Open: Tue-Fri 10am-5pm, Sat 1pm-4pm

Level 5, 104 Exhibition St., VIC 3000, Melbourne, Australia
Open: Tue-Fri 10am-5pm, Sat 1pm-4pm


Visit    

Benjamin Armstrong: Pictures for Thinking

Tolarno Galleries, Melbourne

Sat 12 Feb 2022 to Sat 12 Mar 2022

Artist: Benjamin Armstrong


Artworks

Examination, Day

Benjamin Armstrong

Examination, Day, 2021

Pigment & binder on polyester

1385.0 × 1230.0 × 40.0 mm

123 x 138.5 x 4 cm

contact gallery
Examination, Night

Benjamin Armstrong

Examination, Night, 2021

Pigment & binder on polyester

1380.0 × 1230.0 × 40.0 mm

123 x 138 x 4 cm

contact gallery
Picture for Thinking

Benjamin Armstrong

Picture for Thinking, 2021

Pigment & binder on polyester

1415.0 × 1215.0 × 40.0 mm

121.5 x 141.5 x 4 cm

contact gallery
MasBlue

Benjamin Armstrong

MasBlue, 2021

Pigment & binder on polyester

1415.0 × 1215.0 × 40.0 mm

121.5 x 141.5 x 4 cm

contact gallery
(In)visible

Benjamin Armstrong

(In)visible, 2021

Pigment & binder on polyester

1415.0 × 1215.0 × 40.0 mm

121.5 x 141.5 x 4 cm

contact gallery
Bones II

Benjamin Armstrong

Bones II, 2021

Pigment & binder on polyester

1435.0 × 1740.0 × 40.0 mm

174 x 143.5 x 4 cm

contact gallery
Bones III

Benjamin Armstrong

Bones III, 2021

Pigment & binder on polyester

1435.0 × 1740.0 × 40.0 mm

174 x 143.5 x 4 cm

contact gallery
Tilted Chasm, (hands)

Benjamin Armstrong

Tilted Chasm, (hands), 2021

Pigment & binder on polyester

1435.0 × 1790.0 × 40.0 mm

179 x 143.5 x 4 cm

contact gallery
Tilted Chasm

Benjamin Armstrong

Tilted Chasm, 2021

Pigment & binder on polyester

1435.0 × 1790.0 × 40.0 mm

179 x 143.5 x 4 cm

contact gallery
Untitled

Benjamin Armstrong

Untitled, 2021

Pigment & binder on polyester

1280.0 × 1690.0 × 40.0 mm

169 x 128 x 4 cm

contact gallery
Five bar gate

Benjamin Armstrong

Five bar gate, 2021

Pigment & binder on polyester, linoleum mounted on plywood

1230.0 × 2155.0 × 40.0 mm

215.5 x 123 x 4 cm

contact gallery

Added to list

Done

Removed


Installation Views

Pictures for Thinking has a wide breath of subjects: light, body, history, time, and measurement. Combinations of these subjects are used to elicit insights or to raise questions. In Bones III penetrating light becomes the source illuminating the shared structures of our varied bodies.

The same subject is often seen across two or more pictures. The parallel optics between them trigger comparisons and invite the viewer to examine myriad interpretations across subject and history.

The making of these artworks is akin to a chemical spill. It is an accident with an unpredictable result, but one in which chance and intuition coalesce. The entangled methodologies that bring these pictures to fruition include, in no particular order or hierarchy, the conventional mediums of print, drawing and painting.

If I was to ask the viewer of these artworks one thing, it would be to slow the gaze and deepen the optic nerves connection to the brain, to go the opposite direction of scrolling and millisecond focus.

– Benjamin Armstrong, February 2022

Benjamin Armstrong made his Tolarno Galleries debut in 2008 with the opening show at Tolarno’s new Exhibition Street gallery space, and was lauded by critic Sebastian Smee in The Australian as “the most dazzling show of the new gallery season... among the strangest, most beguiling works of art produced in Australia in the past 10 years.”

Significant recognition followed swiftly thereafter, with invitations to show as part of NEW 09 at ACCA and New Acquisitions at Museum of Contemporary Art, Sydney (2009); Adelaide Biennial (2010); Melbourne Now at National Gallery of Victoria (2013) and Biennale of Sydney (2014).

International galleries also beckoned, with showings in Rome, Beijing, Gwangju and New York. Acquisitions came from the British Museum, London, Monash University Museum of Art, University of Queensland Art Museum, Queensland Art Gallery, MCA Sydney, Art Gallery of South Australia and Art Gallery of Western Australia.

In 2018, Armstrong’s 2008 linocut series The shape of things to come inspired the title of the inaugural exhibition at Buxton Contemporary in Melbourne.

Courtesy of the artist and Tolarno Galleries, Melbourne

By using GalleriesNow.net you agree to our use of cookies to enhance your experience. Close