

Glazed translucent porcelain

241 × 292 mm

11.5 x 9.5 inches (29.2 x 24.1 cm)

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Curtain (Standing Still)

Corinne Chase

Curtain (Standing Still), 2022

Glazed translucent porcelain

229 × 356 mm

14 x 9 inches (35.6 x 22.9 cm)

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Ledges

Corinne Chase

Ledges, 2022

Glazed translucent porcelain

315 × 381 mm

15 x 12.4 inches (38.1 x 31.5 cm)

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Lip Stain

Corinne Chase

Lip Stain, 2022

Glazed translucent porcelain

286 × 368 mm

14.5 x 11.25 inches (36.8 x 28.6 cm)

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Curtain (Trust)

Corinne Chase

Curtain (Trust), 2022

Glazed translucent porcelain

235 × 400 mm

15.75 x 9.25 inches (40 x 23.5 cm)

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Cross-fade

Corinne Chase

Cross-fade, 2022

Glazed translucent porcelain

229 × 305 mm

12 x 9 inches (30.5 x 22.9 cm)

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Last Run

Corinne Chase

Last Run, 2022

Glazed translucent porcelain

229 × 305 mm

12 x 9 inches (30.5 x 22.9 cm)

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Sight Lines

Corinne Chase

Sight Lines, 2022

Glazed translucent porcelain

229 × 305 mm

12 x 9 inches (30.5 x 22.9 cm)

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Installation Views

Chase engages with movement as a counterpart to form; capturing performative gestures between artist and material. Although her work is primarily ceramic, she also embeds layers of fabric, photography, plaster and other media, deepening each object’s history. Gestures are drawn from body memory and details from her personal surroundings such as a peach pit, the view from her studio window, or a stage curtain. Some materials surface in final stages of her work, while many function as moments of support leaving traces throughout the process.

In the studio, Chase often begins with fabric cast in plaster, made into a mold to press against with clay. Using colored porcelain, she responds to its shape with painterly marks onto her slabs before pressing and peeling away the clay from its mold to reveal its form. This causes stress marks that tear at and weaken the clay. She embraces these moments as a collaboration with the material’s limitations. Utilizing ceramic glaze in an experimental fashion, she emulates the material chemistry of oil paint and fabric dye. Colors and compositions are drawn from close up images of nature and moments in her immediate surroundings. Some obscured images are used as decals, often large swatches of color applied like ink transfers that bend and melt halos against a surface that can’t take the entirety of its initial form.

In the making of Curtain, Corinne pulled from moments in her life that are like being in the wings of atheater. A small space that feels long, yet short lived, where a performer can view the audience while the audience cannot see them before stepping on stage. This space can hold multitudes; seconds of alert embodiment, adrenalin or a calm force. Her ceramic paintings carry a similar hidden readiness. The translucent porcelain is static and hovers over the gallery walls like curtains, while her gestures and marks are kinetic and brought to life by the air caught between surfaces. They have a thin delicate skin, made out of a stone-like material, with a deep archival history.

Corinne Chase was born in western Massachusetts and currently lives and works in Brooklyn, NY. She received her BFA in ceramics with a minor in dance from Alfred University New York State College of Ceramics. She is an educator, a technician, and production assistant at BKLYN Clay. She has received the Carol Eisner award at Silvermine Arts Center, New Canaan, CT in Art of the Northeast exhibition curated by David Kiehl; Watershed Summer Residency Scholarship in New Castle, ME; Tiffany Mills Dance Company Workshop Scholarship at Mark Morris Dance Center, Brooklyn NY; and Salem Art Works Intercollegiate Iron Pour Scholarship, Salem MA. Her work has been shown in Turner Gallery, Miller Performing Arts Center and Black Box Theater in Alfred, NY, and The Boston Center for the Arts in collaboration with KAIROS Dance Theater as set designer for their performance OBJECT.

Courtesy of the artist and Halsey McKay Gallery

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