Claudio Parmiggiani

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Open: Mon-Sat 10am-6pm

12 Berkeley Street, W1J 8DT, London, UK
Open: Mon-Sat 10am-6pm


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Claudio Parmiggiani

London

Claudio Parmiggiani
to Sat 25 Sep 2021
Mon-Sat 10am-6pm

Simon Lee Gallery presents a solo exhibition of Italian artist Claudio Parmiggiani in London.

Artworks

Senza Titolo, 2021

Smoke and soot on board
150 x 200 cm (59 1/8 x 78 3/4 in.)
Courtesy of the artist and Simon Lee Gallery

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Senza Titolo, 2021

Smoke and soot on board
150 x 200 cm (59 1/8 x 78 3/4 in.)
Courtesy of the artist and Simon Lee Gallery

contact gallery

Senza Titolo, 2021

Smoke and soot on board
150 x 200 cm (59 1/8 x 78 3/4 in.)
Courtesy of the artist and Simon Lee Gallery

contact gallery

Senza Titolo, 2021

Smoke and soot on board
150 x 200 cm (59 1/8 x 78 3/4 in.)
Courtesy of the artist and Simon Lee Gallery

contact gallery

Senza Titolo, 2021

Smoke and soot on board
150 x 200 cm (59 1/8 x 78 3/4 in.)
Courtesy of the artist and Simon Lee Gallery

contact gallery

Untitled, 2021

Smoke and soot on board
150 x 150 cm (59 1/8 x 59 1/8 in.)
Courtesy of the artist and Simon Lee Gallery

contact gallery

Scultura d'ombra, 1999

Smoke and soot on board
150 x 115 cm (59 1/8 x 45 1/4 in.)
Courtesy of the artist and Simon Lee Gallery

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Senza Titolo, 2010

Bronze and rope
80 x Ø 80 cm (31 1/2 x Ø 31 1/2 in.)
Courtesy of the artist and Simon Lee Gallery

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Simon Lee London Claudio Parmiggiani 1

Simon Lee London Claudio Parmiggiani 2

Simon Lee London Claudio Parmiggiani 3

Simon Lee London Claudio Parmiggiani 4

Simon Lee London Claudio Parmiggiani 5

Simon Lee London Claudio Parmiggiani 6

For the past 40 years Parmiggiani has concentrated his practice on themes of memory, absence and silence, in his search for an image, object or assemblage that transcends time and individual experience to evoke a universal, existential truth.

For his fourth presentation with the gallery and his third exhibition in the London space, Parmiggiani presents a suite of new Delocazione works. These panels, painted with smoke and soot, filled with the shadowy imprints of books, transform the empty gallery walls into a ghostly library. The volumes that line each shelf appear burnt, dematerialised from physical object to residual outline. Since Parmiggiani initiated the Delocazione they have become a recurrent and fundamental element of his oeuvre, amongst his most powerful expression of absence.

Contained in the middle of this haunting library, an old, cast iron bell rests on the floor. Rendered mute by its stasis, its silence feels forced, almost palpable. The stillness of the bell echoes through the gallery, magnified by the shelves, which house charred books similarly void of sound – their words eradicated. Parmiggiani has defined his installations as theatres in which silence is the performance. These works situate the potential of sound at the heart of silence: a silence of plenitude.

Over the course of his career Parmiggiani has developed a concise and powerful vocabulary, gathering objects, fragments and images which he chooses for their evocative power. The artist refers to the sources in this repository as ‘presences’. The book and the bell are an essential part of this lexicon and recurring motifs in his work. Presented in dialogue, they reinforce one another’s symbolic significance, revealing new connections in their elucidation of timelessness, humanity and antiquity.

In these new works, Parmiggiani ultimately articulates an ongoing commitment to his fertile investigation into the human condition and the footprints we leave behind; they invite us to reflect on our quest for knowledge and the fleeting impression we leave in the annals of history.

About Claudio Parmiggiani
Claudio Parmiggiani was born in Luzzara, Italy in 1943 and lives and works in Parma, Italy. Parmiggiani’s work has been widely exhibited in international museums and collections. His work has been shown six times at the Biennale di Venezia, Venice, Italy (1972, 1982, 1984, 1986, 1995 and 2015). Solo exhibitions have been held at the Frist Museum, Nashville TN (2019); Accademia di Francia Villa Medici, Roma, Italy (2015); Ex Oratorio di San Lupo, Bergamo, Italy (2014); Chiesa San Fedele, Milan, Italy (2014); Palais des Beaux Arts – BOZAR, Brussels, Belgium (2013); Palazzo del Governatore, Parma, Italy (2010); Collège des Bernardins, Paris, France (2008); Palazzo Fabroni Arti Visive Contemporanee, Pistoia, Italy (2007); The Musée des Beaux-arts de Nantes, Nantes, France (2007); The Grand Palais, Paris, France (2005); Galleria d’Arte Moderna di Bologna, Bologna (2003); Museum of Art, Tel-Aviv, Israel (2003) and Musée Fabre, Montpellier, France (2002). His work is part of the collections of Centre Pompidou, Paris, France; Stedelijk Museum Amsterdam, Amsterdam, The Netherlands; Museo de Bellas Artes of Havana, Havana, Cuba; The National Gallery of Iceland, Reykjavík, Iceland; Mamco – Musée d’Art Moderne et Contemporain, Geneva, Switzerland; Fondation Cartier pour l’art contemporain, Paris, France; Francois Pinault Foundation, Venice, Italy and Museo del Novecento, Milan, Italy.

Courtesy of the artist and Simon Lee Gallery


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