Chris Dorland: Active User
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Chris Dorland: Active User @ Nicoletti Contemporary, London

Fri 10 Jan 2020 to Sat 28 Mar 2020

Chris Dorland: Active User @ Nicoletti Contemporary

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Open: By Appointment

12A Vyner Street, E2 9DG, London, UK
Open: By Appointment


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Chris Dorland: Active User

London

Chris Dorland: Active User
to Sat 28 Mar 2020
By Appointment

“Far from being the smartest possible biological species, we are probably better thought of as the stupidest possible biological species capable of starting a technological civilization—a niche we filled because we got there first, not because we are in any sense optimally adapted to it. Progress”

― Nick Bostrom, Superintelligence: Paths, Dangers, Strategies

Nicoletti Contemporary presents the first solo exhibition of New-York based artist Chris Dorland (1978, Montreal) in London, which converges two interrelated projects: ‘Active User’, an exhibition of new works taking place in our physical gallery space; and ‘FLR-13’, a simulated virtual environment inaugurating our online exhibition space: Nicoletti Digital.

Nicoletti Contemporary Chris Dorland 1

Nicoletti Contemporary Chris Dorland 2

Nicoletti Contemporary Chris Dorland 3

Nicoletti Contemporary Chris Dorland 4

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Nicoletti Contemporary Chris Dorland 8

Comprising two site-specific video works presented alongside a series of new paintings and Alumacore panels, ‘Active User’ channels the mind bending spirit of science-fiction writer Philip K. Dick (1928-1982), whose dark and humorous vision challenged established understanding of both the nature of reality and the reality of nature. As the 21st Century unfolds, the progressively all-encompassing digital realm forces a redistribution of the coordinates through which humanity could hitherto differentiate what is real from what is not, generating increasingly complex living environments within which it becomes possible to inhabit the best suiting algorithmic series. Dorland’s exhibition analyses these mechanisms by reflecting upon the ramifications of human consciousness stemming from the gradually perplexed differentiation between actual and virtual environments, real and imaginary dimensions. In a world in which the splintering of interests and values give way to the construction of alternating and competing realities, resulting in the progressive vanishing of objective truth, ‘Active User’ is conceived as a glitching gateway through which communication flows between oscillating realities and conditions.

Displayed across the gallery space, Dorland’s paintings and Alumacore panels are created with images that are filtered and glitched through successive operations of iterations and translations of data – moving between scanner, camera, software and printer. The resulting compositions are superimpositions of distorted images and varyingly pixelated elements which evoke fluctuating planes of perception upon which alternately dissolve and materialise physical objects and numerical fields. ‘Active User’ attempts to conjure up the interstitial spaces where actual and virtual modes of perception and intellection interweave. Dorland’s physical works are set in relation with two video simulations which reference video games and simulated war games; they invite the viewer to shift from passive viewing to active playing.

This is where ‘Active User’ connects with ‘FLR-13’, a simulated online environment that houses two new video works. Constituting the nexus point of ‘Active User’, ‘FLR-13’ is a part viewing platform, part simulated experience that takes its title from the concept of the Thirteenth Floor , whereby countries viewing 13 as an unlucky number traditionally omit the thirteenth floor from multi-level buildings. Resulting in conspiracy theories that speculate on what is exactly happening on this supposedly missing floor – e.g. that in governments buildings it is used to house top-secret departments – the Thirteenth Floor generally suggests a place in which something sinister or clandestine is taking place. As a space located at the border between physical and virtual realities, objective truth and fantasies, Dorland’s ‘FLR-13’ operates as a backdoor to reality and offers a strange glimpse into an alternative version of his exhibition.

‘FLR-13’ inaugurates Nicoletti Digital, an interactive computer generated gallery space based on Nicoletti Contemporary’s architectural footprint. Designed by Chris Dorland and developed by Frank Musarra, Nicoletti Digital will allow viewers from anywhere with an internet connection to experience an innovative series of online exhibitions and projects running in parallel to our gallery’s programme.

Courtesy of the artist and Nicoletti Contemporary, London

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